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Carles Benavent: Jazz, Flamenco and Blues
by Bruce Lindsay
Of all the instrumentalists in contemporary music, only a handful have become game changers. Jazz trumpet has Louis Armstrong, rock guitar has Jimi Hendrix, jazz saxophone has Charlie Parker. Flamenco bass guitar has Carles Benavent. Benavent's fluid, melodic and emotive style of playing is as beautiful as it is distinctive. Developed initially from a love of ...
Take Five With Scott Healy
by AAJ Staff
Meet Scott Healy:Scott Healy is a classically-trained pianist and composer who in the past three decades has performed and recorded many jazz, blues and rock artists, from Tony Bennett and B.B. King, to Bruce Springsteen, Levon Helm and Christina Aguilera. In addition, Scott has written concert music for symphony orchestra, chamber groups, film scores, ...
Coreto: Aljamia
by Jeff Dayton-Johnson
Coreto is an eleven-piece jazz ensemble from the Portuguese city of Porto. Aljamia, its début release, is also among the first albums to emerge from Porta-Jazz, an association of Porto jazz musicians.Leader and alto saxophonist/flautist João Pedro Brandão is a student of the multilayered musical traditions of the Mediterranean. The region is a remarkably ...
Asuka Kakitani Jazz Orchestra: Bloom
by Dan Bilawsky
The difference between a “big band" and an “orchestra" in jazz is usually more than nominal in nature. On the surface, they may seem the same, but their intent, musical scope and arranging/compositional methodology are usually very different. While it can be seen as a bit of a generalization, the “band" tag often refers to groups ...
Bob Mintzer: Amazing Reach
by Bob Kenselaar
For about half of his four decade-long career in jazz, Bob Mintzer has been a member of the Yellowjackets, one of the most enduring, distinctive and creative bands in contemporary jazz. But, oddly enough, this association is a relatively small slice of Mintzer's remarkably multifaceted life in music as a saxophonist, bass clarinetist, composer, arranger, educator ...
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
John Coltrane's Music Gets New Life at Lincoln Center
by Nick Catalano
In jazz history, the often ignored contributions of the great arranger/orchestrators can never be overestimated. It was Jelly Roll Morton's orchestral writing that enabled “Black Bottom Stomp" to soar. In trumpeter Miles Davis' Sketches of Spain (Columbia, 1960), it was Gil Evans' pen that created the magic. At Town Hall, it was Hall Overton's arrangements that ...
Dave Pell: Remembers John Kirby and Big Small Bands
by C. Michael Bailey
Historical recreations of music are nothing new. Every tribute recording ever released is one. In the 1980s and '90s, classical music went through its “period instrument-performance practice" phase, where the entire Baroque, Classical and early Romantic repertoires were recreated using instruments and metronomic markings from the 18th and 19th Centuries. In the late 1950s, jazz was ...
Bobby Zankel: Philadelphia, PA, September 22, 2012
by Victor L. Schermer
John Coltrane Birthday Celebration with Bobby Zankel's Warriors Of The Wonderful Sound40th Street Field, University of PennsylvaniaPhiladelphia, PASeptember 22, 2012It's unusual to have a jazz milestone take place in a free-for-the-people neighborhood concert on an open urban space, but that is exactly what occurred as saxophonist Bobby Zankel and his avant-garde ...
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