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Christian McBride: Knocking on the Door
by Bob Kenselaar
Christian McBride was talking about the Grammy he received in October, 2011 for his big band album, The Good Feeling (Mack Avenue, 2011)--his first Grammy as a leader and third overall. While the bassist certainly appreciated getting the nod from his peers and from the Recording Academy, he said he gets just as much of a ...
Ted Gioia: The History of Jazz (Second Edition)
by C. Michael Bailey
The History of Jazz (Second Edition)Ted GioiaHardcover; 452 pagesISBN: 0195399706Oxford University Press2011 For the past 25 years, author and teacher Ted Gioia has provided the most succinct and contemporary histories of America's native musics: blues and jazz. He has done this through his ...
Caution: Brief Column Ahead...
by Jack Bowers
This may be one of the shortest columns I've written in fourteen-plus years at All About Jazz. The fact is, not much has happened this month in our little corner of big band jazz, and there is almost nothing to report. About all we can do is look forward to events on the horizon: Jazz Under ...
Kenny Barron and Ron Carter Awarded for Lifetime Contributions to Jazz
The DC Jazz Festival (DCJF) will present its annual Lifetime Achievement Award to two of the world’s most renowned jazz artists, Kenny Barron and Ron Carter, at its 8th annual Festival, held June 1-10. Each year the DCJF honors jazz greats for their indelible lifetime contributions to jazz and humanity. Past awardees include Jimmy Heath, Eddie ...
Eddie Gomez: Per Sempre
by Dan McClenaghan
Taken as a cohesive statement--a one-hour piece of art in a world of downloads and diminishing attention spans--bassist Eddie Gomez's Per Sempre stands out, with the minor and enviable disadvantage of opening with the set's loveliest tune, “Arianna." Good news/good news: the rest of this superb outing is just a notch--a small one--below that level of ...
Don Redman: Setting the Template
by Jim Gerard
As someone who came to jazz as a young man in the 1970s, I can attest that subsequent generations of both its chroniclers and, even sadder, its practitioners, have succumbed to the peculiarly and regrettable American disease of a-historicism. They've shoved jazz history through a sieve, reducing it from an epic tale of heroic ...
Guillermo Klein y Los Guachos: Carrera
by Raul d'Gama Rose
In his first recording since the magnificent arrangements of music of by Cuchi Leguizamon, Domador de Huellas (Sunnyside 2010), pianist Guillermo Klein has reassembled his main musical vehicle, Los Guachos, for Carrera. Here, Klein once again shows why he is such a master of manipulating the voices of the instruments he uses, bringing out subtle variations ...
Siobhan Lamb: The Nightingale And The Rose / Meditations
by Chris Mosey
Experiments blending jazz with choral music are few and far between. Perhaps with good reason. Classical composer and flautist Siobhan Lamb and her husband, Gerard Presencer, the English jazz trumpeter, nonetheless accepted the challenge. Lamb's suite, “Meditations," was premiered at the 2007 London Jazz Festival, where it received rave reviews. The Guardian called ...
Putting Gil Evans in His Place
Gil Evans was a slow arranger. He tended to agonize over charts—at times missing deadlines as he pushed to make bigger impressionistic statements, set off more romantic contrasts or simply wound up entangled in revisions. In some cases, his focus on the music overshadowed the need to keep an eye on the clock. Hal McKusick's and ...
Gil Evans at 100
Gil Evans, who enriched the art and craft of jazz arranging, was born 100 years ago today. National Public Radio this morning ended one of its hours on Weekend Edition Sunday with a remembrance of Evans and his work. To listen to it, go here and click on “Listen Now.” Here are three pieces arranged by ...
