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Article: Album Review

Bob Downes Open Music: Blowin' With Bass

Read "Blowin' With Bass" reviewed by Claudio Bonomi


Bob Downes, compositore e polistrumentista britannico, estrae dal proprio magic box un'altra chicca che farà fellce gli appassionati di jazz, o meglio, di British Jazz. Il movimento che, a partire della fine degli anni Sessanta, produsse un pimpante manipolo di musicisti-pionieri che ancora oggi calcano le scene internazionali come Evan Parker, John Surman, Keith Tippett, John ...

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Article: Album Review

Ingrid Laubrock/Tom Rainey: Buoyancy

Read "Buoyancy" reviewed by Mark Corroto


In baseball it's called “small ball." That might be the best way to describe the improvising duo of saxophonist Ingrid Laubrock and drummer Tom Rainey. Small ball baseball teams win, not by home run blasts, but by putting runners in scoring position, bunting, and stealing bases. Flamboyant rarely wins the series. Confident, often understated play, is ...

Article: Interview

Giovanni Maier e Zlatko Kaučič: intervista sull'Orchestra Senza Confini

Read "Giovanni Maier e Zlatko Kaučič: intervista sull'Orchestra Senza Confini" reviewed by Neri Pollastri


L'Orchestra Senza Confini è un ensemble ampio (nel disco che la documenta consta di diciassette elementi), con musicisti provenienti dal Friuli Venezia Giulia e dalla Slovenia. Suddivisa in due sezioni, è diretta con una conduction doppia e contemporanea da Giovanni Maier e Zlatko Kaucic. L'iniziativa, in sé molto originale, ha anche esiti entusiasmanti sia dal vivo ...

Article: Live Review

Schlippenbach Trio al Centro d'Arte Padova

Read "Schlippenbach Trio al Centro d'Arte Padova" reviewed by Vincenzo Roggero


Schlippenbach Trio Cinema Torresino Padova 29.04.2016 Poteva far esplodere i fuochi d'artificio, navigare sulle ali dell'effetto nostalgia, piazzarti sul muso i suoi quarant'anni di storia, e che storia, come forse nessun'altra formazione al mondo può vantare, e via pedalare. Invece lo Schlippenbach Trio ha regalato un concerto di rara misura, rigore ...

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Article: Multiple Reviews

Something old, something new, something reissued, something Brötzmann blew.

Read "Something old, something new, something reissued, something Brötzmann blew." reviewed by Mark Corroto


Can the entire history of a musical genre be encoded in one man's DNA? If that is possible, then reading the DeoxyriboNucleic Acid molecules in saxophonist Peter Brötzmann's body would yield all the information a musical scientist studying the development of free jazz would require. Since the 1960s, he has been in the center of the ...

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Article: Album Review

Per Gärdin/Rodrigo Pinheiro/Marco Franco/Travassos: Oblique Mirrors

Read "Oblique Mirrors" reviewed by Mark Corroto


Listening to the free improvisation recording, Oblique Mirrors brings to mind a most memorable line from the film The Usual Suspects, where Kevin Spacey as Roger “Verbal" Kint says, “The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone." Maybe its the evanescent nature ...

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Article: Album Review

Torben Snekkestad: Winds Of Mouth

Read "Winds Of Mouth" reviewed by Mark Corroto


The Homo sapien caveman picked up a goat's horn and blew some notes through it to entertain the Neanderthals, who had somehow, not paid the cover charge for the spring solstice show. No worries he thought, they'll soon be extinct, and I've just invented music. What the Neanderthals were fascinated with, was, just how ...

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Article: Album Review

Barry Guy / Ken Vandermark: Occasional Poems

Read "Occasional Poems" reviewed by John Sharpe


For British bassist Barry Guy the concert that produced this fine double disc package occurred at the end of a four day intensive residency in Krakow culminating in the premier of an ambitious new work by his Blue Shroud Band. While for Chicago reedman Ken Vandermark, the event was the final episode in two months on ...

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Article: Album Review

Evan Parker / Seymour Wright: Tie the Stone to the Wheel

Read "Tie the Stone to the Wheel" reviewed by John Eyles


The five tracks on Tie the Stone to the Wheel were recorded at two duo gigs which saxophonists Evan Parker and Seymour Wright played in London and Derby, on consecutive Sundays in October 2014, at the Kernel Brewery and the Derby Theatre Studio. Remarkably, at the Derby gig, it was revealed that when Parker had played ...

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Article: London Calling

Club Inégales: Where Everybody Knows Your Name...

Read "Club Inégales: Where Everybody Knows Your Name..." reviewed by Duncan Heining


If Club Inégales didn't exist, it would be necessary to invent it. What price a venue in the heart of London with a policy as open-minded and eclectic as this? Club Inégales welcomes jazzers and free improvisers, baroque musicians and folk singers, poets and comedians, Japanese and Bengali percussionists and even the occasional passing shaman. The ...


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