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The Susan Krebs Band: Everything Must Change
by Jack Bowers
Appraising a jazz singer, male or female, is never easy; there are so many variables to consider. First, of course, is the voice, which must be lucid and pleasing to the ears. Respect for a lyric is important, as is articulation, which is bound closely to emotion; too little can be seen as tedious, too much ...
Music Matters and the Blue Note Oddballs
by Greg Simmons
In its heyday, Blue Note records had a relatively stable roster of musicians. Leaders including saxophonist Hank Mobley, trumpeter Freddie Hubbard, pianist Horace Silver and saxophonist Lou Donaldson all released lengthy strings of records during recording relationships that were measured in years. Some players, like bassist Paul Chambers, became de facto house musicians for the label, ...
Herbie Hancock: Empyrean Isles
by Greg Simmons
As a member of Miles Davis' second quintet during the 1960s, pianist Herbie Hancock rarely performed live under his own leadership, but he did take the time to record. Hancock's 1964 effort, Empyrean Isles, remains one of the most diverse and often challenging records of the pianist's tenure with Blue Note Records. It's a rare jazz ...
Ron Carter: The Right Notes, Alright
by R.J. DeLuke
There can't be any jazz musician or jazz listener who doesn't know Ron Carter and his standing as one of the most successful and influential bass players in the history of music in America. He's a musician of the highest order, with a rich, immediately identifiable sound that has resonated in the jazz world for some ...
A Delightful Twofer from University of Arts in Philadelphia
by Hrayr Attarian
University of Arts in Philadelphia boasts a premier school of music that is devoted to educating the next generation of innovators in jazz and other modern musical styles. Its dual 2010 releases show that it is indeed succeeding at its mission. UARTS Z BandUniversity of the Arts Big BandSelf ...
Freddie Hubbard: Straight Life (40th Anniversary Edition)
by Jeff Dayton-Johnson
CTI Records reissued trumpeter Freddie Hubbard's November 1970 date, Straight Life, in 2011. As with some of the other reissues in this series (see John Kelman's in-depth discussion of some of the more important of these), its availability on compact disc has been spotty. Straight Life is a good--if not great--record, and it's good to have ...
Tomas Fujiwara & The Hook Up: The Air Is Different
by Robert Bush
Boston-born and Brooklyn-based drummer Tomas Fujiwara has been stirring things up in the New York City creative music scene for some time now, working with a wide variety of players including cornetist Taylor Ho Bynum and guitarist Mary Halvorson.His working ensemble, Tomas Fujiwara & The Hook Up, features Halvorson--one of the brightest voices in ...
Ro Sham Beaux: Ro Sham Beaux
by Jeff Dayton-Johnson
The four New England Conservatory students who make up Ro Sham Beaux would have you believe that their sound is some kind of convoluted indie-rock/jazz hybrid. That pretense is present in the rock 'n' roll production values of the record and in the album artwork; it's even there in the press release.That's all well ...
Jazz Soul Seven: Impressions Of Curtis Mayfield
by Dan Bilawsky
Curtis Mayfield's music has always possessed a certain cachet in soul, funk, R&B, pop and rock circles, but it never fully took hold in jazz until now. Pianist Herbie Hancock had some fun with Mayfield's “Future Shock" on the decades-old album of the same name (Columbia 1983), while other jazz musicians may have occasionally taken a ...
Westchester Jazz Orchestra: Maiden Voyage Suite
by Nicholas F. Mondello
Imagine a painter, sculptor or writer attempting to recreate a masterpiece done by a Picasso, Michelangelo or Shakespeare. The task redefines challenge and chutzpah. While jazz recreations are more common than those in other arts--Clark Terry and the Chicago Jazz Orchestra's marvelous revisit (Americana Music, 2004) of the Miles Davis/Gil Evans' Porgy and Bess (Columbia, 1958), ...
