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8

Article: Interview

Raphaël Pannier & Khadim Niang: Sabar Jazz, An Historic Summit

Read "Raphaël Pannier & Khadim Niang: Sabar Jazz, An Historic Summit" reviewed by Ian Patterson

by Ian Patterson

"Once you have made a decision," wrote Ralph Waldo Emerson, “the universe conspires to make it happen." French drummer Raphaël Pannier may concur, though as a footnote he might also stress the amount of sweat sometimes required to realize one's biggest dreams. Live In Saint Louis, Senegal, a collaboration between Raphaël Pannier Quartet and ...

6

Article: Album Review

Raphaël Pannier Quartet & Khadim Niang Sabar Group: Live In Saint Louis, Senegal

Read "Live In Saint Louis, Senegal" reviewed by Ian Patterson

by Ian Patterson

For many people, life is a maze that they navigate the best they can--unaided by the guiding hand of destiny. For a much smaller number, the clear course of their life presents itself early on. Take Raphael Pannier. At just three years of age, he saw Djabote, a performance video by Senegalese sabar percussionist N'Diaye Rose. ...

4

Article: Album Review

Raphaël Pannier Quartet: Faune

Read "Faune" reviewed by Jerome Wilson

by Jerome Wilson

On his first recording as a leader, drummer Raphaël Pannier shows himself to be a musician who has one foot in the classical world and one foot in jazz. He leads his group in a set of original and classic compositions from both genres, maintaining a sense of formal grace and improvisational energy throughout.

Album

Faune

By Raphaël Pannier

Label: French Paradox
Released: 2020
Track listing: Lonely Woman; Midtown Blues; Lullaby; Messiaen: Le Baiser de L'enfant Jesus; Intro to ESP; ESP; Outro to ESP; Ravel "Forlane"; Fauna; Capricho de Raphael; Monkey Puzzle Tree; Final: Drum Soli

9

Article: Album Review

Raphaël Pannier Quartet: Faune

Read "Faune" reviewed by Dan Bilawsky

by Dan Bilawsky

The debut from drummer Raphaël Pannier has no difficulty laying out references to modern modes of impressionism and the nature of wildlife implied in its title. Its opener --a ten-minute take on Ornette Coleman's “Lonely Woman" that offers slinky melody, sophisticated coloring, intense upheaval, a bass soliloquy and a return to the shadowy theme--is but the ...


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