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Musician

Flat Earth Society

Flat Earth Society USA tour 2014: 21/06/2014: Rochester Jazz Festival 22/06/2014: Rochester Jazz Festival 24/06/2014: Le Poisson Rouge, New York 25/06/2014: Frick Fine Arts Auditorium, Pittsburgh 26/06/2014: The Jam Factory, Toronto 27/06/2014: Ottawa Jazz Festival "The music is full of bizarre and shocking juxtapositions…but once you’ve got over the sheer oddity, the juxtaposition becomes poetic, though in a surreal way. It’s as if a night scene in a Raymond Chandler novel were suddenly invaded by a flock of seagulls. Vermeersch’s approach is risky, which is what makes it so energising.” (Ivan Hewett — The Telegraph) “Flat Earth Society, a tight 15-piece band led by clarinettist and composer Peter Vermeersch, late of X-Legged Sally. Two brilliant sets confirmed how accomplished they are, twisting rapidly from theatrical bombast to tenderness, collective improv, mad movie-chase music and back to swinging anthems... Wet is Wet presented jazz as envisaged by Goebbels. Vermeersch grins impishly, like a young Daniel Libeskind, as he directs his close-knit ensemble. He is a monster talent, with an outrageously original band.” (John L. Walters — The Guardian, about the concert at the London Jazz Festival, Nov 2007)

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Article: Festivals Talking

Moers Festival Interviews: Bart Maris

Read "Moers Festival Interviews: Bart Maris" reviewed by Martin Longley


Bart Maris is a heroic Belgian trumpeter, deeply committed to the art of improvisation, treading a wilder jazz path, and possessing a mighty appetite for road-life, gigging prolifically and always seeking out unfamiliar collaborators, knowing that this act will force his own playing into a continual sense of vital change. Therefore, he is a fine choice ...

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Article: Year in Review

I Dischi del 2024 secondo Ludovico Granvassu

Read "I Dischi del 2024 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu


Spesso molti articoli sulle “migliori uscite dell'anno" iniziano con una premessa quasi apologetica ("questi non sono necessariamente 'i migliori album dell'anno,' ma 'i miei preferiti';" “è tutto soggettivo;" “domani avrei scelto titoli diversi;" “ho potuto selezionare solo dieci album," ecc.)? Queste dichiarazioni sembrano riflettere il disagio del redattore, costretto a riassumere un vasto ecosistema artistico selezionando ...

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Article: Year in Review

Ludovico Granvassu's Garden of Jazzy Delights 2024

Read "Ludovico Granvassu's Garden of Jazzy Delights 2024" reviewed by Ludovico Granvassu


Have you noticed how many “best of the year" listicles start with an apologetic preamble ("these are not necessarily 'the best albums of the year' but 'my favorites';" “it's all subjective;" “tomorrow I might have chosen different titles;" “I could only select ten albums" etc.)? Those disclaimers channel the writer's discomfort of having to summarize a ...

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Article: Live Review

European Jazz Conference 2024

Read "European Jazz Conference 2024" reviewed by Ian Patterson


European Jazz Conference 2024 Music Centre De Bijloke/Various venues Ghent, Belgium September 12-15, 2024 For such a relatively young music it is ironic that one of the issues facing jazz is old age. Aging audiences to be precise. But let us be clear, it is a good thing jazz retains ...

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Article: Radio & Podcasts

Oan Kim, The Leaping Fish Trio, Rob Luft, Flat Earth Society & More

Read "Oan Kim, The Leaping Fish Trio, Rob Luft, Flat Earth Society & More" reviewed by Ludovico Granvassu


Enjoy a playlist featuring a tribute to Lou Reed, two projects featuring British guitarist Rob Luft and the masterful exercises in noir by Oan Kim & Dirty Jazz, Max Nagl, and Flat Earth Society.Happy listening!Playlist Ben Allison “Mondo Jazz Theme (feat. Ted Nash & Pyeng Threadgill)" 0:00 The Leaping Fish Trio “NYC ...

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Article: Year in Review

Ludovico Granvassu's Garden Of Jazzy Delights 2022

Read "Ludovico Granvassu's Garden Of Jazzy Delights 2022" reviewed by Ludovico Granvassu


The depth and range of the music that jazz players have put on record in 2022 are so big that summarizing this “year in jazz" by selecting only ten albums feels akin to taking the photo of a breath-taking landscape with an ultra-low resolution camera... Ten years from now, how is one supposed to understand how ...

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Article: Live Review

Gent Jazz 2021

Read "Gent Jazz 2021" reviewed by Martin Longley


Gent Jazz Bijloke, Gent Belgium July 12-18 2021 Last year, the Gent Jazz festival operated with a 400-person audience capacity, and presented a very successful 10-day season, albeit highlighting Belgian acts, and with no lumbering large-fee, big-ticket-sales American bands allowed. The 2021 edition still wasn't able ...

Album

Untitled #0

Label: Igloo Records
Released: 2019
Track listing: Trip It (Peter Vandenberghe) No One Left (Peter Vermeersch) Apes, Spies & Apps (Peter Vermeersch) Miss Man's Mist (Peter Vermeersch) Mr. Cooper at the Dentist (Peter Vermeersch) Hall Of Foam (Peter Vermeersch) Rich Man's Blues (Peter Vandenberghe) Summer Wall Walks (Peter Vermeersch) Untitled #0 (Peter Vermeersch) Drstkova Polevka (Peter Vermeersch) Monkey Wrench (Peter Vermeersch) La Malle-Valise de l'Heimatlos du Sleeping (Peter Vermeersch) Summertime (George Gershwin/arr. Peter Vandenberghe) Riscada Hoola-Baloo (Peter Vermeersch) Graveyard Scuba (Peter Vermeersch) Chrimatistikology (Peter Vermeersch) Swatter Perspective (Peter Vermeersch) A. Maximus (Peter Vandenberghe)

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Article: Live Review

Belgrade Jazz Festival 2019

Read "Belgrade Jazz Festival 2019" reviewed by Martin Longley


Belgrade Jazz Festival Dom Omladine / Kombank Dvorana Belgrade Serbia October 22-28, 2019 Reaching its 35th edition, the Belgrade Jazz Festival added extra shows at the beginning and end of its run, making up a full week, or eight days, if the opening dj night is ...


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