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124

Article: Album Review

Christian McBride Big Band: The Good Feeling

Read "The Good Feeling" reviewed by Dan Bilawsky


The Good Feeling marks the debut of the Christian McBride Big Band, but the seeds for this album were sown in the mid-'90s. Jazz at Lincoln Center commissioned McBride to write and arrange his first major big band work--"Bluesin' In Alphabet City"--in 1995, and that experience really sparked his interest in composing for large groups. Now, ...

297

Article: Reassessing

Chet Baker: She Was Too Good To Me

Read "Chet Baker: She Was Too Good To Me" reviewed by C. Michael Bailey


Chet BakerShe Was Too Good To MeCTI Records1974 The modern image of trumpeter/vocalist Chet Baker is a hopelessly fractious one. Baker is, at once, a brilliant musical autodidact with a superb ear while, at the same time, a musician with a nonexistent grounding in musical theory. Like ...

206

Article: Album Review

Randy Weston: Blue Moses

Read "Blue Moses" reviewed by Eugene Holley, Jr.


Brooklyn-born, six-foot-seven octogenarian pianist/composer Randy Weston has literally been a larger-than-life jazz force for six decades: his percussive pianism was forged from a distinguished keyboard continuum, ranging from Duke Ellington and Thelonious Monk to John Lewis; his “Little Niles" and “Hi-Fly" are well-worn jazz standards; and the pianist may well be the greatest exponent of the ...

164

Article: Live Review

Jay Phelps Big Band: Snape, UK, August 17, 2011

Read "Jay Phelps Big Band: Snape, UK, August 17, 2011" reviewed by Bruce Lindsay


Jay Phelps Big BandSnape MaltingsSnape, UKAugust 17, 2011 Trumpeter Jay Phelps, a native of Vancouver who moved to the UK in his teens, first came to the attention of the British jazz scene as a member of Tomorrow's Warriors. In his early 20s he co-founded Empirical, playing on that band's debut ...

218

Article: Extended Analysis

Randy Weston: Blue Moses

Read "Randy Weston: Blue Moses" reviewed by Chris May


Randy WestonBlue MosesCTI Masterworks2011 (1972) Sony's program of reissues from CTI--the label set up by producer Creed Taylor in the late 1960s, post Impulse!, which he also founded, and post Verve, where he had moved on leaving Impulse!--continues with one of the brightest jewels in the CTI ...

83

News: Recording

First Time on CD: Sony Masterworks Jazz Releases More Classic Reissues

Masterworks Jazz continues its celebration of the 40th Anniversary of CTI Records with reissues of four more classic CTI albums available on August 9. Available for the first time on CD are Airto's Fingers, Jackie Cain & Roy Kral's A Wider Alias, Joe Farrell's Outback and Randy Weston's Blue Moses. All four releases have been remastered ...

242

Article: Album Review

Freddie Hubbard: Pinnacle

Read "Pinnacle" reviewed by Larry Taylor


Trumpet great Freddie Hubbard, who died in 2008 at age 70, was at his peak in 1980 when Pinnacle was taped. He had recorded with greats, from Wes Montgomery and Art Blakey to John Coltrane, Sonny Rollins, and Oscar Peterson, and led many groups of his own. In his prime, from the sixties ...

204

Article: Reassessing

Ornette Coleman: Change Of The Century

Read "Ornette Coleman: Change Of The Century" reviewed by C. Michael Bailey


Ornette ColemanChange Of The CenturyAtlantic1959 Change Of The Century was an audacious album title, to say the least. On his second Atlantic release--and second with his most like-minded ensemble (trumpeter Don Cherry, bassist Charlie Haden and drummer Billy Higgins)--alto saxophonist Ornette Coleman pushed the freedom principal farther. At ...

224

Article: Album Review

Freddie Hubbard: Pinnacle

Read "Pinnacle" reviewed by Dan Bilawsky


Pinnacle is a testament to the trumpet prowess of the one and only Freddie Hubbard, but it's also a salute to the San Francisco-based jazz club that played host to Hubbard on numerous occasions. Todd Barkan's Keystone Korner was ground zero for some of the best live jazz on the West Coast during its eleven-year lifespan, ...

155

Article: Album Review

Vincent Lyn: Heaven Bound

Read "Heaven Bound" reviewed by Edward Blanco


Heaven Bound: indeed, what an appropriate choice of words to title pianist Vincent Lyn's project. The album is a wonderful collection of jazz, bossa nova, samba, Afro-Cuban rhythms and delicate classical interpretations. The fourteen-piece repertoire is an even blend of melody-rich originals and well-chosen, uncommon jazz standards. The music is engaging, sophisticated and highly pleasurable from ...


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