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Musician

Gato Barbieri

Born:

Mystical yet fiery, passionately romantic yet supremely cool…You hear those first few notes from that instantly recognizable tenor and know you’re in the unique musical world of Gato Barbieri. Beginning professionally as a teenager playing alto sax in Buenos Aires clubs, Barbieri’s enduring career has covered virtually the entire jazz landscape, from free jazz (with trumpeter Don Cherry in the mid-60s) and avante garde to film scoring and his ultimate embrace of Latin music throughout the 70s and 80s. He began playing tenor with his own band in the late 50s and moved to Rome with his Italian born first wife Michelle in 1962, where he began collaborating with Cherry

Album

Alma Libre

Label: Pier 5, Terry Heimat Studios, LLC
Released: 2025
Track listing: Tema De Maria; I’ll Always Be With You; A Taste Of Honey; Cinema Paradiso; Maria Cervantes; Last Tango; Rise; Just a Day Day; Adios.

Album

Standards Lost ad Found 2

Label: Red Records
Released: 2025
Track listing: Jayne; Anthropology; New Rhumba; ‘Round About Midnight; Gato Blues; Epistrophy; In Search Of The Mystery; When Will The Blues Leave?.

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Song of the Day

I'll Be Always With You

Album:
By
Label: Pier 5, Terry Heimat Studios, LLC
Released: 2025
Duration: 05:15

3

Article: Radio & Podcasts

Irène Schweizer, Gato Barbieri, Anita Donndorff & More

Read "Irène Schweizer, Gato Barbieri, Anita Donndorff & More" reviewed by Ludovico Granvassu


Unearthed gems, old souls, and soulful organ jazz in this playlist.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 Brian Charette “Why'd You Have To Go and Lie To Me Boy" You Don't Know Jack! (Cellar Live) 0:16 Host talks 5:24 Kresten Osgood, Dr. Lonnie Smith, Michael ...

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Article: Interview

Lucian Ban: Following Bartók's Trail Through the Transylvanian Villages

Read "Lucian Ban: Following Bartók's Trail Through the Transylvanian Villages" reviewed by Dean Nardi


It is hard to re-invent where jazz can go. Players can eschew all the conventional methods they want, but a wheel is still a wheel. This is a reason why pianist Lucian Ban's efforts to bring to light the Hungarian composer, pianist and ethnomusicologist Bela Bartók's works as a field collector of folk music in 21st-century ...

Article: Album Review

Gato Barbieri: Standards Lost ad Found 2

Read "Standards Lost ad Found 2" reviewed by Alberto Bazzurro


Su doppio LP o CD singolo esce il secondo volume di questo ampio corpus di inediti meritoriamente riesumato da Marco Pennisi della Red. Otto i brani complessivi di questa nuova tranche, con geometrie alquanto particolari, con doppio Gato (e il secondo brano è quel “In Search Of The Mystery" che l'anno prima aveva “battezzato" il primo ...

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Article: Year in Review

Libero Farnè's Best Jazz Albums Of 2024

Read "Libero Farnè's Best Jazz Albums Of 2024" reviewed by Libero Farnè


The list I have compiled does not follow any order of preference. The albums are organized alphabetically by artist. In my opinion, every album on this list is of great interest. I decided to include a few U.S. albums, though I had to leave out many other deserving ones, as well as three Italian albums that ...

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Article: Year in Review

I Dischi del 2024 secondo Ludovico Granvassu

Read "I Dischi del 2024 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu


Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...

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Article: Year in Review

Ludovico Granvassu's Garden of Jazzy Delights 2024

Read "Ludovico Granvassu's Garden of Jazzy Delights 2024" reviewed by Ludovico Granvassu


Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...


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