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AACM: Together We Are Stronger
by Chris May
With the passing in 2017 of the pianist Muhal Richard Abrams and trumpeter Phil Cohran, the Association for the Advancement of Creative Musicians, formed in Chicago in 1965, lost the last two of the four musicians who organised its inaugural meeting. But with two succeeding generations of standard bearers stepping up to the plate, the AACM ...
About Fred Hopkins
Results for pages tagged "Fred Hopkins"...
Fred Hopkins
Born:
Fred Hopkins was an American double bassist. He played with many musicians and ensembles connected with the Chicago based Association for the Advancement of Creative Musicians, and was an active participant in the so-called Loft Jazz Scene in New York during the 70's. He is perhaps best known as a member of the celebrated avant-jazz trio Air, which he formed along with Henry Threadgill and drummer Steve McCall. As a highly sought after bassist throughout his career, he was also an integral member of Henry Threadgill's Sextet (later renamed Sextett), and also played with, among others, Muhal Richard Abrams, Hamiett Bluiett, Marion Brown, Peter Brötzmann, Oliver Lake, Don Pullen, and on numerous albums with David Murray
AkBank Jazz Festival 2019
by Francesco Martinelli
AkBank Jazz Festival Istanbul, Turkey October 18-25 2019 I arrived in Istanbul during the world-wide outrage that followed the United States pull-out from Syria and the consequent military intervention by Turkey. The new humongous airport looked rather empty compared to the crowded spaces of the old one; the trip to ...
The Creative Musicians Improvisers Forum: New Haven's AACM
by Daniel Barbiero
The late 1960s through the 1970s and '80s were difficult years for jazz and jazz-derived improvised music, but they were also years that saw musicians—by necessity—respond to these difficulties with creative solutions. With first the rise and then the commercial dominance during those years of rock music and the corresponding eclipse of jazz, creative musicians in ...
Michael Gregory Jackson Clarity Quartet: WHENUFINDITUWILLKNOW
by Troy Dostert
A guitarist with a prodigious recorded legacy and an omnivorous stylistic range, Michael Gregory Jackson's return to his avant-jazz roots during the past couple of decades has been a welcome, if under-recognized, development. While he cut his teeth in the '70s loft scene in the company of luminaries such as Wadada Leo Smith, Oliver Lake, Julius ...
10³²K: The Law of Vibration
by Karl Ackermann
This is where the laws of physics meet the laws of the universe. The imaginative dynamism that marked 10³²K's debut That Which is Planted (Passin' Thru Records, 2014) is taken to another level on their new release The Law of Vibration. The trio of trombonist/trumpeter Frank Lacy, bassist Kevin Ray and percussionist Andrew Drury are joined ...
Meet Luis Torregrosa
by Tessa Souter and Andrea Wolper
Dr. Luis Torregrosa has been a Super Fan for as long as he can remember; you could even say his love of music is no less than a calling. Based in Trenton, MI (our first Super Fan outside of New York!), Luis has spent the last 45 years of his life not only enjoying the music ...
Arthur Blythe: Lenox Avenue Breakdown / In The Tradition / Illusions / Blythe Spirit
by Jakob Baekgaard
Jazz-reissues are important because they help to write and rewrite jazz-history. Through reissues, the prominence of an artist is maintained and the canon is confirmed, but it can also be questioned and corrected. A double-disc from the excellent reissue label, BGO, brings four key records from leader and alto saxophonist, Arthur Blythe, back into circulation. The ...
Nicole Mitchell, Tomeka Reid, Mike Reed: Artifacts
by Vic Albani
I figli crescono. Terza generazione della mai troppo celebrata AACM chicagoana, Nicole Mitchell, Tomeka Reid e Mike Reed danno alle stampe un interessantissimo CD che è già stato votato da molte testate specializzate quale uno dei migliori, se non il migliore disco di jazz dello scorso anno. Artifacts è innanzitutto ...
Something old, something new, something reissued, something Brötzmann blew.
by Mark Corroto
Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...
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