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Glasgow Improvisers Orchestra featuring Marilyn Crispell and Evan Parker: Parallel Moments Unbroken
by Matt Parker
For this album, living legends in the world of improvised music Marilyn Crispell and Evan Parker joined the Glasgow Improvisers Orchestra as featured soloists in these recordings of two separate live performances of the same composition (hence the duplication of some track titles). Parallel Moments Unbroken was written by GIO founding member Raymond MacDonald, and commissioned ...
King Crimson: Live in Newcastle, December 8, 1972
by John Kelman
"Never say never," or so the old adage goes. When it comes to music, there are two more that should be added: “farewell tour" and, most certainly as it relates to King Crimson's Live in Newcastle, December 8, 1972, “the complete recordings." This, the 48th in the veteran group's King Crimson Collector's Club series of archival ...
A Focus on Paul Bley
by Bob Osborne
This week we focus on the work of master pianist Paul Bley, including examples of the ground-breaking music he created with Jimmy Giuffre and Steve Swallow. During the rest of the show we feature some fascinating recent releases and some other classic cuts. Playlist James Brandon Lewis “Sir Real Denard" from An Unruly ...
Alexander Hawkins: Iron Into Wind
by John Sharpe
On his second solo album pianist Alexander Hawkins creates an adventurous and deeply personal synthesis which draws from both jazz and classical wellsprings. One of the foremost representatives of an exciting younger generation of British musicians, his talents are on display not only on his own projects, like Uproot (Intakt, 2018), but with growing circle of ...
Antonio Raia: Asylum
by Alberto Bazzurro
Trentun anni, napoletano, Antonio Raia debutta con questo Asylum su album—come si diceva una volta—a lunga durata (nonché, va da sé, a sua firma). Per farlo si rivolge unicamente al suo attrezzo di lavoro principale, il sax tenore (più il fischio in “Fire on Earth"), che percorre solitario nove brani suoi più due riletture pescate nel ...
ECM @ 50
by Mark Sullivan
2019 marks the 50th anniversary of German record label ECM Records. Since its founding by Manfred Eicher the label has maintained unwavering standards of excellence, characterized by an unmistakable visual identity and rigorous production values. In addition to some 20 concerts featuring ECM artists, the 2019 Big Ears Festival (full review here) also hosted an “ECM ...
Evan Parker, Matthew Shipp, Paul Lytton, Peter Apfelbaum, Marcus Rojas & Cyro Baptista
by Martin Longley
Evan Parker/Matthew Shipp/Paul Lytton Roulette March 25, 2019 Originally, this gig was billed as The Schlippenbach Trio, featuring a rare NYC showing from German grand master pianist Alexander Von Schlippenbach. Anticipation was high, but the day before the show, it was announced that his work visa hadn't arrived in time ...
Gregor Huebner, Alexandra Grimal and a focus on Anna Webber
by Bob Osborne
Stunning new Cuban Jazz with a political message from Gregor Huebner, exciting new sounds from Alexandra Grimal and a focus on the work of Anna Webber dominate a show of mixed styles and emotions. Playlist Gregor Huebner “Equinox" from El Violin Latino Vol. 3 : Los Soñadores (Zoho) 00:00 Alexandra Grimal “Meltemi" from ...
Choi Sun Bae: Arirang Fantasy
by John Sharpe
A 1995 meeting in Tokyo between Korean and Japanese proponents of the art of free jazz furnishes another entry in the Chap Chap series of improvised encounters issued by the Lithuanian NoBusiness imprint. From Korea, Arirang Fantasy introduces trumpeter Choi Sun Bae, who also features alongside Japanese trumpeter Itaru Oki on Kami Fusen (NoBusiness, 2017), and ...
Provenance, Mal de mer, Duration: Evan Parker and Peter Evans at Solilóquios in Porto
by Arian Bagheri Pour Fallah
Provenance Evan Parker needs little introduction. To the listener and to the critic, clearly, but above all to the formation of musical matter. The rudiments of his making are well obscured twenty seconds in after he enkindles the first note. He plays the saxophone durably--static, in deathlike stillness. It is easy, in fact, to mistake his ...
