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Planeta Imaginario: Optical Delusions
by Mark Redlefsen
The term “progressive," when used to describe jazz fusion/rock, suggests a constant forward movement in the music. On Optical Delusions, Planeta Imaginario's third release (and the group's second for international distribution outside of their homeland of Spain), there is a shift towards a sort of larger jazz group sound. The Barcelona-based group delivers thirteen intricate compositions ...
Matt Haimovitz: Rare Birds
by Ian Patterson
It's a fairly audacious idea for a cello octet to interpret the music of jazz icons such as bassist Charles Mingus, trumpeter Miles Davis and saxophonist Ornette Coleman, never mind the Mahavishnu Orchestra, but clearly, as seen on the compelling Meeting of the Spirits, cellist Matt Haimovitz loves a challenge. Challenge is something he's used to, ...
Chick Corea / Gary Burton: San Diego, USA, March 1, 2011
by Robert Bush
Chick Corea / Gary BurtonAnthology,San Diego, CAMarch 1, 2011 Pianist Chick Corea and vibraphonist Gary Burton first met in the late 1960s, as Burton was leaving, and Corea was joining saxophonist Stan Getz's band. Together, they released one of the most astonishing records of the 1970s, Crystal Silence (ECM, 1973). ...
Stanley Clarke: Path Maker
by Esther Berlanga-Ryan
Innovation is a cherished quality in any art form and, truth be told, some follow greatness while others create the patterns that make that same greatness possible. There are teachers, and then, there are students. In jazz, musicians skilled in all sorts of instruments tend to look at their older peers in amazement, and challenges within ...
Russ Gershon: Time Traveler, Four Million Years Later
by Ian Patterson
Twenty-five years is a long time in jazz. When saxophonist/composer/bandleader Russ Gershon founded the Either/Orchestra back in 1985, trumpeter Miles Davis was on the crest of his jazz/funk comeback wave, and the so-called Young Lions movement fronted by trumpeter Wynton Marsalis was coming into prominence, just as Weather Report--the last of the great '70s fusion bands--was ...
Plans Set for Gil Evans' 100th Birthday Celebration - And You Can Join In
By Something Else Reviews Composer/producer Ryan Truesdell on Wednesday launched the Gil Evans Centennial Project at GilEvansProject.com. There's news: Truesdell, the first person outside of the Evans family to have full access to his musical archives, has uncovered a series of rare compositions, from before and after Evans' celebrated collaborations with Miles Davis. “Gil was an ...
Abdullah Ibrahim & Ekaya: Sotho Blue
by Ian Patterson
Pianist Abdullah Ibrahim's Ekaya is more an expression of the South African's musical philosophy than a fixed combo; musicians have come and gone and his collaborators have changed completely since its inception in 1983. Ekaya is not about personalities, but about music born of South Africa and the Afro-American experience. Speaking of Ekaya, Ibrahim states, “Its ...
Take Five With Frank Macchia
by AAJ Staff
Meet Frank Macchia: Born and raised in San Francisco, CA., Frank started on the clarinet at the age of ten years old. Soon afterward he began studies on bassoon, saxophone and flute. By the age of fourteen he began studying composition, writing jazz and classical pieces for his high school band and orchestra and ...
Pierre Favre Ensemble: Le Voyage
by Nic Jones
Pierre Favre is a scion of the improvisation scene in Europe and beyond. There's always been a reflective element in his drum and percussion work that suggests a slightly conservative disposition which has been manifested in a kind of politeness and reticence. Those two qualities in many respects sum up the music on this disc. While ...
Jim Hall: Concierto
by John Kelman
Amongst the many CTI classics of the 1970s, few stand the test of time as well as guitarist Jim Hall's Concierto, an ambitious album that, in its original form, married one side of modern mainstream with a second taken up by a 19-minute version of Joaquin Rodrigo's 1939 piece for classical guitar and orchestra, “Concierto de ...
