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Freddie Redd
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Freddie Redd that is- consummate improvising keyboardist/composer whose original score on Blue Note for Jack Gelber's searing play "The Connection" reverberates eternally down the marble halls of the charm(ed) school of indelible jazz, thanks to Freddie's bewitching melodicism, nimble pianistic pyrotechnique, and the keening cry of Jacke McLean on alto (there's also a recording of Freddie's score on Felsted acquired on a Japanese cd reissue some years ago, with trumpeter Howard McGhee an extra added ingredient in the original mix, his quintet actually listed as the featured artist, Freddie ghosting his own parts under the moniker "I Ching") Outside of Herbie Nichols, Freddie Redd is one of the greatest unsung ivory-huntin' heroes of jazz and a very nice man for sure
Henry Franklin: Jazz Is Dead 14
by Chris May
Adrian Younge and Ali Shaheed Muhammad's Jazz Is Dead label is a moveable feast when it comes to consistency. In its fourteen albums date, there have been some great ones, some not so great ones and a couple of duds. With bassist Henry Franklin, however, the label has come up with a blinder, its most satisfying ...
Freddie Redd (1928-2021)
Freddie Redd, a hard-bop pianist whose funk-driven, percussive style and sophisticated sense of harmony were reminiscent of Horace Silver but whose recording output seemed thinner than his initial promise, died March 17. He was 92. Born in New York and largely self-taught, Redd recorded sporadically in the 1950s as a sideman, disappearing for blocks of time ...
Freddie Redd on Blue Note
Freddie Redd was a hard-bop pianist whose percussive, funk-flavored style had a great deal in common with pianist Horace Silver. But for some reason, Redd recorded far too few albums given his talents, preferring instead to earn his living playing clubs in the U.S. and abroad. Born in New York and largely self-taught, Redd recorded sporadically ...
Michael Cuscuna: In The Vault Playing God
by AAJ Staff
From the 1995-2003 archive: This article first appeared at All About Jazz in December 2000. Michael Cuscuna is one of the most important figures in the jazz reissue field today. He has been responsible for hundreds of releases for many companies, and he was fortunate to meet and befriend Alfred Lion during the final ...
Hard Bop: An Alternative Top Ten
by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun—but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
Un Poco Loco: Ornithologie
by Mark Corroto
Somewhere Han Bennink is very jealous of the music making of the trio Un Poco Loco. The master of 'New Dutch Swing' hijinks would give his right crash cymbal to perform music in the manner this trio covers Charlie Parker on Ornithologie. The aptly designated Un Poco Loco ('a bit crazy') trio is trombonist Fidel Fourneyron, ...
Two Different Fates - Jackie McLean & Tina Brooks (1960 - 1963)
by Russell Perry
Fate could not have treated Blue Note saxophonists Tina Brooks and Jackie McLean more differently. While McLean released nine LPs for Prestige and two dozen for Blue Note between 1956 and 1967, only one of Tina Brooks' four Blue Note sessions was released in his lifetime. Yet their collaborations on McLean's Jackie's Bag and the unreleased ...
Take Five with Mike Casey
by Mike Casey
About Mike Casey Saxophonist, songwriter, and teaching artist Mike Casey has been a fixture on the jny: Hartford jazz scene and beyond since 2011, when he began attending the acclaimed Jackie McLean Institute of Jazz at the University of Hartford's Hartt School. In 2015, Mike was one of 24 young jazz composers worldwide chosen ...
Jay Thomas / Gary Smulyan: Lowdown Hoedown
by Paul Rauch
Sometimes the most joyous and satisfying things in life occur in the light of pure happenstance. Such was the case when New York based baritone saxophone master Gary Smulyan ventured west in the 90's to perform and teach at the Jazz Port Townsend Festival in Washington state, in those days directed by veteran saxman, Bud Shank. ...
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