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Thundercat: It Is What It Is

by John Bricker
If you're looking for some dreamy neo-soul and jazz fusion with a charming sense of humor, no one can satisfy you like Thundercat. Released on April 3, his fourth studio album, It Is What It Is, demonstrates his seemingly limitless confidence and charm as a singer, songwriter and bassist, delivering a solid crop of gorgeous and ...
Sirkis/Bialas IQ: Our New Earth

by Ian Patterson
A lament for our damaged earth, a prayer for a better future, Sirkis/Bialas IQ's second recording, after its well-received debut Come To Me (Stonebird Productions, 2015), is an ambitious, far-reaching work. Contemporary jazz with a world view, Our New Earth draws from Middle Eastern, Southern Indian carnatic, Eastern European folk and contemporary classical traditions. That it ...
Rory Gallagher: Check Shirt Wizard: Live in '77

by Doug Collette
Check Shirt Wizard: Live in 1977 is yet another in a lengthy string of posthumous archival work devoted to Irish guitarist and songwriter Rory Gallagher. Like virtually all its predecessors in both audio and video configurations, including Live at Montreux (Eagle, 2006) and Notes From San Francisco (Eagle/Legacy, 2011), this double CD set (also available as ...
Allman Brothers Band: Trouble No More: 50th Anniversary Collection

by Doug Collette
The gold-embossed lettering on the front and back cover of the roughly 5" by 7" slipcase enclosing the Allman Brothers Band's box set Trouble No More belies its otherwise generic art work. Yet the graphic design isn't all that gives the lie to an otherwise positive first impression gleaned from 50th Anniversary Collection. A glance at ...
Bela Fleck and Toumani Diabate: The Ripple Effect

by Doug Collette
The Ripple Effect is the coup de grace of Bela Fleck's ten year-plus excursion into the African roots of his chosen instrument of the banjo, originally titled Throw Down Your Heart (Rounder, 2009). Part of a larger set comprised of both video and audio on DVD/CD, The Complete Africa Sessions (Craft Recordings, 2020), these ten concert ...
Cream: Goodbye Tour Live 1968

by Doug Collette
Goodbye Tour Live 1968 is a snapshot of Cream's adieu to the world, but a panoramic one nonetheless. Housed in a glossy nine and a half-inch by ten slipcase boasting a group photo identical to its namesake title, the inlay with four CD's accompanies a sixty-six page book wherein factual and passionate prose from David Fricke, ...
Roger and Brian Eno: Mixing Colours

by Nenad Georgievski
In a storied and kaleidoscopic career which has seen him change the course of music several times, it is fair to say that British musician, producer and visual artist, Brian Eno has never been one to park himself in the same spot for too long. It will come as little surprise then, that his latest effort, ...
Hank Mobley: The Complete Hank Mobley Blue Note Sessions 1963-70

by C. Andrew Hovan
The music world has changed considerably since Michael Cuscuna and Charlie Lourie founded their boutique reissue label Mosaic Records back in 1983. From its inception, vinyl was still the preferred format, shortly to be overtaken by the popularity of the compact disc. At the cusp of vinyl's recent resurgence, Mosaic briefly got back into that format ...
Miles Davis: Music From And Inspired By Birth Of The Cool, A Film by Stanley Nelson

by Doug Collette
The most devout fans of the late Miles Davis will likely hear the selections on this album as touchstones of their collections of the jazz icon's work. More casual fans and dilettantes can listen and learn to the same cuts as guideposts to assemble their own. Neither approach undermines the value of the title as a ...
Caroline Kraabel: Last 1 and Last 2 (2016/7)

by John Eyles
Caroline Kraabel gets sole credit for this album, justifiably, as she composed the music, conducted one performance of it, acted as musical director and played alto sax in another performance of it. However, after listening several times, the album leaves a sneaking feeling that Robert Wyatt probably deserved equal billing rather than just being mentioned in ...