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Fletcher Henderson
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The bands Fletcher Henderson led in the 1920s and 1930s were vitally significant incubators of new developments in jazz. Henderson played a key role in bringing improvisatory jazz styles from New Orleans and other areas of the country to New York, where they merged with a dance-band tradition that relied heavily on arrangements written out in musical notation. The new music that developed at Henderson's hands and under his mentorship allowed the composer's art to flourish, yet left room for the improvisatory talents of individual jazz soloists—striking a balance that has influenced jazz ever since. Born in Cuthbert, Georgia, on December 18, 1897, James Fletcher Henderson enjoyed the best education available, his father was a teacher and a school principal, and both his parents played the piano
I Love New York
by Marshall Bowden
This article first appeared on All About Jazz in October 2001. There's another reason as well. New York City is a financial and business center, certainly, and this is one reason it was marked for attack. But it is also very much our nation's cultural and arts center, the showpiece of the country that ...
Ted Unseth and the Americana Classic Jazz Orchestra: 20th Anniversary Concerts
by Jack Bowers
The 20th Anniversary Concerts performed by Ted Unseth's Americana Classic Jazz Orchestra were recorded in 1993, when the orchestra's guest artist, alto saxophonist Benny Waters, was a spry 91 years old. And for those who would like to see as well as hear Waters and the orchestra, the audio CD is accompanied by a briefer video ...
Concerto for Cootie. The Life and Times of Cootie Williams
by Richard J Salvucci
Cootie. The Life and Times of Cootie Williams Steven C. Bowie 443 Pages ISBN: #9781496859440 University Press of Mississippi 2025 Benny Goodman, who had employed Harry James and Ziggy Elman in his nonpareil 1937 trumpet section, preferred trumpeter Cootie Williams to them, admiring his “unlimited power." Williams had come ...
The Black Entrepreneurs of Early Jazz
by Karl Ackermann
Preamble: In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. ...
Sun Ra: Live at the left Bank, Lights on a Satellite
by Stefano Merighi
La seconda metà degli anni Settanta vede l'Arkestra di Sun Ra già in un momento di bilanci. Vent'anni di attività, una parabola virtuosa che congiunge inizi avventurosi, incompresi, a sviluppi ricchissimi di idee, che oltrepassano sia il post-swing degli esordi che il free radicale, per planare in quello stile composito e stratificato, totalmente personale, ...
46th Annual Tri-C JazzFest
by C. Andrew Hovan
46th Annual Tri-C JazzFest Playhouse Square Cleveland, OH June 26-28, 2025 Jazz festivals occupy a precarious space these days. Pressured by financial constraints, too many have drifted toward booking artists with only a passing connection to the jazz tradition. Cuts to both public and private funding have only compounded ...
The Brief Reign of King Oliver
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
Jack Chambers: Rethinking Duke Ellington
by Jack Kenny
Jack Chambers is professor at the University of Toronto and teacher of music and language. His jazz writings include the prize winning biography Milestones: The Music and Times of Miles Davis (Da Capo Press, 1998) and Bouncin' with Bartok: The Incomplete Works of Richard Twardzik (Mercury PR, 2008). Sweet Thunder: Duke Ellington's Music In Nine Themes ...
The Legacy of Lillian Hardin Armstrong
by Karl Ackermann
In 2020, I published A Map of Jazz: Crossroads of Music and Human Rights (WS Publishing), a book that looks at the culture of jazz on a timeline with cultures of the world. At more than 500 pages, the book is incomplete by necessity; there is no well-marked path, and the history is sometimes nebulous. However, ...
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