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Evan Parker / Barry Guy / Paul Lytton / Peter Evans: Scenes In The House Of Music
by Mark Corroto
Saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton have playing together in one form or another since 1972. Their longtime association has created improvised magic, and their appearances are legendary. In 2009, the trio shared the stage with trumpet phenom Peter Evans at Casa da Música, and this impressive recording is the result.
Joe McPhee / Ingebrigt Haker Flaten: Blue Chicago Blues
by Mark Corroto
The pairing of saxophonist Joe McPhee and bassist Ingebrigt Håker Flaten seemed inevitable. Both the US-born McPhee and Norwegian Håker Flaten have worked in the same circle of players for years. The Ken Vandermark (Chicago) and Mats Gustafsson (Swedish) connections have made their services valued in varying bands.This meeting, in Chicago 2007, is a ...
Jason Robinson: The New Western
by Gordon Marshall
Saxophonist Jason Robinson is alert and ready to work his place in the scheme of things, from jazz itself to music at large, to the existential particulars of philosophy. A supple technician with a penchant for abstract thought, he splices together different strains of theory and logic with combinatory takes on period, school and style. A ...
Fifty-Fifty: Fragments
by Nic Jones
Entering the territory mapped by reeds/drums duos is a surprisingly risky undertaking, given the precedents: John Coltrane with Rashied Ali, Evan Parker with Paul Lovens, and the line-up of AMM that featured percussionist Eddie Prévost keeping the company of tenor saxophonist Lou Gare. For all its undoubted merits, the German duo Fifty-Fifty maybe just isn't ready ...
Organ duo releases from St. Peter’s, Whitstable
by John Eyles
St. Peter's church in the English seaside town of Whitstable, Kent, has become one of the favourite recording locations for saxophonist Evan Parker's Psi label. Reasons for this center around the acoustics of the church plus the presence in Whitstable of ace recording engineer Adam Skeating, who repeatedly demonstrates his ability to perfectly capture the church's ...
Evan Parker: Saxophone Solos / Whitstable Solo
by AAJ Italy Staff
Saxophone Solos / Whitstable Solo PSI Records Evan Parker 5 stelle Io sono l'Alfa e l'Omega, il Primo e l'Ultimo, l'Inizio e la Fine Apocalisse 22,13 Sono poco più di trentatre gli anni che dividono la data di registrazione del primissimo concerto in solo sax soprano tenuto da Evan Parker, il 17 giugno del 1975 sul ...
Kit Downes: You Have to Be What You Are
by Bruce Lindsay
Kit Downes' career as a jazz musician has, indeed, taken off in a very short time. He's still in his mid-20s, but such is his talent and appetite for music that Downes has become one of the most sought-after keyboardist in Britain, and he's a key presence in a series of cutting-edge bands, with The Golden ...
Une, Deux, Trois: Solo, Duo and Trio Improvisation from Europe
by Clifford Allen
At one point in time, the term European Improvisation" meant something quite specific, carrying with it an air of otherness to American jazz audiences, solidarity to European jazz audiences, and presented rarified and sometimes unruly music based on folk, classical and open forms. In the ensuing decades, the world has grown a bit smaller, and intercontinental ...
George Cartwright: Barrier Islands Bird
by Gordon Marshall
George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New ...
Dave Liebman / Evan Parker/ Tony Bianco: Relevance
by Jerry D'Souza
Saxophonists Dave Liebman and Evan Parker have established careers as improvisers of the first order. Both are visionaries unafraid of taking risks, and fathoming unusual territory. Their impulses may be driven by fragments or lengthy declamations, but in the end they wrap it up with cohesive logic. The high level of skill is evident on this ...




