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Kyle Eastwood: The View From Here

by Glenn Astarita
Bassist Kyle Eastwood frequently integrates a cinematic contour into his body of work. And true to form, he's contributed music to eight of his famous father, actor, and director Clint Eastwood's films. The bassist's output can be characterized by tuneful hooks, calmly soaring opuses, and countered by odd-metered time signatures, clement flows, and passionate soloing spots. ...
"Global Circulation of Jazz" International Conference set for June 27-28, 2013 in Paris
INTERNATIONAL CONFERENCE Thursday 27 & Friday 28 of June 2013 2:00-9:00 & 9:30 - 7:00 Salle de cinéma Free entrance An international conference entitled Global Circulations of Jazz" will be held on June 27-28, 2013, at the musée du quai Branly. Bringing together specialists, anthropologists, historians, musicologists, sociologists, ...
Sudo Quartet: Live at Banlieue Bleue

by John Sharpe
Such is the strength and conviction with which the Sudo Quartet performs that thoughts immediately turn to how they developed such a cohesive group sound. With no liners and no information on the web, the genesis of the unit remains a mystery, though the same foursome feature on four tracks on bassist Joelle Leandre's At the ...
Denis Fournier / Nicole Mitchell: Watershed

by John Sharpe
Flautist Nicole Mitchell has found a supportive outlet in the Paris-based Rogue Art imprint, with her past outings including Anaya (2009), Emerald Hills (2010), The Ethiopian Princess Meets The Tantric Priest (2012) and Arc Of O (2012), and she is the most well-known name on Watershed. However she sits second in the billing below French percussionist ...
Vincent Peirani: Thrill Box

by Bruce Lindsay
Thrill Box is Vincent Peirani's debut release on the ACT Music label. Its title refers to Peirani's instrument of choice, the accordion. For many, the accordion springs most readily to mind as an East European folk instrument, for others it evokes images of Morris dancers on warm English spring evenings (although that's more usually the concertina) ...
Matthieu Metzger: SelfCooking

by Eyal Hareuveni
SelfCooking offers a glimpse into the busy mind of a restless musician, French saxophonist Matthieu Metzger. Deep thoughts about weird compositions that have lurked in his memory, accidental explorations while playing with the extended family of saxophones and the joyful cooking of sonic textures, spiced with electronic treatments, some are his own design of real time ...
Joelle Leandre & Jerome Bourdellon: Evidence

by Glenn Astarita
Bass and flute represent significant tonal contrasts and here, flutist Jerome Bourdellon and world-renowned bassist, composer and improviser Joelle Leandre divulge innumerable perspectives and quite a bit of food for thought on these duets. However, Bourdellon employs bass clarinet and bass flute on two tracks, as no other instruments are nestled into the mid-sections of the ...
Antoine Beuger, Jurg Frey: Dedalus

by John Eyles
Dutch flautist Antoine Beuger and Swiss clarinetist Jürg Frey are two of the leading lights of the highly influential Wandelweiser group, whose music (according to another key member, Radu Malfatti) is about the evaluation and integration of silence(s) rather than an ongoing carpet of never-ending sounds." Dedalus features two compositions by Beuger and one by Frey, ...
Jean-Luc Cappozzo & Geraldine Keller: Air Prints

by Eyal Hareuveni
The collaborative art of French trumpeter Jean-Luc Cappozzo and vocal artist and flutist Géraldine Keller is a sophisticated play with air. Air breathes, gusts, atmospheric waves or windswept labyrinths and the spaces between these air bursts. Cappozzo and Keller subject the ether to their spontaneous whim, often surrender themselves to the surprising fancy of the ether. ...
Kyle Eastwood: The View From Here

by Bruce Lindsay
Kyle Eastwood's boyhood in Carmel, California, may have been where and when he began his love of jazz, but as an adult his love of France seems to impact more and more on his music. Eastwood's sixth album, The View From Here, doesn't always show this influence explicitly but it's there nonetheless and it's giving the ...