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The Politics of Dancing: Jazz and Protest, Part 2
by Karl Ackermann
Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...
Troy Collins' Best Releases of 2016
by Troy Collins
Compiling end of the year lists is never easy. Considering the quantity of recordings released in a year's time, attempting to compose a list mentioning every first-rate session would be difficult at best. These ten albums represent a fertile cross-section of some of the most compelling modern jazz issued in 2016. Many of the records listed ...
Ashley Kahn: The Making of the Miles Davis Masterpiece
by Lazaro Vega
This interview was first published at All About Jazz in November 2000 and is part of our ongoing effort to archive pre-database material. Ashley Kahn, the author of Kind of Blue: The Making of the Miles Davis Masterpiece (Da Capo Press, 224 pgs.), is Music Editor at VH1, and was the primary editor ...
McCoy Tyner Tribute at SFJAZZ
by Harry S. Pariser
McCoy Tyner Tribute Symphony Hall SFJAZZ San Francisco, CA June 19, 2016 At 8:05 PM on a Sunday evening, the lights dimmed and a master of the jazz piano took the stage at Symphony Hall in San Francisco, California. A standing ovation greeted the 77-year-old who, after seating ...
Greg Osby: Saxophone “Griot”
by Victor L. Schermer
The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the ...
Vicenza Jazz: fra Italia e America
by Libero Farnè
Vicenza Jazz 2016 Varie sedi 06-14.05.2016 “Di nuovo in viaggio verso la libertà" era il titolo programmatico del festival veneto, sempre sotto la direzione artistica di Riccardo Brazzale: un titolo che da un lato presuppone un'identità forte e storica del jazz, dall'altro sprona in modo propositivo e benaugurale a tenere sempre ben ...
Howard University Jazz Ensemble: HUJE 2015
by Jack Bowers
In 1975, Howard University, a bulwark of higher education in our nation's capital since 1867, formed its first Jazz Ensemble and named a young trumpeter / educator, Fred Irby III, as director. One year later, Irby ushered the ensemble into a recording studio to verify its prowess, a tradition that has continued uninterrupted for forty years. ...
Bergamo Jazz 2016
by Francesco Martinelli
For the first time under the artistic direction of trumpeter Dave Douglas, the 38th edition of the Bergamo Jazz Festival--one of Europe's longest running jazz events--invaded the ancient and noble city in the North of Italy with a joyous celebration of the music's diversity. The beautifully restored Teatro Sociale in the Città Alta--Bergamo's ancient ...
Ralph Peterson: Triangular III
by C. Andrew Hovan
At the age of 53, Ralph Peterson has come full circle in terms of his role in modern jazz. Back in the '80s, he was considered a “young lion" when he debuted with hard bop collective Out of the Blue. These days, he can be considered an accomplished jazz elder, giving back generously to a new ...
Dave Bryant: The Garden of Equilibria
by Dave Wayne
As one of the few keyboardists to perform and record with Ornette Coleman on a consistent basis, Dave Bryant stands alongside the likes of Geri Allen and Paul Bley. Yet, Bryant is not nearly as well-known. A Berklee graduate who studied privately with Coleman starting in 1983, Bryant's first appearance on record was with the trio ...
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