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9

Article: Interview

Clifton Anderson: Knowing the Road

Read "Clifton Anderson: Knowing the Road" reviewed by Barbara Ina Frenz


New York trombonist Clifton Anderson has mastered his instrument from the 1970s on in jazz programs of his home town outside the conservatory (which he also attended), that were initiated by leading spirits of the music such as Barry Harris, Sam Rivers, and Reggie Workman; these informal, professional jazz circles gave him information, insights and inspiration ...

Album

The Complete Recordings

Label: Phono
Released: 2020
Track listing: CD1: Nutville; The Way You Look Tonight; Star Eyes; Minor Move; Everything Happens To Me; Good Old Soul; Up Tight’s Creek; Theme For Doris; Miss Hazel; True Blue; Nothing Ever Changes My Love For You. CD2: Back To The Tracks; Street Singer; The Blues And I; For Heaven’s Sake; The Ruby And The Pearl; Talkin’ About; One For Myrtle; Dhyana; David The King; Stranger In Paradise; The Waiting Game.

6

Article: Interview

Billy Childs: L.A. Contentment

Read "Billy Childs: L.A. Contentment" reviewed by R.J. DeLuke


Billy Childs says taking formal piano lessons as a young child “didn't register" at the time. He didn't recoil from the instrument by any means, but it wasn't yet exciting. But he had a neighbor who also played. Childs looked up to him. It was that neighbor who showed him stuff--taught him to play “ Cantaloupe ...

43

Article: Building a Jazz Library

Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water

Read "Yusef Lateef: An Alternative Top Ten Albums Blowing Cultural Nationalism Out Of The Water" reviewed by Chris May


A pioneer of global and modal jazz, the multi-instrumentalist and composer Yusef Lateef is only beginning to have his importance in the history of the music properly acknowledged. After languishing off-catalogue for decades, much of his output is being made available once more. A treasure trove of great jazz is out there waiting to be rediscovered. ...

4

Article: Radio & Podcasts

Hard Bop Still Cookin’ - Terell Stafford, The Cookers, Aaron Diehl, Chano Dominguez, Poncho Sanchez

Read "Hard Bop Still Cookin’ - Terell Stafford, The Cookers, Aaron Diehl, Chano Dominguez, Poncho Sanchez" reviewed by Russell Perry


Since the 1950s, there have consistently been players who found in Hard Bop a comfortable place to return to, even as the focus of the music ebbed and flowed. Perhaps, this is because so many heroes of modern jazz created the music that defined the genre, players like Miles Davis, John Coltrane, Freddie Hubbard, Wayne Shorter, ...

25

Article: Album Review

Doug Webb: Apples & Oranges

Read "Apples & Oranges" reviewed by Kyle Simpler


Chances are good that pretty much everybody in the US has heard Doug Webb's music. He's performed for numerous television programs, including Law and Order, Family Guy and The Simpsons, where he played Lisa Simpson's saxophone parts. He's also been featured on several movie soundtracks and recorded with artists in practically every genre of music, including ...

6

Article: Interview

Essential Michael Brecker

Read "Essential Michael Brecker" reviewed by Jason West


This article was originally published at All About Jazz in November 1999. Michael Brecker's contributions to music are generous and, like the pregnant ideas that flow from his tenor horn, they continue to grow. At 50, the saxophonist has found acceptance in a wide variety of musical settings, having performed with pop stars like ...

11

Article: Interview

Marvin Stamm: Team Player

Read "Marvin Stamm: Team Player" reviewed by R.J. DeLuke


Trumpeter Marvin Stamm is known for being part of a gazillion albums, having that ability to go into a studio and play exactly what's required, whether it's for a records by pop singers, jazz artists, Paul McCartney, Donny Hathaway or touring with Frank Sinatra. It's a reputation the highly skilled player earned with hard work.

30

Article: Building a Jazz Library

Muse Records: Ten Smoking Hot Albums

Read "Muse Records: Ten Smoking Hot Albums" reviewed by Chris May


Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...


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