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Joe Morris Quartet: Balance
by Glenn Astarita
After several albums and great synergy, guitarist Joe Morris disbanded the quartet in 2000 with many of his associates stating it was a “terrible idea." For this reunion, the musicians' artistic evolution surges on via a conglomeration of diminutive and soaring theme-building episodes, asymmetrical footprints, and staggered detours, instilling a continual sense of anticipation.
Memories in Motian
by Zeno De Rossi
Poco dopo aver appreso la triste notizia della morte di Paul Motian, avvenuta il 22 novembre 2011, ho sentito la forte esigenza di ri-tuffarmi in profondità nella sua musica. In seguito, dopo aver letto un toccante scritto di Ellery Eskelin (pubblicato sul suo sito e riportato qui di seguito), pensai che sarebbe stato ...
Craig Taborn Trio at Gent Jazz Club
by John Sharpe
Craig Taborn Trio Belfort Café Gent, Belgium October 13, 2014 For some an enforced line up change mid tour might have spelled disaster. But pianist Craig Taborn's trio rode their fortune and delivered a, likely adrenaline-fuelled, wonderful performance. When drummer Gerald Cleaver, Taborn's most longstanding accomplice, pulled out ...
Ivo Perelman - 5 CD in un anno
by Vincenzo Roggero
Nella carriera del sassofonista e artista visuale brasiliano Ivo Perelman (il suo sito è significativamente dedicato ai due differenti ambiti artistici), iniziata discograficamente nel 1989 con l'album Ivo, possiamo individuare due punti fermi, due caratteristiche rimaste per lo più immutate nel corso degli anni. La prima è la presenza all'interno di un free spesso privo di ...
Tom Chang: Tongue and Groove
by Mark F. Turner
It's a natural extension of New York guitarist Tom Chang's repertoire to combine heavy metal with jazz improvisation in “Spinal Tap/Goes to 11" the opening track of his release Tongue and Groove. Born in South Korea, he moved to Canada with formative teen years listening to rock icons like Joni Mitchell and Led Zeppelin. What comes ...
Tom Chang: Tongue and Groove
by Mark Corroto
When did the ultimate compliment for a jazz performance switch from “you swing, cat" to “you rock, dude"? Perhaps it happened after a generation of jazz artists raised on rock-n-roll found their way into improvisation and the latitudes of expression that jazz enable. Case in point is Tongue And Groove by guitarist Tom Chang.
Steve Swell: Unlimited Musical Possibilities
by Victor L. Schermer
"Free Jazz" and “Avant-Garde Jazz" are catch phrases often associated with musical pioneers such as Ornette Coleman and Cecil Taylor but more broadly refer to music that goes outside of the mainstream of melody, harmony, rhythm, and structure. When that happens, opinions and emotions abound. Reactions vary from disgust to excitement and enthusiasm, and it is ...
Your Shipp Has Come In
by Mark Corroto
These two guest appearances demonstrate that pianist Matthew Shipp has become an elder statesman in the jazz world. How that happened can be boiled down to two simple elements. One: he has created a unique sound and language for improvised music and two: Shipp has become a doyen of cutting edge music making and opinion.
Jeff Cosgrove: Alternating Current
by Ian Patterson
"Playing music is like doing heart surgery," bassist William Parker told interviewer Radhika Philiip in Being Here: Conversations on Creating Music (Radio.org, 2013). “Every time you hit a note, someone's life is on the line, and so you can't fool around." Serious intent and intense focus are the cornerstones of these playful dialogues between ...
Joe Morris & Jamie Saft: Plymouth
by Glenn Astarita
Guitarist Joe Morris and keyboardist Jamie Saft follow-up the 2013 Rare Noise Records release Slobberpup in a similar vein by locking into another improvisational fest. Once all the audio processing equipment is ready to roll, it's time for instantaneous compositional forays, as they let the chips fall where they may. Morris' former student, guitarist and rising ...
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