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Eyal Maoz

Eyal Maoz is a composer, ensembles leader and a

The Lie Detectors Part III - Secret Unit

Label: Chant Records
Released: 2019
Track listing: Rice; Go; Closer; Here and There; Follow; Flying Horse; Sting; Circles; Tree; Zoo; Green Shirt; Quiet ME.

ARTICLE: ALBUM REVIEW

Eyal Maoz - Asaf Sirkis: The Lie Detectors Part III - Secret Unit

Read "The Lie Detectors Part III - Secret Unit" reviewed by Glenn Astarita

New York-based guitarist Eyal Maoz (John Zorn, Lou Reed) and London-based drummer Asaf Sirkis (Markus Reuter, Mark Wingfield) are childhood friends, hailing from Rehovot, Israel. Although each musician is quite busy via numerous projects on a global scale, they've managed to produce three duo albums. On Part III, the musicians seemingly operate with the force of ...

ARTICLE: ALBUM REVIEW

Hypercolor: Hypercolor

Read "Hypercolor" reviewed by Dave Wayne

The past few months have seen a stream of truly--and in some cases mind-bogglingly--wonderful guitar-centric power trio albums. Yet, the eponymous debut of the Brooklyn-based avant-jazz-rock band Hypercolor stands out, but not for the reasons you'd think. Sure, the trio consists of musical brainiacs James Ilgenfritz and Lukas Ligeti; genre omnivores whose own work and collaborations ...

ARTICLE: ALBUM REVIEW

Tal Gur: Under Contractions

Read "Under Contractions" reviewed by Dan Bilawsky

Uncertainty, synchronicity, discombobulation, frustration, and fragility all come to the surface on Under Contractions--the third album from Israeli-born, New York-based saxophonist Tal Gur. Gur--a practicing music therapist--has a way of coaxing emotions out of his instrument(s), turning his own work into a form of self-examination. It's true that autobiography has a place in ...

ARTICLE: ALBUM REVIEW

Ayelet Lerman / Wade Matthews / Carmel Raz: Growing Carrots in a Concrete Floor

Read "Growing Carrots in a Concrete Floor" reviewed by Eyal Hareuveni

Operating for four years, the em>Wire Tapping series of experimental improvised meetings at the Barbur Gallery in Jerusalem has hosted many ad-hoc initial meetings between left-of-center musicians. The Series organized collaborations in the past with American drummer Gerry Hemingway, German double bass player Alexander Frangenheim and New York-based and Israeli ex-pat guitarist Eyal Maoz. ...

The Stone Presents Weeklong Residency With Jazz Guitarist Eyal Maoz

The Stone Presents Weeklong Residency With Jazz Guitarist Eyal Maoz

Eyal Maoz Concert Residency Tuesday 7.15 – Sunday 7.20 at 8:00pm + 10:00pm nightly The Stone, Corner of Avenue C/2nd Street, NYC, Train: F/J/M/Z at Delancey-Essex $15/Students $10. No advanced ticket sales. “Maoz’s playing is just as often elegant, understated and even gorgeous... Wonderlech!” —Guitar Player Magazine “A cutting edge guitarist who combines the harmonic lyricism ...

ARTICLE: ALBUM REVIEW

Alex Weiss: Fighter Planes & Praying Mantis

Read "Fighter Planes & Praying Mantis" reviewed by Eyal Hareuveni

Saxophonist Alex Ward's musical journey so far reflects his restful musical personality. He studied music in Boston, then relocated to San Francisco where he studied with Roberto DeHaven, the minister and musician of Saint John's Orthodox Church, better known as the John Coltrane Church. In the Bay Area he collaborated with innovative improvisers as saxophonist Glenn ...

ARTICLE: ALBUM REVIEW

Yoni Kretzmer 66 Boxes: Graceless

Read "Graceless" reviewed by Eyal Hareuveni

Israeli, New York-based tenor saxophonist Yoni Kretzmer returns on Graceless to an old passion of his--writing music that attempts to bridge the forward-thinking jazz from the school of sax heroes Tim Berne, Ellery Eskelin, and European jazz with elements from contemporary chamber music. Kretzmer's debut album as a leader, Yoni Kretzmer's New Dilemma (Earsay, 2009) focused ...

ARTICLE: LIVE REVIEW

Tim Berne’s Snakeoil al Bologna Jazz Festival

Read "Tim Berne’s Snakeoil al Bologna Jazz Festival" reviewed by Libero Farnè

Tim Berne's Snakeoil Torrione Jazz Club Bologna Jazz Festival Ferrara 28.10.2013 Ogni grande musicista in età matura non può che ripetere se stesso, ribadendo le originali forme espressive maturate in decenni; c'è però chi si adagia su una routine autocelebrativa, e rassicurante per le orecchie dei fan, e chi ...


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