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George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
Matthew Whitaker, Dirty Dozen Brass Band, Squirrel Nut Zippers and More
by Joe Dimino
This week we caught up with young pianist Matthew Whitaker who was in our studios. In this episode we also feature clips from the February 2020 Kansas City shows of The Dirty Dozen Brass Band and The Squirrel Nut Zippers. We also spoke with both Ron Burris and Sam Hirsh and showcase their new music. Thanks ...
8 Clips: Boss Tenors
Boss tenors take charge. I don't know how else to put it. When a boss tenor plays a ballad, a mid-tempo tune or a barn-burner, the saxophone's sound is assertive and commanding, with a deep, forceful push in the lower register and a bluesy wail up top. Let me illustrate with eight clips: Here's Ben Webster ...
Results for pages tagged "Gene Ammons"...
Gene Ammons
Born:
Eugene "Jug" Ammons was a jazz tenor saxophone player, and the son of boogie-woogie pianist Albert Ammons. Ammons began to gain recognition when he went on the road with trumpeter King Kolax band in 1943, at the age of 18. He became a member of the Billy Eckstine and Woody Herman bands in 1944 and 1949 respectively, and then in 1950 formed a duet with Sonny Stitt. His later career was interrupted by two prison sentences for narcotics possession, the first from 1958 to 1960, the second from 1962 to 1969. Ammons and Von Freeman were the founders of the Chicago School of tenor saxophone. His style of playing showed influences from Lester Young as well as Ben Webster
Adam Rudolph: Ragmala and Prototypical Music
by Franz A. Matzner
Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...
Tim Stine Quartet: Knots
by Mark Corroto
What is apparent straight away with Knots by the Tim Stine Quartet is the intense physicality of the performance. I'll posit Stine, a North Dakota native who grew up with classical music, was drawn to the creative music scene of Chicago because of its tradition of a robust and muscular sound. From Gene Ammons to Roscoe ...
David Sanborn: The Curtain Rises on Sanborn Sessions
by Jim Worsley
Listed alphabetically, as opposed to first, second, and third place, Cannonball Adderley, Charlie Parker, and David Sanborn are as good as it gets when discussing the best and most influential alto saxophone players of all-time. Now before you say what about Phil Woods or Kenny Garrett or any number of others, let me qualify that this ...
Houston Person: I'm Just a Lucky So and So
by Jack Bowers
Perhaps tenor saxophonist Houston Person is indeed A Lucky So and So, as he professes on his newly recorded album of that name, but it has taken far more than luck to sustain a long and successful career that spans more than half a century and numbers more than sixty albums as leader of his own ...
The Chicago Sound (1956 - 1961)
by Russell Perry
Because it acted as a safe harbor for the New Orleans diaspora of the teens and twenties, Chicago played a key role in early jazz. By the 1950s, much of jazz was understood in the dialog between cool jazz and hard bop, aka West Coast and East Coast, with Los Angeles and New York playing inordinately ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
