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240

Article: Album Review

Evan Parker / Barry Guy / Paul Lytton / Peter Evans: Scenes In The House Of Music

Read "Scenes In The House Of Music" reviewed by Mark Corroto


Saxophonist Evan Parker, bassist Barry Guy and drummer Paul Lytton have playing together in one form or another since 1972. Their longtime association has created improvised magic, and their appearances are legendary. In 2009, the trio shared the stage with trumpet phenom Peter Evans at Casa da Música, and this impressive recording is the result.

281

Article: Album Review

Joe McPhee / Ingebrigt Haker Flaten: Blue Chicago Blues

Read "Blue Chicago Blues" reviewed by Mark Corroto


The pairing of saxophonist Joe McPhee and bassist Ingebrigt Håker Flaten seemed inevitable. Both the US-born McPhee and Norwegian Håker Flaten have worked in the same circle of players for years. The Ken Vandermark (Chicago) and Mats Gustafsson (Swedish) connections have made their services valued in varying bands.This meeting, in Chicago 2007, is a ...

762

Article: Interview

Jason Robinson: The New Western

Read "Jason Robinson: The New Western" reviewed by Gordon Marshall


Saxophonist Jason Robinson is alert and ready to work his place in the scheme of things, from jazz itself to music at large, to the existential particulars of philosophy. A supple technician with a penchant for abstract thought, he splices together different strains of theory and logic with combinatory takes on period, school and style. A ...

149

Article: Album Review

Fifty-Fifty: Fragments

Read "Fragments" reviewed by Nic Jones


Entering the territory mapped by reeds/drums duos is a surprisingly risky undertaking, given the precedents: John Coltrane with Rashied Ali, Evan Parker with Paul Lovens, and the line-up of AMM that featured percussionist Eddie Prévost keeping the company of tenor saxophonist Lou Gare. For all its undoubted merits, the German duo Fifty-Fifty maybe just isn't ready ...

505

Article: Multiple Reviews

Organ duo releases from St. Peter’s, Whitstable

Read "Organ duo releases from St. Peter’s, Whitstable" reviewed by John Eyles


St. Peter's church in the English seaside town of Whitstable, Kent, has become one of the favourite recording locations for saxophonist Evan Parker's Psi label. Reasons for this center around the acoustics of the church plus the presence in Whitstable of ace recording engineer Adam Skeating, who repeatedly demonstrates his ability to perfectly capture the church's ...

Article: Multiple Reviews

Evan Parker: Saxophone Solos / Whitstable Solo

Read "Evan Parker: Saxophone Solos / Whitstable Solo" reviewed by AAJ Italy Staff


Saxophone Solos / Whitstable Solo PSI Records Evan Parker 5 stelle Io sono l'Alfa e l'Omega, il Primo e l'Ultimo, l'Inizio e la Fine Apocalisse 22,13 Sono poco più di trentatre gli anni che dividono la data di registrazione del primissimo concerto in solo sax soprano tenuto da Evan Parker, il 17 giugno del 1975 sul ...

618

Article: Interview

Kit Downes: You Have to Be What You Are

Read "Kit Downes: You Have to Be What You Are" reviewed by Bruce Lindsay


Kit Downes' career as a jazz musician has, indeed, taken off in a very short time. He's still in his mid-20s, but such is his talent and appetite for music that Downes has become one of the most sought-after keyboardist in Britain, and he's a key presence in a series of cutting-edge bands, with The Golden ...

399

Article: Multiple Reviews

Une, Deux, Trois: Solo, Duo and Trio Improvisation from Europe

Read "Une, Deux, Trois: Solo, Duo and Trio Improvisation from Europe" reviewed by Clifford Allen


At one point in time, the term “European Improvisation" meant something quite specific, carrying with it an air of otherness to American jazz audiences, solidarity to European jazz audiences, and presented rarified and sometimes unruly music based on folk, classical and open forms. In the ensuing decades, the world has grown a bit smaller, and intercontinental ...

918

Article: Interview

George Cartwright: Barrier Islands Bird

Read "George Cartwright: Barrier Islands Bird" reviewed by Gordon Marshall


George Cartwright can't be forgotten. The triple sax threat is part of the archaeology of modern New York. The downtown scene, just like New Orleans or 52 Street, has its mythology, and, as much as John Zorn, Cartwright figures in that, having come to the city fresh out of The Creative Music Studio in Woodstock, New ...

390

Article: Album Review

Dave Liebman / Evan Parker/ Tony Bianco: Relevance

Read "Relevance" reviewed by Jerry D'Souza


Saxophonists Dave Liebman and Evan Parker have established careers as improvisers of the first order. Both are visionaries unafraid of taking risks, and fathoming unusual territory. Their impulses may be driven by fragments or lengthy declamations, but in the end they wrap it up with cohesive logic. The high level of skill is evident on this ...


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