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Sam Reider: Petrichor
by Mark Corroto
There is something very George Gershwin-like about Petrichor from pianist Sam Reider. He recorded this solo session after moving back to the Bay area from New York where he studied at Columbia University and did a deep dive into American folk music. Like Gershwin, his playing is informed by not only jazz, but classical and popular ...
Billy Mohler: Anatomy
by John Chacona
Can we please retire the old cliché about jazz from Los Angeles being limp, wan and bland? One listen to pianist Cameron Graves' slamming metal-jazz or to the jittery complexity of David Binney's recent releases should be enough to torch that outdated canard. Now comes bassist Billy Mohler with Anatomy, 43 minutes of amped-up, torqued-out energy ...
Tyshawn Sorey Trio: Mesmerism
by Mark Corroto
To say that Mesmerism by the Tyshawn Sorey Trio is a departure from the drummer's regular programming is an understatement. Rather than perform his own compositions, he has assembled this trio to perform some jazz classics and standards. Sorey only held a brief rehearsal before recording this studio session. Typically, he prefers intricate arrangements and repeated ...
Jacob Garchik: Assembly
by John Chacona
Trombonist Jacob Garchik has an interest in musical subtraction. His 2012 release The Heavens: The Atheist Gospel Trombone Album (Yestereve Records) presented religious music stripped of religion. Clear Line (Yestereve Records) from 2020 featured a 13-piece big band with no rhythm section. Now comes Assembly, an inquiry into what a jazz quintet sounds like when added ...
Jacob Garchik: Assembly
by Mark Corroto
As a consequence of the global pandemic, we have been schooled in the science of virology. Under certain conditions viruses mutate and reorganize into something completely new. That is bad. Mutations can also be heard in the adventurous music of Jacob Garchik. That is good. His trombone leads his Atheist Gospel Trombone Album, his big band, ...
From Generation to Generation, A New Collection Transcends Borders and Barriers
by John Chacona
The release of the three-disc set The Concert for Bangladesh (Apple) in 1971 established a template for the charity benefit album that is still followed to this day: multiple discs in lavish packaging, a grab-bag of songs and most importantly, a red-carpet lineup of established, often older stars, one of whom was invariably the organizer of ...
Matthew Stevens: on collaboration, production, gear and career
by Leo Sidran
Various Artists: Black Lives - From Generation to Generation
by Glenn Astarita
Indeed, African Americans are the architects of several musical formations, hearkening back to Scott Joplin's development of 'ragged' rhythms i.e., Ragtime, along with blues, funk, jazz, and other genres, often evolving into various tangents and offshoots. And on this comprehensively entertaining set produced by Belgian Stefany Calembert with assistance from her husband and acclaimed bassist Reggie ...
Walter Smith III: Listen To The Young Players
by Leo Sidran
From an early age, Walter Smith III began taking music very seriously. “My first gig was playing at a McDonalds in Houston]} with another saxophonist. I took a solo on “Blue Bossa." It was terrible. People clapped, and I figured if I could get away with that and get applause, how could I fail?" <br /><br ...
Whit Dickey Quartet: Astral Long Form: Staircase In Space
by Mark Corroto
As leader of the Whit Dickey Quartet, the drummer placed total faith in his bandmates for this studio session. The accompanying materials quote Dickey, “I asked them all to not think of time too much; I just wanted them to play, not to follow me or each other." Was that instruction made out of confidence or ...
