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Vilnius Jazz 2019
by Ian Patterson
Vilnius Jazz 2019 Russian Drama Theatre Vilnius, Lithuania October 16-20, 2019 Is a jazz festival primarily about entertainment, or is it meant to challenge the expectations of its audience? Does programming risk mean financial suicide? What responsibility does a festival have to promote young, emerging talent? What place do women ...
The New Golden Age of Jazz Radio
by Karl Ackermann
There was the Jazz Age, and later, the Golden Age of Radio. There was no golden age of jazz radio unless one considers the brief, ten-year reign of devolution when swing music dominated the airwaves. Think about this: New York City has not had a twenty-four-hour commercial jazz radio station in over ten years; decades longer ...
Cannonball: A Man of the People
by Rob Rosenblum
This interview was conducted at Union College in Schenectady, New York in 1971 and was originally published in an arts newspaper called Transition. Julian Cannonball Adderley was only three when he began to dig jazz and his hunger for his music is yet to be satiated. The first music he remembers hearing was in ...
Caetano Veloso, James Carter, Hamza Akram, Eyal Vilner and David Grollman
by Martin Longley
Caetano Veloso Brooklyn Academy Of Music April 12, 2019 Always essential for the local Brazilian community, but also far beyond, into the general music enthusiast zone, singer and songwriter Caetano Veloso made one of his occasional visits to NYC, presenting the Ofertório show. Essentially, this involved his three musical sons, ...
The Black Swan: A History of Race Records
by Karl Ackermann
Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...
Rick Lawn: The Evolution of Big Band Sounds in America
by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
The Routledge Companion To Jazz Studies
by Ian Patterson
The Routledge Companion To Jazz Studies Edited by Nicholas Gebhardt, Nicole Rustin-Paschal and Tony Whyton 481 Pages ISBN: 978-1-138-23116-0 Routledge 2019 Spoiler alert: this book may permanently alter many fixed notions of jazz history previously held by the reader. In fact, it would be a surprise if it ...
Ralph Peterson & The Messenger Legacy: Legacy Alive, Volume 6 at the Side Door
by Mike Jurkovic
Recorded loud and live at the Side Door Jazz Club in Old Lyme, CT, Ralph Peterson—the last drummer to play side-by-side with the incomparable Art Blakey—delivers an unstoppable two-disc hyperdrive swing-fest celebration of his mentor with Legacy Alive, Volume 6 at the Side Door. It's no deep state secret that Blakey, with his effortless ...
Monterey on Tour In BR, Wayne and More
by Marc Cohn
Monterey on Tour came to Baton Rouge March 28, 2019 @ the Manship Theatre & what a lineup: Cecile McLorin Salvant, Bria Skonberg, Melissa Aldana, Christian Sands, Yasushi Nakamura, Jamison Ross...Whew. It's good & we've got tracks from all of them right here, as well as a deep dive to the vault, Sonny Rollins first recording ...
Byron Stripling and the Philly Pops at the Kimmel Center
by Victor L. Schermer
Byron Stripling and the Philly Pops “Uptown Nights" The Kimmel Center for Performing Arts Philadelphia, PA March 1, 2019 The Philly Pops' “Uptown Nights," as the title implies, revealed itself to be a festive show that featured the music of the 1920s through the 1940s when ...
