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Larks' Tongues in Aspic (40th Anniversary Series Box)
by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Mikolaj Trzaska / Olie Brice / Mark Sanders: Riverloam Trio
by John Sharpe
Mikolaj Trzaska (pronounced “Miko-why Chass-kuh") is not a name which drops off even the most assiduous jazz fan's lips. But on the evidence of this recording, it will become increasingly familiar outside his native Poland. Already the reedman has featured alongside American multi-instrumentalist Joe McPhee on the excellent Magic (Not Two, 2009), with reedman Ken Vandermark's ...
Kvintetten Som Sprängdes: Järnet!
by Eyal Hareuveni
Järnet!--the limited edition (300), vinyl-only debut of Gothenburg, Sweden-based Kvintetten Som Sprängdes (The Quintet That Blew Up)--features a unique musical language. Led by Niklas Persson, the saxophonist's compositions reference modern and free jazz heroes from both sides of the Atlantic--including saxophonist Ornette Coleman, reed multi-instrumentalists Eric Dolphy, Anthony Braxton and Evan Parker, and Swedish hero, saxophonist ...
Sam Newsome: The Art of the Soprano, Vol. 1
by Dan McClenaghan
Sam Newsome's The Art of the Soprano, Vol. 1 is a solo soprano saxophone outing, While not unprecedented--Steve Lacy and Evan Parker have done this before--it certainly is unusual. The straight horn all alone: no bass, no drums, no piano or guitar. Sounds lonely, and a little too sonically spare.But no one has gone ...
Take Five With Sam Newsome
by AAJ Staff
Meet Sam Newsome: One of the more important soprano saxophonists of his generation, Sam Newsome emerged onto the scene as a member of Terence Blanchard's quintet in the early 1990s, Newsome really hit his artistic stride when he began releasing a series of solo saxophone recordings expanding the sonic terrain of the soprano sax: ...
Lawrence Casserley & Jean-Michel Van Schouwburg: Mouth Wind
by John Eyles
Recorded in May, 2010 at Lawrence Casserley's studio in the Chiltern Hills, Buckinghamshire, Mouth Wind is a happy pairing of Casserley's signal processing with the idiosyncratic vocals of Belgium's Jean-Michel van Schouwburg, a pairing which benefits both of them greatly. The duo format suits each of the two in a different way; in larger groupings such ...
Evan Parker Electroacoustic Ensemble: Hasselt
by John Eyles
Evan Parker Electroacoustic EnsembleHasseltPsi2012Although Evan Parker Electro-Acoustic Ensemble had recorded five albums for ECM since 1997, in 2009 saxophonist Parker's Psi label released SET under his own name; the album was effectively by the Electro-Acoustic Ensemble, sharing its personnel, instrumentation and working methods. At the time, it seemed ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Gerd Dudek: Day and Night
by John Eyles
When saxophonist Evan Parker started his Psi label back in late 2001, the label's second release--following his own solo album, Lines Burnt in Light (2001)--was the excellent 'Smatter (2002), by Gerd Dudek, the German saxophonist's first release under his own name. In January 2012, when Parker curated a week-long series of concerts at The Vortex in ...
Louis Sclavis: Maps of the Mind
by Ian Patterson
"My music? I know what it is, and I don't know what it is. It's a paradox." Now entering his fifth decade as a recording artist, multi-reedist/composer Louis Sclavis may not have a clear handle on the music he makes, but he has absorbed the lessons of all the music he has turned his hand to, ...
