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News: Music Industry

Phil Chess Had A Jazz Role

Phil Chess Had A Jazz Role

The many obituaries of Chess Records co-founder Phil Chess correctly note his importance in the record company that that brought attention to blues artists who went on to became famous. Chess died yesterday at 95. The Chicago company owned by Chess and his brother Leonard had on its roster Muddy Waters, Chuck Berry, Etta James, Bo ...

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Article: Album Review

Gene Ammons: Boss Tenor

Read "Boss Tenor" reviewed by Matthew Aquiline


Tenor saxophonist Gene Ammons' tone can be best described using the qualities of an ideally brewed cup of joe: rounded, bold, smooth, and exhilarating after first taste. Widely regarded as an original founder of the “Chicago school of tenor sax," Ammons' nonchalant, yet indelible sound--echoing the soft, breathy tone of Lester Young--drove him to ...

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News: Event

The Great Migration Centennial Tribute To The Musicians Of Captain Walter H. Dyett on July 23

The Great Migration Centennial Tribute To The Musicians Of Captain Walter H. Dyett on July 23

The Great Migration Centennial Tribute July 23, 2016 • VIP Reception 7-8PM & Concert 8-11PM DuSable Museum of African American History, 740 E. 56th Place, Chicago The Great Migration, A “Centennial Tribute" To the Illustrious career of Captain Walter H. Dyett, a true pioneer and mentor to over 20,000 Chicago musicians. For ...

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Article: Album Review

Kris Allen: Beloved

Read "Beloved" reviewed by Mark Corroto


You have to love how a sommelier might describe a certain wine. It has “a jammy taste with a sweet attack, leather, tobacco, and very muscular with integrated wood." Listening to saxophonist Kris Allen's Beloved reminds us that jazz listeners use similar terms to describe the music they're hearing. Allen's alto saxophone is flavored with hints ...

News: Birthday

Jazz Musician of the Day: Gene Ammons

Jazz Musician of the Day: Gene Ammons

All About Jazz is celebrating Gene Ammons' birthday today! Eugene “Jug" Ammons was a jazz tenor saxophonist, and the son of boogie-woogie pianist Albert Ammons. Ammons began to gain recognition when he went on the road with trumpeter King Kolax band in 1943, at the age of 18. He became a member of the Billy Eckstine ...

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Article: Album Review

Nick Hempton: Catch and Release

Read "Catch and Release" reviewed by Edward Blanco


Veteran New York saxophonist Nick Hempton lets loose with the stellar Catch and Release, a special project that has been a year-long journey and an experiment of sorts, in recording and releasing music. The album contains eight original Hempton compositions except that each tune was recorded and released separately for purchase on-line on the internet for, ...

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Article: Album Review

Sax Gordon: In the Wee Small Hours

Read "In the Wee Small Hours" reviewed by Angelo Leonardi


Le esibizioni spettacolari da honker anni '40 lo hanno reso famoso al pubblico del blues ma gli amanti del jazz hanno gusti raffinati e non gli prestano molta attenzione. In questo disco, inciso in Italia con Alberto Marsico e Alessandro Minetto, Sax Gordon si mostra però ligio alla tradizione jazzistica del tenore, ampliando il suo campo ...

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Article: Album Review

Adam Scone: I Scream Scone!

Read "I Scream Scone!" reviewed by Edward Blanco


Organist Adam Scone has played many styles of music throughout his career, from funk, rock, blues, other styles to yes, jazz and in 2013 after performing as a sideman on a saxophonist Ian Hendrickson-Smith recording, decided to consider documenting his first twenty-years playing jazz and ballads and to this end, I Scream Scone! was conceived and ...

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Article: Book Review

The Velvet Lounge: On Late Chicago Jazz

Read "The Velvet Lounge: On Late Chicago Jazz" reviewed by David A. Orthmann


The Velvet Lounge: On Late Chicago Jazz Gerald Majer 224 pages ISBN: #023113682X Columbia University Press 2005 Three men sit around a table in a restaurant that--for one night a week--masquerades as a jazz club. The dinner plates have been cleared, and we're waiting to settle the check. ...

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Article: My Blue Note Obsession

Bennie Green: Soul Stirrin’ - 1958

Read "Bennie Green: Soul Stirrin’ - 1958" reviewed by Marc Davis


In the 1950s, Blue Note was a reliable bastion of hard bop. Art Blakey and the Jazz Messengers set the tone, and dozens of artists--some famous, some not--followed. But Blue Note also had small oases of not-bop, often by artists you've never heard of. Bennie Green is one of those guys, and if you ...


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