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Results for "Extended Analysis"
Bengt Berger: Beches Brew BIG + BAG
by Eyal Hareuveni
Swedish master drummer and bandleader Bengt Berger calls his own label Country & Eastern, a title that suggests a fresh mix of new modes of expression and impulses from some of the great musical traditions of the world. Berger claims that this label provides the best Al Dente music, and when it comes to his nine-piece ...
Dr. Kay & His Interstellar Tone Scientists: The Search for True Happiness
by Eyal Hareuveni
Who could guess that about twenty years after the spirit of Sun Ra left this planet and went to higher spheres what will transpire in the chilly winds of Oslo, Norway. But anyone who followed even remotely the unbelievable life of Sun Ra already knows that stranger things have happened. The young ...
Jaga Jazzist: Live with Britten Sinfonia
by Phil Barnes
Norwegian collective Jaga Jazzist don't sit comfortably within genre boundaries. Their earlier UK Ninja Tune releases like A Livingroom Hush (2001) and The Stix (2003) suggested a marriage of jazz texture with glitchy, breakbeat driven electronica in a way that was both diverting and interesting, if likely to incite the wrath of the more traditional jazz ...
Michael Formanek: Small Places
by Geannine Reid
Double bassist/composer Michael Formanek releases Small Places, his follow-up to his ECM debut as a leader, The Rub and Spare Change. The new album features the same band of long- time musicians consisting of: Formanek on bass, saxophonist Tim Berne, pianist Craig Taborn and drummer Gerald Cleavor's complex rhythm cycles. Small Places is a continuation of ...
The Whammies: Play The Music Of Steve Lacy
by John Ephland
It's a Lacy sandwich. Sort of. Between the opening and closing slices of “Bone" and Monk's “Locomotive," we get to hear some real free-range chicken, so to speak, said tunes played relatively straight, with clearly recognizable heads and a unity swing. (Throw them into the lunch bucket, too.) And, except for the lurching closer “Locomotive," the ...
The Glenn Miller Orchestra: In the Mood
by Jack Bowers
You can count on the fingers of one hand the number of big bands formed in the 1930s that continue to perform today, long after the storied Big Band Era has faded from national craze to modest footnote in American musical history. Foremost among the survivors is the Glenn Miller Orchestra, the latest incarnation of which ...
No End
by John Kelman
When Keith Jarrett released Spirits in 1986 on his longstanding/exclusive label, Germany's ECM Records, this two-disc home recording- -featuring the pianist on a multitude of instruments in addition to his main axe, including a bevy or recorders and flutes, guitar, saz and percussion--came out of the blue to his legion of fans while, at the same ...
Flex Bent Braam: Lucebert
by Eyal Hareuveni
The new group of Dutch pianist Michiel Braam, the 8-piece Flex Bent Braam, is a scaled-down continuation of Braam's 13-piece Bik Bent Braam, one of Braam's main projects in the last twenty five years, a group that evolved from traditional big band to a flexible improvising unit, but it is also an attempt to challenge his ...
Tubby Hayes: Seven Steps to Heaven - Live at the Hopbine 1972
by Roger Farbey
This set from the late saxophonist and flautist Tubby Hayes was extraordinary for several reasons. It featured along with his regular pianist of the time, Mike Pyne, two other virtuoso musicians, drummer Tony Oxley who repeatedly topped the Melody Maker British section jazz polls and the relatively less well known Daryl Runswick--primarily a classically trained musician ...
Diego Rivera: The Contender
by Jud Branam
Like the famous muralist from whom he got his name, Michigan tenor saxophonist Diego Rivera covers a lot of stylistic ground while adhering to a workmanlike theme on his new CD, The Contender. Rivera leads a powerful sextet through an 11-song set of brawny, orthodox post-bop that carries on the blowing session tradition in ...
