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Tony Guerrero

Born:
Since his first solo release in 1988, Tony Guerrero has established himself in a variety of areas. His work as a contemporary jazz flugelhornist, trumpeter, composer, and producer has garnered him both critical success and a worldwide audience. He has toured the United States and much of the world as a headliner in major jazz festivals, concert halls, and clubs and has enjoyed commercial radio success not only with his own releases but with music he's written for other artists. To date, he has released twelve solo CDs, some of which have charted on the Billboard Top 20, as well as a variety of special releases
Results for pages tagged "Flugelhorn"...
Dmitri Matheny

Born:
Celebrated for his warm tone, soaring lyricism and masterful technique, American musician Dmitri Matheny has been lauded as “one of the most emotionally expressive improvisers of his generation” (International Review of Music). First introduced to jazz audiences in the 1990s as the protégé of Art Farmer, Matheny has matured into “one of the jazz world's most talented horn players” (San Francisco Chronicle). Born on Christmas Day, 1965 in Nashville,Tennessee, Dmitri was raised in Georgia and Arizona. Attracted to his father’s collection of jazz and classical LP records, Dmitri began piano lessons at age 5, switched to the trumpet at age 9, and took up the flugelhorn at 18. Matheny attended the prestigious Interlochen Arts Academy in Michigan, then the Berklee College of Music, Boston, graduating magna cum laude in 1989. After private studies with Carmine Caruso in New York City, Matheny became the protégé of the legendary Art Farmer, a formative relationship that lasted over a decade. Farmer, “the bebop master who defined the sound of the flugelhorn in modern jazz” (All Music Guide), was Matheny’s public champion and private mentor
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Hugh Masekela

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Hugh Masekela was a world-renowned flugelhornist, trumpeter, bandleader, composer, singer and defiant political voice who remained deeply connected at home, while his international career sparkled. He was born in the town of Witbank, South Africa in 1939. At the age of 14, the deeply respected advocator of equal rights in South Africa, Father Trevor Huddleston, provided Masekela with a trumpet and, soon after, the Huddleston Jazz Band was formed. Masekela began to hone his, now signature, Afro-Jazz sound in the late 1950s during a period of intense creative collaboration, most notably performing in the 1959 musical King Kong, written by Todd Matshikiza, and, soon thereafter, as a member of the now legendary South African group, the Jazz Epistles (featuring the classic line up of Kippie Moeketsi, Abdullah Ibrahim and Jonas Gwangwa). In 1960, at the age of 21 he left South Africa to begin what would be 30 years in exile from the land of his birth
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Chuck Mangione

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For more than five decades, Chuck Mangione's love affair with music has been characterized by his boundless energy, unabashed enthusiasm, and pure joy that radiates from the stage. Mangione first attracted attention with his brother, Gap, in a mainstream jazz band, The Jazz Brothers, in which he played trumpet much like that of the man who he refers to as his musical father-Dizzy Gillespie. In fact Dizzy gave Chuck an 'updo' horn just like his own. Chuck's years with the Jazz Brothers overlapped with his attending the Eastman School of Music and eventually resulted in his solo album debut.
Results for pages tagged "Flugelhorn"...
Art Farmer

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Born on Aug. 21, 1928, in Iowa, Farmer was raised in Phoenix, Arizona along with his twin brother Addison. They moved to Los Angeles in 1945 and during the late '40s,
Farmer worked with the West Coast based bands of Jay McShann, Johnny Otis, Roy Porter and Benny Carter. He also worked with Wardell Gray and in 1952-'53 he went to Europe on the same Lionel Hampton tour as Clifford Brown, Gigi Gryce and Quincy Jones. Upon his return he decided to settle in New York City and shortly thereafter, he worked with Gryce (1954-'56), Horace Silver (1956-'58) and Gerry Mulligan (1958-'59).
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Arkady Shilkloper

Born:
Horn, flugelhorn, corno da caccia, alphorn, corno pastoriccio, didgeridoo, Wagner tuba etc. Born in Moscow, Russia on October 17, 1956. At the age of six started to play alto horn in a brass orchestra at the Kuntsevo District Young Pioneers House in Moscow. 1967 to 1974: the Moscow Military Music School. 1974 to 1976: the orchestra at the Lenin Military Political Academy, Soviet Armed Forces. 1976 to 1981: studied French horn at the Gnesins State Music Education Institute (now Gnesins Russian Academy of Music.) 1978 to 1985: member of the Bolshoi Theatre Orchestra. 1985 to 1989: member of the Moscow State Philharmonic Orchestra. 1976 to 1978: along with his studies at the Gnesins, takes courses in jazz improvisation at the Moscow Experimental Studio of Music Improvisation (now Moscow College of Improvised Music.) 1984 to 1986: first serious experience in jazz, a french horn - acoustic bass duo (with bassist Mikhail Karetnikov)
Results for pages tagged "Flugelhorn"...
Harry Beckett

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West Indian Harry Beckett, born in Barbados, brought his own highly personal approaches to the trumpet to the cultural stew of the mid- to late 1960s.
Such is the distinctiveness of Beckett's playing that it continues to be the musical equivalent of DNA, and the elements of it were in place by the time he gained a significant break on record in the band of bass player and composer Graham Collier. Down Another Road, recorded in March of 1969, finds Beckett playing flugelhorn exclusively. August 1970 both Beckett and Evans were working with guitarist Ray Russell on his Rites And Rituals album. As the 1970s progressed the British jazz scene maintained creative momentum
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TJ Large Bore

Born:
Trumpet and Flugelhorn; played with Rias Big Band, Greetje Kauffeld, Gustavo Bergalli, T.M. Stevens, Inside Out Big Band, Vargo, Clarke Terry, and many others played at several Festivals with his Group: MGE
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Mike Metheny

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Trumpet/flugelhorn soloist Mike Metheny is a native of Lee's Summit, Missouri and has degrees from the University of Missouri/Columbia (B.S. in Music Education) and Northeast Missouri State University (Masters in Music Education). His teachers included Keith House and John Alexander. From 1971 to 1974, he was a trumpeter in the U.S. Army Field Band in Washington D.C., and in 1976 he became a faculty member at Boston's Berklee College of Music, a position he held for six years. At Berklee, Mike taught private trumpet, music theory and jazz improvisation and, while in Boston from 1976 to 1989, led his own Boston- based jazz quartet, appearing in numerous club, concert and festival settings across New England and the U.S. Mike is a recipient of the "Outstanding Brass Player" award at the annual Boston Music Awards. He has also appeared on numerous jazz recordings as a sideman and has released twelve albums as a leader/producer. Today, Mike is a freelance performer, educator and music journalist in the Kansas City area and has written liner notes for such notables as jazz vocalist Marilyn Maye (Supersinger: A Tribute to Johnny Carson). He has also contributed to KC Magazine, Jazziz, and The DaCapo Jazz & Blues Lover's Guide to the U.S. and is the former editor of Kansas City's Jazz Ambassador Magazine (JAM), a position he held from 1994 to 2003.
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Stephen Fulton

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Stephen is a Jazz trumpeter, flugelhornist and drummer who has devoted over twenty years to the study of the legacy of Jazz . He is a performer,educator and advocate for Jazz. He began his career in Oklahoma where he studied music at the University of Oklahoma and while there formed an award winning band whose members are today prominent Jazz musicians. Stephen is known in the Jazz world to many veteran musicians and educators. He is well known for his association with Jazz great Clark Terry. For years Stephen co-managed Clark Terry Jazz Camps, Workshops and Festivals. From 1993-1997 he was the Director of the Clark Terry International Institute of Jazz Studies at Westmar University in Iowa. In 1984 Stephen went on the road