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Frank Lowe
Born:
Frank Lowe - tenor saxophone (1943 2003) Tenor saxophonist Frank Lowe came out of Memphis inspired by the bluesy sound of King Curtis, but went on to become one the premier free jazz players in New York beginning with his association with Sun Ra in the mid sixties. Frank Lowe grew up in Memphis and soaked up the remarkable musical currents of that city in the early 1960's. The saxophonists Charles Lloyd and Hank Crawford and the singer Carla Thomas were his friends and neighbors; his first music teacher outside of school was Packy Axton, the part owner of Stax Records, who also played saxophone
New & Older Post Bop, Free Jazz and Avant Garde from Europe, NYC, and Montreal
by Jon Greenbaum
Lots of new and some older music from Italy, Germany, Finland, Montreal, NYC, England, Estonia, and Sweden.Playlist Kaja Draksler Octet “Skylark" from Bare, Unfolding (Clean Feed Records) 00:00 Joe Morris “Slipshod" from Racket Club (About Time Records) 07:05 Federico Calcagno & The Dolphians “Children of Gaza" from Face The Music (Da Vinci Jazz Records) ...
Ghost Trees: Intercept Method
by Mark Corroto
John Coltrane and Rashied Ali might not have been the first to record as a free jazz duo with Interstellar Space (Impulse!,1974), but the pair did set the bar for future performances from the likes of Frank Lowe and Rashied Ali, Peter Brötzmann/Peeter Uuskyla, Anthony Braxton/Max Roach, and Joe McPhee/Hamid Drake. Admittedly, this genre of music ...
James Brandon Lewis: Jazz, Spirituality, and the Art and Science of Musical Abstraction
by Dave Kaufman
The contemporary jazz world is currently witnessing an artistic renaissance, characterized by an upsurge in creativity and innovation. This movement is fueled in part by rising stars such as Joel Ross, Immanuel Wilkins, and Isaiah Collier, as well as seasoned veterans like Charles Lloyd, David Murray, William Parker, Joe Lovano, and Bill Frisell, whose creative passion ...
Intensive Care / Prescriptions Filled
By Billy Bang
Label: Cadillac Records
Released: 2023
Track listing: Little Melonae; Ballad With One L; Spooning; Loweology; Blood On The Cross; Lonely Woman; Suite For Gamma Pt 1; Suite For Gamma Pt 2; I Mean You; Mr Syms; Pent Up Suite.
Asynchrone: Plastic Bamboo
by Chris May
Put preconceptions aside and cast no nasturtiums. Against expectations, the free(ish) jazz / electro mash-up Plastic Bamboo is a winner, convincingly bringing together the unpredictability of the one with the robotic iterations of the other. The album collects eleven pieces written or co-written by Ryuichi Sakamoto, a founder member of Yellow Magic Orchestra in 1978 and ...
Chris May's Best Albums Of 2023
by Chris May
Another great year for recorded jazz. Fourteen of 2023's most special albums are presented here. Eight are new recordings and six are reissues or previously unreleased archive items. Joint Number One Best New Albums Of 2023 Irreversible Entanglements Protect Your Light Impulse! There are two contendors for the slam-dunk ...
James "Plunky" Branch: Afrobeat, Funk e Spiritual Jazz
by Angelo Leonardi
Da circa un decennio il jazz statunitense e britannico vede l'emergere di giovani protagonisti che spezzano i confini tra i generi “colti" e popolari, operando una sintesi sfaccettata tra le molte espressioni della black music. Un torrente tumultuoso che viene alimentato dalle spinte politico-identitarie della comunità afroamericana (la rinascita dell'Afrofuturismo, il movimento Black Lives Matter), che ...
Idris Ackamoor & The Pyramids: Afro Futuristic Dreams
by Chris May
Idris Ackamoor paints on a big canvas, in vivid colours. Listening to the 2023 episode of his multi-decade Afrofuturist odyssey, there are times when he and The Pyramids stir memories of Fela Kuti's Afrika 70 and Egypt 80 bands. At other times, it is Sun Ra's Arkestra. Next up could be an unplugged Funkadelic. And there ...
The Jazz Doctors: Intensive Care / Prescriptions Filled
by Chris May
Beyond its initiates, the so-called New Thing which emerged in mainly, but not exclusively, Black US jazz in the 1960s/70s, was perceived so amorphously that prairie-wide distinctions between its practitioners went unregarded. Among the general jazz audience, the musicians were lumped together as a horde of crazed zombies who lacked all technique, and who had replaced ...
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