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140

Article: Album Review

Dan Clucas / Immediately: Exile

Read "Exile" reviewed by Eyal Hareuveni


Cornetist and composer Dan Clucas has been active on the Los Angeles scene for the last fifteen years, but is only now releasing his debut recording. Clucas has recorded with Jeff Kaiser's Ockodektet and Harris Eisenstadt's Ahimsa Orchestra and has performed with Vinny Golia, Nels Cline and Steuart Liebig and Henry Grimes; he also leads another ...

164

Article: Live Review

Tel Aviv Jazz Festival 2006

Read "Tel Aviv Jazz Festival 2006" reviewed by Eyal Hareuveni


Tel Aviv Jazz Festival Tel Aviv Cinematheque Tel Aviv, Israel February 15-18, 2006 The seventeenth year of the Tel Aviv Jazz Festival lacked leading intriguing musical character, unlike the previous year's program, which featured David Murray coupled with Archie Shepp and the Pyramid Trio (Roy Campbell with William Parker ...

1,299

Article: Interview

Franz Koglmann: Viewing Jazz through Other Arts

Read "Franz Koglmann: Viewing Jazz through Other Arts" reviewed by Eyal Hareuveni


The music of Viennese composer/trumpeter/flugelhornist Franz Koglmann sounds like no other. He manages to marry his love for the West Coast cool jazz with elements from European modern and classic music composers, especially Franz Schubert, Alban Berg and Anton von Webern. His thematic compositions, recorded almost solely for the Swiss, Basel-based HatHut and for the German, ...

159

Article: Album Review

Assif Tsahar / Tatsuya Nakatani / KJLA String 4tet: Solitude

Read "Solitude" reviewed by Eyal Hareuveni


The first cooperative venture between Israeli reed man Assif Tsahar and Japanese conceptual percussionist Tatsuya Nakatani, both based in New York, focused on investigating the more abstract regions of free jazz (Come Sunday, Hopscotch, 2004). Tsahar exerted more control than sweaty power, and Nakatani proved himself a most singular and versatile percussionist. Nakatani hardly ever uses ...

668

Article: Interview

Jamie Saft: Experience Transcending the Speakers

Read "Jamie Saft: Experience Transcending the Speakers" reviewed by Eyal Hareuveni


Quite often the busiest ones are the ones behind the scenes. Musician, producer and sound engineer Jamie Saft is one of those figures on the Downtown New York music scene. He operates his own Frank Booth studio in Brooklyn, where many of the Tzadik label releases are recorded; he plays and records with such prominent leaders ...

256

Article: Album Review

Steve Dalachinsky & Matthew Shipp: Phenomena of Interference

Read "Phenomena of Interference" reviewed by Eyal Hareuveni


The sort-of-official bio of downtown New York poet Steve Dalachinsky describes him as being born “sometime after the last Big War and before lots of useless little wars." And maybe, as such, his poetry lacks the revolutionary agitation of Amiri Baraka (for example, on the William Parker Ensemble's yet to be officially released Inside Songs of ...

341

Article: Album Review

Solveig Slettahjell: Pixiedust

Read "Pixiedust" reviewed by Eyal Hareuveni


Cool Norway seems to be the most efficient hothouse for new talents in Europe in recent years. Vocalist Solveig Slettahjell is by no means a new talent, but only now is her third solo disc, with her Slow Motion Quintet, being distributed outside of Norway. Slettahjell was a student of renowned Norwegian vocalist Sidsel Endresen, with ...

171

Article: Multiple Reviews

Agust

Read "Agust" reviewed by Eyal Hareuveni


Barcelona-based pianist Agusti Fernández, the late German master bassist Peter Kowald and the nomadic Swedish reedman Mats Gustafsson are true representatives of the European tradition of free improv. All three are passionate investigators of their instruments in a way that so often transcend their idiomatic properties. These two releases chronicle two duo meetings at the home ...

168

Article: Album Review

Assif Tsahar / Cooper-Moore / Hamid Drake: Lost Brother

Read "Lost Brother" reviewed by Eyal Hareuveni


As its name implies, Lost Brother is about familiarity and musical intimacy. The first collaboration between Israeli reed man Assif Tsahar and Chicago drummer Hamid Drake was named Soul Bodies (Vol. 1, Ayler, 2001), and the musical bond between Tsahar and Cooper-Moore began when Tsahar guested in William Parker's In Order to Survive, where Cooper-Moore played ...

174

Article: Album Review

The Cracow Klezmer Band: Sanatorium Under the Sign of the Hourglass

Read "Sanatorium Under the Sign of the Hourglass" reviewed by Eyal Hareuveni


John Zorn's Masada songbooks have surrendered themselves to many modern genres and styles--free jazz with the original Masada Quartet, contemporary improvised music with the Masada String Trio and the duo of Mark Feldman and Sylvie Courvoisier, 1970s electric fusion meets today's electronica with Electric Masada, power rock with Rashanim, and a dozen others in the various ...


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