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Pori Jazz Festival: Pori, Finland, July 19-21, 2012
by Anthony Shaw
Pori Jazz Festival uLTRA mUSIC nIGHTSPori, FinlandJuly 19-21, 2012 On a scale of 1-10, summertime activity in the capital of this northerly European nation barely registers a “1," whilst in the normally sleepy western coastal town of Pori it is topping out for the penultimate week of July. It's the ...
Wolfram Trio: Wolfram
by Eyal Hareuveni
Wolfram Trio is a new Norwegian outfit that adds its own version to the existing European mix of acoustic free jazz and free improvisation. The trio claims its roots in the pioneering work of saxophonists Peter Brötzmann and Evan Parker, as well as bassist Barry Guy--saxophonist Albert Ayler, even--but does not demonstrate any overt reverence to ...
Ljubljana Jazz Festival: Ljubljana, Slovenia, June 20–29, 2012
by Henning Bolte
Ljubljana Jazz FestivalLjubljana, SloveniaJune 20-29, 2012Ljubljana, with its 53rd edition, truly hosts the oldest jazz festival in Europe. Norway's Molde, also a candidate, started one year later, in 1960. The capital of the now-independent Republic of Slovenia, neighbored by Austria, Hungary, Croatia and Italy, Ljubljana is situated one hour from Trieste, two hours ...
Evan Parker - Zlatko Kaučič: Round About One O'Clock
by AAJ Italy Staff
Round About One O'Clock documenta la performance che i due grandi esponenti della musica improvvisata europea hanno dato il 4 luglio 2009 in occasione del cinquantesimo anniversario del festival jazz di Lubiana. L'incontro è dedicato alla memoria dello sfortunato sassofonista Mike “Ozzie" Osborne che condivise con Parker alcuni capitoli della scena musicale britannica (il più noto ...
Free Form Evolution
by Sammy Stein
Since free form tentatively emerged during the 1940s and '50s it has evolved with both the times and changing audiences. Now, free form elements cross genre boundaries and many musicians use elements from free form in their works. Because it is music which draws on the spiritual feelings of the players, social dramas and the atmosphere ...
Alexander Hawkins Ensemble: All There, Ever Out
by John Sharpe
It has been the Holy Grail of jazz since its inception: to carve out the perfect balance between the written and the spontaneously invented. While All There, Ever Out may not be the definitive statement, English pianist Alexander Hawkins has taken a bold stab at a new version of the equation, combining composition and improvisation in ...
The Rocket Ship Takes Off
by Mark Corroto
I have good news and bad news. The bad news is the big record companies are dead. The good news is the big record companies are dead. Gone are the days of Columbia Records signing trumpeter Wynton Marsalis to a million dollar contract and then promoting the hell out of his vision of jazz, selling his ...
BAM: Bremen Art Music?
by Francesco Martinelli
[Editor's Note: It's been quite a few years since Italian writer, music educator and general provocateur Francesco Martinelli last contributed to All About Jazz. Having recently returned home from Jazzahead! 2012 in Bremen, and with the current debates about the meaning, future and relevance of the word “jazz" fresh in his mind, Martinelli posits an alternate ...
Toma Gouband: Courant des Vents
by John Eyles
A lithophone is a musical instrument consisting of a rock or pieces of rock which are struck to produce musical notes, either in combination, producing harmony, or in succession, producing melodies. In May, 2011, French percussionist Toma Gouband visited London to play at the annual Freedom of the City festival, solo and in an Evan Parker ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
