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Frank Lowe

Frank Lowe - tenor saxophone (1943 2003) Tenor saxophonist Frank Lowe came out of Memphis inspired by the bluesy sound of King Curtis, but went on to become one the premier free jazz players in New York beginning with his association with Sun Ra in the mid sixties. Frank Lowe grew up in Memphis and soaked up the remarkable musical currents of that city in the early 1960's. The saxophonists Charles Lloyd and Hank Crawford and the singer Carla Thomas were his friends and neighbors; his first music teacher outside of school was Packy Axton, the part owner of Stax Records, who also played saxophone

ARTICLE: ALBUM REVIEW

James Brandon Lewis: An Unruly Manifesto

Read "An Unruly Manifesto" reviewed by John Sharpe

An UnRuly Manifesto feels like the album tenor saxophonist James Brandon Lewis has been working towards since his relocation to New York in 2012. His quintet's standout set at the 2019 Vision Festival was based around this program, no surprise given that this is such a formidable disc. Lewis retains the services of bassist Luke Stewart ...

John Dikeman And The Origin Of The Species

Read "John Dikeman And The Origin Of The Species" reviewed by Mark Corroto

If we were to go searching for saxophonist John Dikeman's spirit animal, we might have to bypass beast for sapien. Let's just say his spirit animal is the father of punk, Iggy Pop. Like early music by The Stooges, Dikeman's sound makes reference to the music of both Albert Ayler and Pharoah Sanders. It's a shame ...

ARTICLE: LIVE REVIEW

Edgefest 2018: The Chicago Connection

Read "Edgefest 2018: The Chicago Connection" reviewed by Troy Dostert

Edgefest Ann Arbor, MI October 17-20, 2018 This year, Ann Arbor, Michigan's Edgefest Festival turned to Chicago for inspiration. An astonishing array of talented musicians, most with roots in Chicago's storied past or its vibrant present, made appearances at the Kerrytown Concert House for four days of exceptional music that could generally ...

ARTICLE: JAZZ POETRY

Poetry and Jazz: A Chronology

Read "Poetry and Jazz: A Chronology" reviewed by Duncan Heining

My intention here is to offer a detailed but inevitably incomplete chronology of poetry and jazz. The focus is solely on the combination of the two art forms in performance, not on poetry about jazz or jazz musicians or poetry inspired by jazz but not performed to music. My definition of 'poetry' is fairly broad and ...

ARTICLE: ALBUM REVIEW

Joris Teepe: In The Spirit Of Rashied Ali

Read "In The Spirit Of Rashied Ali" reviewed by Mark Corroto

In politics, as well as music, the revolutionaries rarely govern. With the exceptions of Louis Armstrong, Miles Davis, and John Coltrane, Albert Ayler, Marion Brown, and Rashied Ali exemplify this theory. Thankfully, those fighting in the trenches alongside the insurgents, like Joris Teepe, are determined to keep their memory and spirit alive. The Dutch-born New York ...

ARTICLE: ALBUM REVIEW

The Thing: Again

Read "Again" reviewed by Mark Corroto

Wait for it. Wait. At some point during a performance or recording by the trio known as The Thing, the band attempts to rip your face off, beginning with your ears. It's been that way since they were founded in 2000. The Swedish/Norwegian free jazz/garage band have become a kind of jazz/punk royalty, cutting huge swaths ...

ARTICLE: ALBUM REVIEW

Peter Kuhn Trio: Intention

Read "Intention" reviewed by John Sharpe

Reedman Peter Kuhn's re-emergence on disc after a 35-year hiatus was one of the more heartening stories of 2016. Kuhn figured on the New York loft jazz scene during the latter half of the 1970s, releasing three LPs under his own leadership, notably Livin' Right, reissued to much acclaim as part of No Coming, No Going ...

ARTICLE: ALBUM REVIEW

Toxic: Mat Walerian/Matthew Shipp/William Parker: This Is Beautiful Because We Are Beautiful People

Read "This Is Beautiful Because We Are Beautiful People" reviewed by Matthew Aquiline

Polish multi-instrumentalist Mat Walerian is on the verge of reserving his seat in the pantheon of groundbreaking hornmen who recorded for the late Bernard Stollman's storied ESP-Disk' label. Not as frenetic as Frank Wright, nor as strident as Sonny Simmons, Walerian instead boasts a singular approach that binds Eastern influence and blues sensibility with fluent, legato ...

The Politics of Dancing: Jazz and Protest, Part 2

Read "The Politics of Dancing: Jazz and Protest, Part 2" reviewed by Karl Ackermann

Part 1 of Jazz and Protest took an in-depth look at two landmark artists and the songs that laid the groundwork for protest within the jazz community. Billie Holiday's “Strange Fruit" took a circuitous route from its origins as a poem to its successful recording on a small label that was not afraid to lend a ...


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