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3

Article: Radio & Podcasts

Last Dance (for Now)

Read "Last Dance (for Now)" reviewed by Marc Cohn


So, this is our “last dance" at least for now, and we hope to have new Gifts & Messages shows in 2021. As many of you know, even this is only a two-hour show, it's almost a full-time job, with listening to new/old music, selecting tunes, doing the program-specific research and lots of reading, in addition ...

17

Article: Album Review

Matt Wilson Quartet: Hug!

Read "Hug!" reviewed by Jerome Wilson


A hug is something which is a distant memory for most of us these days. The warm and friendly vibes of this new Matt Wilson album could be thought of as a virtual hug, full of smile-inducing swing and raffish humor. Wilson's partners on this excursion are some of his usual cohorts, saxophonist Jeff ...

5

Article: Album Review

Matt Wilson: Hug!

Read "Hug!" reviewed by Jack Bowers


While there are a number of red-letter moments on drummer Matt Wilson's latest album, Hug!, and others that are rather less so, the earnestness is high throughout as everyone in Wilson's seasoned quartet does his best to ensure its success. That success, however, rests in part on the music itself, and therein lies the down side. ...

9

Article: Album Review

Matt Wilson Quartet: Hug!

Read "Hug!" reviewed by Dan McClenaghan


Drummer Matt Wilson's quartet opens Hug! with Gene Ammons' “The One Before This." Saxophonist Ammons often used the tune as a showcase for tenor battles with fellow sax man Sonny Stitt. Wilson and company--featuring cornetist Kirk Knuffke, sax man Jeff Lederer and bassist Chris Lightcap--lay the sound down like a party. And this quartet parties hard. ...

64

Article: Building a Jazz Library

Prestige Records: An Alternative Top 20 Albums

Read "Prestige Records: An Alternative Top 20 Albums" reviewed by Chris May


Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

2

Article: Album Review

Scott Robinson: Tenormore

Read "Tenormore" reviewed by Angelo Leonardi


Da tre decenni Scott Robinson è figura onnipresente nelle orchestre e nei gruppi d'orientamento mainstream: ha registrato venti album da leader e partecipato a più di 270 dischi. Venticinque anni al sax baritono con Maria Schneider e poi con Bob Mintzer, John Fedchock, Bob Brookmeyer, Frank Kimbrough, Ron Carter, Joe Lovano, Paquito D'Rivera, Bob Wilber (ma ...

News: Birthday

Jazz Musician of the Day: Gene Ammons

Jazz Musician of the Day: Gene Ammons

All About Jazz is celebrating Gene Ammons' birthday today! Eugene “Jug" Ammons was a jazz tenor saxophonist, and the son of boogie-woogie pianist Albert Ammons. Ammons began to gain recognition when he went on the road with trumpeter King Kolax band in 1943, at the age of 18. He became a member of the Billy Eckstine ...

26

Article: SoCal Jazz

George Garzone: Sax In The City

Read "George Garzone: Sax In The City" reviewed by Jim Worsley


George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...

1

Article: Radio & Podcasts

Matthew Whitaker, Dirty Dozen Brass Band, Squirrel Nut Zippers and More

Read "Matthew Whitaker, Dirty Dozen Brass Band, Squirrel Nut Zippers and More" reviewed by Joe Dimino


This week we caught up with young pianist Matthew Whitaker who was in our studios. In this episode we also feature clips from the February 2020 Kansas City shows of The Dirty Dozen Brass Band and The Squirrel Nut Zippers. We also spoke with both Ron Burris and Sam Hirsh and showcase their new music. Thanks ...

News: Video / DVD

8 Clips: Boss Tenors

8 Clips: Boss Tenors

Boss tenors take charge. I don't know how else to put it. When a boss tenor plays a ballad, a mid-tempo tune or a barn-burner, the saxophone's sound is assertive and commanding, with a deep, forceful push in the lower register and a bluesy wail up top. Let me illustrate with eight clips: Here's Ben Webster ...


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