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Origin Records: Creating Opportunities and Community

by Jakob Baekgaard
Being a jazz musician sometimes seems like a life ruled by jungle law. Everyone fights for gigs and puts out music on labels" with only one artist. However, it doesn't have to be this way. Origin Records is an example of a modern artist driven label that has grown through collaboration and community. As Matt Jorgensen, ...
Sam Taylor: Along The Way

by Jack Bowers
On almost half of the nine tracks on Along the Way, tenor saxophonist Sam Taylor's close-knit quartet is actually a quintet thanks to the emphatic presence of the renowned Philadelphia-based tenor, Larry McKenna. Taylor's impressive visitor, two months shy of his eightieth birthday when the album was recorded in May 2017, keeps on playing with the ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part II: New York

by Karl Ackermann
Jazz didn't abandon Chicago but its further development only began to take on a distinct personality in the 1960s. By the late 1920s, the next phase of the jazz scene had shifted from Chicago to New York though, initially, there was no red carpet rolled out. As jazz bands made their way to New York they ...
October 2017: Grover Washington Jr, Bud Powell and Ferit Odman

by Patrick Burnette
Welcome to our monthly look at what's happening on the Jazz Bastard podcast! Since December 2012, Mike Caldwell and I have gotten together every fortnight to discuss jazz albums in an irreverent, irascible, and engaged manner. Some shows focus on a theme or an individual artist, while others just discuss what's been on the boys' playlists ...
Jazz Musician of the Day: Fats Navarro

All About Jazz is celebrating Fats Navarro's birthday today! “Fats was a spectacular musician because, in a time when cats arrived on the scene with nothing, he came on with everything: he could read, he could play high and hold anybody\'s first trumpet chair, he could play those singing, melodic solos with a big beautiful sound ...
Grant Stewart Trio: Roll On

by Jack Bowers
Add Grant Stewart's name to the growing list of tenor saxophonists who are gaining broad approval by reanimating exemplary yet by and large overlooked songs from the Great American Songbook and elsewhere and lending them a fresh coat of paint that not only accentuates their timeless charm but does so while swinging in the grandest jazz ...
Howard University Jazz Ensemble: Beatrice

by Jack Bowers
One sure sign of spring is the arrival of the latest studio recording by the always exemplary Howard University Jazz Ensemble, a tradition that dates to 1976, one year after Fred Irby III (who remains its first and only music director) founded the Washington, DC-based ensemble. Unlike most of these enterprises, which are labeled HUJE followed ...
Remembering Milt Jackson

by Lazaro Vega
This interview was first published at All About Jazz in November 1999 and is part of our ongoing effort to archive pre-database material. This interview was conducted prior to a Modern Jazz Quartet performance at Hope College, Holland, Michigan in September of 1989. Broadcast at the time on Blue Lake Public Radio; portions of ...
As Dizzy's World Turns

by Michael Bourne
Master raconteur, award winning jazz broadcaster and Downbeat contributor, Michael Bourne recounts a series of remarkable stories about Dizzy Gillespie based on experiences that stretch over a couple of decades. Embodying Bobop I happened to be at home in St. Louis when Dizzy Gillespie was playing at this new jazz joint near ...
The Early Years of Sonny Stitt in Saginaw, Michigan

by Dustin Mallory
As one of most recorded saxophonists of his generation, Sonny Stitt made more than 100 albums under his own name. He also performed as a sideman with the likes of Miles Davis, Dizzy Gillespie, and Art Blakey. Despite the breadth of recorded work he left behind, Sonny Stitt's upbringing in Saginaw, Michigan is less well-documented. The ...