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Frank Wright

Reverand Frank Wirght is one of the most underrated musical geniuses of the 20th century. He was born on July 9th 1935 in Grenada Mississippi but grew up in Cleveland. As a young man he was an electrical bassist in R and B bands in both Memphis and Cleveland. He switched to tenor sax and embraced the free jazz movement after meeting Albert Ayler and being greatly influenced by him. In the mid 60s he moved to New York City and played with some of the big names in the Avant Garde movement including, briefly, John Coltrane. His first sessions as a leader were recorded for the small ESP label

ARTICLE: ALBUM REVIEW

James Blood Ulmer: Baby Talk

Read "Baby Talk" reviewed by Mark Corroto

It was a predestined meeting. This collaboration between the legendary guitarist James Blood Ulmer and the band The Thing. Ulmer, who cut his teeth with the soul jazz organists Hank Marr, Larry Young and Big John Patton before collaborating with Ornette Coleman's electric free jazz/funk harmolodic music, expanded upon Coleman's ideas, incorporating rock music with players ...

ARTICLE: INTERVIEW

Steve Swell: Appreciating the Avant Garde Today

Read "Steve Swell: Appreciating the Avant Garde Today" reviewed by Victor L. Schermer

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6[This is the third of an All About Jazz series of interviews and articles on “The Many Faces of Jazz Today: Critical Dialogues" in which we explore the current state of jazz around the world with musicians, journalists, ...

NEWS: OBITUARY

Charles "Bobo" Shaw 1947-2017

Charles "Bobo" Shaw 1947-2017

Charles Wesley “Bobo" Shaw, a St. Louis drummer who helped found the Black Artists Group, co-led the Human Arts Ensemble, and played with many prominent jazz and creative musicians of the past half-century, has died at a nursing care facility in St. Louis. He was 69 years old. St. Louis trumpeter, arts administrator and impresario George ...

ARTICLE: MULTIPLE REVIEWS

Three New Releases from Peter Kuhn

Read "Three New Releases from Peter Kuhn" reviewed by Dave Wayne

Clarinetist Peter Kuhn came up in the 1970s. In those days, one could count the number of modern jazz clarinet specialists on one hand: John Carter, Perry Robinson, Theo Jorgensmann, Alvin Batiste and—if you include the bass clarinet—Michel Pilz. So, one hand and a finger. Still associated with Benny Goodman, Dixieland and Swing, the clarinet was ...

ARTICLE: GENERAL ARTICLES

Piccola guida al nuovo jazz italiano

Read "Piccola guida al nuovo jazz italiano" reviewed by Luca Canini

Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...

ARTICLE: INTERVIEW

Getting To Know Ras Moshe

Read "Getting To Know Ras Moshe" reviewed by Dom Minasi

Ras Moshe is not a name most people are familiar with. If you listen to straight ahead jazz you probably wouldn't know Ras. Now if you go to some of the 'downtown' performances in New York City and Brooklyn you probably have seen him play. I heard him ten years ago playing Tenor Sax at the ...

ARTICLE: ALBUM REVIEW

Melodic Art-Tet: Melodic Art-Tet

Read "Melodic Art-Tet" reviewed by Alberto Bazzurro

Su doppio LP (tirato in 400 esemplari) o singolo CD (di quasi ottanta minuti), la benemerita etichetta lituana NoBusiness Records porta alla luce un altro reperto d'epoca, in questo caso, oltre tutto, riguardante una formazione altrimenti inedita su disco. Si tratta del Melodic Art-Tet, prodotto abbastanza tipico del cosiddetto loft jazz, colto in una registrazione radiofonica ...

Blues For Albert Ayler

Label: ESP Disk
Released: 2013
Track listing: Part 1; Part 2; Part 3; Part 4; Part 5; Part 6.

ARTICLE: ALBUM REVIEW

Frank Wright: Blues For Albert Ayler

Read "Blues For Albert Ayler" reviewed by John Sharpe

Reedman Frank Wright's eponymous first album surfaced on ESP-Disk in 1965, so it is fitting that this historic live recording also appears on the newly-revived imprint, making good its mission of releasing unheard sessions by label stalwarts, alongside newer works. Though dedicated to his erstwhile employer, saxophonist Albert Ayler, Wright's tenor saxophone also hints at the ...


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