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6

Article: Album Review

Dawn of Midi: Dysnomia

Read "Dysnomia" reviewed by Mark F. Turner


The script gets flipped in Dysnomia, where calculated syncopations are not generated from laptops or patched-in devices but produced by the post-minimalist acoustic trio Dawn of Midi, paying homage to electronica with 46 minutes of methodically composed music. But then again what is music? As defined by Merriam-Webster: it is a science or art of ordering ...

5

Article: Album Review

E. Normus Trio: Love and Barbiturates

Read "Love and Barbiturates" reviewed by Glenn Astarita


These Asheville, NC musicians started collaborating in 2007, leading to this debut release that skirts the boundaries of jazz-rock, free-jazz and progressive metal-jazz. The jazz and improvisational elements accentuate most of these works, fueled by adrenaline rushes amid the trio's broad arsenal.Excitable but largely cohesive, lead soloist and clarinetist Steve Alsford bridges torrid breakdowns ...

5

Article: Album Review

Ryan Cohan: The River

Read "The River" reviewed by Glenn Astarita


Looking back, there must be hundreds or perhaps thousands of album titles that designate some reference to a river, regardless of their genre. But talented pianist Ryan Cohan does impart a distinctive stylization within the grand scope of this thoroughly modern jazz oeuvre, inspired by a recent U.S. State Department-sponsored tour of East Africa, and intersected ...

5

Article: Album Review

Daniel Rosenboom: Book of Omens

Read "Book of Omens" reviewed by Troy Collins


Los Angeles-based trumpet player Daniel Rosenboom is quickly becoming a ubiquitous presence in the West Coast's creative jazz scene. His credits include a variety of endeavors, from challenging sideman work with venerated scene leader Vinny Golia to membership in the radical young Balkan ensemble PLOTZ! His 2006 solo debut, Bloodier, Mean Son (Nine Winds) established Rosenboom ...

5

Article: Interview

Miguel Zenon: Celebrating the Music of La Isla

Read "Miguel Zenon: Celebrating the  Music of La Isla" reviewed by Steve Bryant


For the last decade, saxophonist Miguel Zenón has distinguished himself as one of the most innovative and creative musicians in the modern jazz idiom. The Puerto Rican-born altoist accomplished this feat by reaching back to the musical and cultural traditions of his island. On groundbreaking recordings such as Jibaro (Marsalis Music, 2005) and Esta Plena (Marsalis ...

9

Article: Interview

Ross Hammond: Holding onto the Wave

Read "Ross Hammond: Holding onto the Wave" reviewed by Troy Collins


Sacramento-based guitarist Ross Hammond has been steadily gaining attention, courtesy of a tireless performing schedule reinforced and documented by a series of diverse albums issued on his own Prescott Recordings imprint. Hammond's releases have featured a variety of instrumental lineups, ranging from lyrical solo recitals to frenetic collective improvisations. His most recent endeavor is Cathedrals (Prescott ...

6

Article: Album Review

Gilad Hekselman: This Just In

Read "This Just In" reviewed by Mark F. Turner


If Gilad Hekselman's previous releases caused a few ripples then his fourth album, This Just In should make a splash. The Israeli-born, New York-based guitarist has garnered attention as a rising fret-board wizard from the wellspring of notable peers such as Lage Lund and Miles Okazaki; fresh voices with plenty of technique but of equal importance ...

6

Article: Album Review

Miguel Zenon & The Rhythm Collective: Oye!!! Live In Puerto Rico

Read "Oye!!! Live In Puerto Rico" reviewed by Dan Bilawsky


Puerto Rican pride oozes from every album under alto saxophonist Miguel Zenón's name. Most recently, he explored plena music in a jazz context on the winning Esta Plena (Marsalis Music, 2009), and put a new spin on songs from the Puerto Rican Songbook with Alma Adentro (Marsalis Music, 2011). While those projects differ greatly, with rough-and-tumble ...

4

Article: Album Review

Mara Rosenbloom Quartet: Songs from the Ground

Read "Songs from the Ground" reviewed by Glenn Astarita


Pianist Mara Rosenbloom frames her second album on personal recollections encapsulating childhood, family matters, and challenging situations. Therefore, the idealization for this outing is not merely steeped within an austere band approach. Taken from this perspective, her musicality embeds or perhaps synchronizes a form of melodic goodness with a traumatic periphery. Rosenbloom's brand ...

4

Article: Album Review

Ches Smith and These Arches: Hammered

Read "Hammered" reviewed by Glenn Astarita


Four progressive-jazz and improvising luminaries lend their expertise for New York City-based drummer Ches Smith's foray into a multi-purposed set, exploring and splitting the frontiers of avant-garde jazz, rock and other genres into asymmetrical components. Thus far, the artist has been in the thick of things, amassing an impressive discography, performing and recording with notables such ...


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