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22

Article: Album Review

Shane Parish: Undertaker Please Drive Slow

Read "Undertaker Please Drive Slow" reviewed by Glenn Astarita


Guitarist Shane Parish has amassed a strong following due to his affiliation with the ultra-progressive band Ahleuchatistas, known for its impossibly complex unison song-forms, neo-psyche, fuzoid-metal or as his website states: ..."almost like Fugazi meets Captain Beefheart." These days Parish and percussionist Ryan Oslance are performing under the Aleuchatistas moniker as a duo, while dishing out ...

18

Article: Album Review

Joe Henderson: Mirror, Mirror

Read "Mirror, Mirror" reviewed by Glenn Astarita


As anticipated, Germany-based MPS' famed audio engineering expertise--besides its tenure as a prominent jazz record label-- lives up to expectations with a superb remastering effort of the 1980 LP led by tenor sax great John Henderson and a band featuring jazz giants, pianist Chick Corea, bassist Ron Carter and drummer, Billy Higgins. The packaging includes the ...

15

Article: Album Review

Crystal Moth: Crystal Moth

Read "Crystal Moth" reviewed by Glenn Astarita


This London-based quintet started as a duo with drummer Paul May and percussionist Patrick Dawes, but eventually expanded into a quartet due to a series of meetings and encounters among additional musicians. Otherwise, May and keyboardist Carolyn Hume performed as a duo and released several intriguing minimalistic, melodic, jazz-improvisation framed outings for the largely, experimental and ...

24

Article: Album Review

Richard Pinhas - Barry Cleveland: Mu

Read "Mu" reviewed by Glenn Astarita


French guitarist and electronics ace Richard Pinhas set high standards for electronic rock with the advent of Heldon back in 1974. But his voluminous discography as a solo artist and collaborator surges onward with two concurrent 2016 releases for Cuneiform Records: Process and Reality with drummer Tatsuya Yoshida and noise electronics whiz Masami Akita aka Merzbow, ...

14

Article: Album Review

Rent Romus' Life's Blood Ensemble: Rising Colossus

Read "Rising Colossus" reviewed by Glenn Astarita


Edgetone Records sent the LP edition of this album that is also available on CD and digital format. Yet I still maintain that most jazz albums are better served via full-bodied analogue productions often equating to a studio-in-your-room experience, coupled with a first-rate turntable and audiophile trimmings that may enhance the listening experience. San ...

23

Article: Album Review

Van der Graaf Generator: Do Not Disturb

Read "Do Not Disturb" reviewed by Glenn Astarita


You can't have a serious conversation about the infancy of progressive rock without citing Van der Graff Generator (VdGG) as one of the genre's driving forces amid its influence back in the '70s and beyond. They may not have been as widely known or sold as many records as King Crimson, Yes or Emerson, Lake & ...

17

Article: Album Review

Alessio Forlani: Alameda Gardens

Read "Alameda Gardens" reviewed by Glenn Astarita


After a few spins, imagery of Florence, Italy guitarist Alessio Forlani playing a supercharged Ferrari with strings came to mind. And while there isn't a surfeit of background information on the Internet, it appears that he's also heavily involved with studio processes and production activities. Here, the guitarist kindles similarities to longtime rock guitar hero Joe ...

20

Article: Album Review

Barclay James Harvest: Everyone Is Everyone Else

Read "Everyone Is Everyone Else" reviewed by Glenn Astarita


During the advent of progressive rock in the late 1960s through the '70s, bands like ELP, King Crimson and Yes were snagging most of the headlines while others enjoyed limited success or traversed the proverbial roller coaster ride with fleeting moments of fame and recognition. Thus, Barclay James Harvest was a solid entity, tracing its origins ...

43

Article: Album Review

Adam Schneit Band: Light Shines In

Read "Light Shines In" reviewed by Glenn Astarita


For several years, saxophonist Adam Schneit has been making the rounds as a first-call sideman other than co-leading Old Time Musketry and this talented quartet, instilled with his impressive compositional skills. Here, the musicians' venture into the outside realm while dishing out more conventional fare during various phases or movements. For example, the opener “A Clearer ...

25

Article: Album Review

Ivo Perelman: The Art of the Improv Trio Volume 1

Read "The Art of the Improv Trio Volume 1" reviewed by Glenn Astarita


Tenor saxophonist Ivo Perelman's voluminous discography gets another boost with six concurrent trio releases, titled The Art of the Improv Trio Volumes 1 through 6. It's not surprising since the artist has become one of the more prolific jazz improvisers spanning the past several decades. Thus, Volume 1 launches the festivities with Karl Berger laying down ...


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