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Free Form Evolution
by Sammy Stein
Since free form tentatively emerged during the 1940s and '50s it has evolved with both the times and changing audiences. Now, free form elements cross genre boundaries and many musicians use elements from free form in their works. Because it is music which draws on the spiritual feelings of the players, social dramas and the atmosphere ...
Alexander Hawkins Ensemble: All There, Ever Out
by John Sharpe
It has been the Holy Grail of jazz since its inception: to carve out the perfect balance between the written and the spontaneously invented. While All There, Ever Out may not be the definitive statement, English pianist Alexander Hawkins has taken a bold stab at a new version of the equation, combining composition and improvisation in ...
The Rocket Ship Takes Off
by Mark Corroto
I have good news and bad news. The bad news is the big record companies are dead. The good news is the big record companies are dead. Gone are the days of Columbia Records signing trumpeter Wynton Marsalis to a million dollar contract and then promoting the hell out of his vision of jazz, selling his ...
BAM: Bremen Art Music?
by Francesco Martinelli
[Editor's Note: It's been quite a few years since Italian writer, music educator and general provocateur Francesco Martinelli last contributed to All About Jazz. Having recently returned home from Jazzahead! 2012 in Bremen, and with the current debates about the meaning, future and relevance of the word “jazz" fresh in his mind, Martinelli posits an alternate ...
Toma Gouband: Courant des Vents
by John Eyles
A lithophone is a musical instrument consisting of a rock or pieces of rock which are struck to produce musical notes, either in combination, producing harmony, or in succession, producing melodies. In May, 2011, French percussionist Toma Gouband visited London to play at the annual Freedom of the City festival, solo and in an Evan Parker ...
The Beginnings of Free Form
by Sammy Stein
"Free form" is a term used to encompass a whole genre--or genres--outside mainstream jazz. Jazz has its roots in spiritual music, Dixieland, New Orleans, blues and ragtime, and after the 1940s these became fused into a catch-all assignation of genre. Jazz took on a predictability that was largely influenced not by the limitations of the players, ...
Foxes Fox: Live at the Vortex
by John Eyles
Foxes Fox--Evan Parker on tenor saxophone, Steve Beresford on piano, John Edwards on bass and Louis Moholo-Moholo on percussion--first came together as a quartet in 1998. Live at the Vortex is, however, only their third album, following Foxes Fox (Emanem, 1999) and Naan Tso (Psi, 2005). Unlike its predecessors, this release--captured in February, 2007--was recorded live ...
Joe McPhee's Survival Unit III with Evan Parker: London, England, March 23, 2012
by John Sharpe
Joe McPhee's Survival Unit III with Evan ParkerCafé OtoLondonMarch 23, 2012Over the past three years north London's Cafe Oto has built a solid, predominantly young audience for adventurous music. Part of the secret has been programming world class talent over multiple nights and pairing them with the cream of the capital's ...
Evan Parker: Deciphering the Noise
by Henry Cooke
Imagine for a moment that the average jazz enthusiast is similar to a competent swimmer: safe within the confines of their local pool they're comfortable, perhaps a little brash.Individual lanes silently determine your path whilst lifeguards monitor your tempo with their special brand of overprotective nonchalance. Even the reassuring sting of chlorine serves as ...
Roscoe Mitchell: London, England, March 9, 2012
by John Sharpe
Roscoe MitchellCafé OtoLondonMarch 9, 2012 Saxophonist Roscoe Mitchell followed an increasingly well trod path. Dalston's Cafe Oto has a strong track record in bringing great names from the free jazz past to the north London stage, with previous guest artists including trumpeters Wadada Leo Smith and Ted Daniel, and saxophonists Joe ...
