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Temperamental Trio: Raw and the Cooked
by Eyal Hareuveni
The Temperamental Trio is a unique outfit on the Israeli jazz scene (all three players are part of the Jerusalem Kadima Collective), and not just because of its members' rich and international background. American-born baritone player Stephen Horenstein is associated with sound innovator Bill Dixon and is one of the most valued musical educators in Israel. ...
Jimmy Weinstein's Natural Coincidence: This Ocean
by Eyal Hareuveni
Pianist Satoko Fujii and her husband, trumpeter Natsuki Tamura, rarely lend their services as side players; in recent years they have contributed to recordings by Japanese free jazz pioneer Itaru Oki and the Rova saxophone quartet. But in the last two years Fujii and Tamura committed themselves to a new quartet led by American drummer and ...
Ingebrigt Haker Flaten: Quintet
by Eyal Hareuveni
Norwegian bassist Ingebrigt Haker Flaten gained international recognition through his frequents visits to the Windy City and collaborations with Chicago heroes such as Ken Vandermark and Fred Anderson. But in his eleven years as a professional musician, Flaten has covered much more ground than just modern and free jazz. His interests have extended to local rock ...
Reuben Hoch and Time: Of Recent Time
by Eyal Hareuveni
Reuben Hoch's musical career has been a long and winding one. Reared as an orthodox Jew in Brooklyn, the drummer's interest in music was sparked by Chassidic songs, but soon he discovered Art Blakey's Jazz Messengers and the greater jazz discography. He relocated to Tel Aviv, Israel as a medical student, where he was a member ...
Hamid Drake / Albert Beger / William Parker: Evolving Silence, Vol. 2
by Eyal Hareuveni
Evolving Silence, Vol. 2 follows a year after Vol. 1, which documented the first ever meeting in the studio of Israeli saxophonist Albert Beger and the great rhythm section of William Parker and Hamid Drake. This disc was recorded a day after an unforgettable performance by trumpeter Roy Campbell's Pyramid Trio on which Beger was featured ...
Julia Feldman Ensemble: Words Are Worlds (A Tribute To Billie Holiday)
by Eyal Hareuveni
Words Are Worlds, the debut release by Israeli vocalist Julia Feldman, is an inspired tribute to the work and personality of Billie Holiday. Feldman, augmented by pianist, composer and arranger Yitzhak Yedid and bassist Ora Boasson-Horev, interprets songs identified with Holiday, focusing on the lyrics, thus enabling herself and her trio partners to present a fresh ...
White Night Music Marathon in Tel Aviv
by Eyal Hareuveni
White Night - Jazz, Avant-Garde and Modern Music International Marathon Enav Cultural Center Tel Aviv, Israel June 29, 2006 Ten hours of music, dozens of musicians from Israel and Europe, and lots of intriguing music. That's the story in a nutshell of the second mini-compacted Israeli version of the ...
The Thing: Action Jazz
by Eyal Hareuveni
The Scandinavian trio known as The Thing--Swedish saxophonist Mats Gustafsson and two Norwegians, bassist Ingebrigt Håker Flaten and drummer Paal Nilssen-Love--seems to be rewriting the definition of its brand of brutal jazz. After being compared to Peter Brötzmann's early trios, being called a power jazz trio, and being compared to garage rock, The Thing has settled ...
Tatsuya Yoshida vs. Slava Ganelin and Albert Beger
by Eyal Hareuveni
Tatsuya Yoshida Hed Club Tel Aviv, Israel June 25, 2006 You can not survive playing like Yoshida for long," Israeli saxophonist Albert Beger told me while watching the first few minutes of Japanese drummer Tatsuya Yoshida's solo concert, Ruins Alone." But Yoshida, the founder of the seminal avant duo ...
Atomic: Happy New Ears!
by Eyal Hareuveni
The Swedish-Norwegian quintet Atomic was founded five years ago as an antithesis to the frosty tundra bite of ECM lyricism," as Atomic's label, Jazzland, describes Atomic's raison d'etre. But things seem to have changed on this, their third studio recording, Happy New Ears!, (not including a Ken Vandermark collaboration, Nuclear Assembly Hall, Okka Disk, 2004). The ...


