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Thundercat: On Kendrick Lamar, Kamasi Washington, Erykah Badu and the great LA jazz renaissance
by Rob Garratt
When, a few years back, the mainstream media began breathlessly anointing the arrival of a West Coast-born jazz “renaissance," Thundercat's name was invariably invoked second in the evidence list— behind, of course, that of his childhood buddy Kamasi Washington. While Washington's career has gone stratospheric—with a summer co-headline tour alongside Herbie Hancock the latest summit mounted—Thundercat ...
Cykada: Cykada
by Chris May
Cykada has been making waves on London's genre-melting alternative-jazz scene since 2017, but has yet to acquire a profile akin to those of some of the other bands with which its musicians are involved. These include spiritual-jazz septet Maisha and the Afrobeat-infused Ezra Collective. The release of Cykada, however, is going to strap a booster rocket ...
Walthamstow Jazz Festival 2019
by Luke Seabright
Walthamstow Jazz Festival London February 16, 2019 If you're not from jny: London the name Walthamstow most likely means nothing to you, unless perhaps you admire the work of designer and craftsman William Morris. Even to most Londoners it is probably little more than the fabled end of the Victoria ...
Emanative: Earth
by Chris May
Every so often an album comes along that is so sweeping in its cultural scope, and so far beyond the norms of critical discourse, that it almost beggars description. Such a disc is Earth, the fourth physical-release album from drummer and producer Nick Woodmansey's Emanative and the follow-up to the band's outstanding The Light Years Of ...
Noya Rao: Icaros
by Rokas Kucinskas
Something that started as a solo project by Tom Henry in his bedroom studio transformed into something much more mature: first his ideas were executed in an instrumental trio setting that eventually evolved into the vocal electronic-soul quartet--Noya Rao. What kind of music does the quartet play? The kind that Gilles Peterson is famous for." With ...
Kamasi Washington: Harmony of Difference
by Phil Barnes
Being lauded as the “saviour of jazz" would weigh heavy on the shoulders of any young artist, even one so confident as to release a 170 minute treble CD as their 2015 debut. Yet Kamasi Washington pulled it off on the appropriately titled The Epic, with its ambitious, eclectic subject matter and surface similarities to spiritual ...
Steve Lehman: Sélébéyone
by Luca Canini
Due sarebbero i modi più appropriati e coscienziosi di iniziare questa recensione. Il primo: una rapida carrellata sui precedenti tentativi di contaminazione tra jazz e hip hop (entrambi i generi intesi nel senso più ampio e inclusivo possibile). Da Steve Coleman e Greg Osby alle lucide visioni di Mike Ladd e Vijay Iyer, dal Miles Davis ...
BOOM, tra jazz e elettronica. Intervista a Raffaele Costantino
by Enrico Bettinello
S'intitola When in Rome, è un EP registrato dal vivo dal duo BOOM che unisce il produttore, DJ e seguitissimo conduttore radiofonico per Radio2 Raffaele Costantino e il pianista jazz Giovanni Guidi. Pubblicato dalla factory creativa LBL, è un lavoro in cui i due musicisti cercano di andare oltre i luoghi comuni del binomio ...
Francesco Diodati e il Questionario di Proust
by Paolo Peviani
All About Jazz Italia: Il tratto principale della mia musica. Francesco Diodati: In continua evoluzione e trasformazione. AAJ: La qualità che desidero nei musicisti che suonano con me. F.D.: La voglia di rischiare e mettersi in gioco. La propensione a suonare con gli altri, per la musica ...
Kendrick Scott Oracle: We Are the Drum
by Enrico Bettinello
Primo lavoro per la Blue Note per il gruppo Oracle del batterista Kendrick Scott, formazione robusta e flessibile al tempo stesso, grazie alla presenza di musicisti di buon valore come Taylor Eigsti al piano, Mike Moreno alla chitarra, John Ellis alle ance e Joe Sanders al basso. Un jazz pulito quello del quintetto, ...
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