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Musician

Evan Arntzen

Canadian-born clarinetist, saxophonist, vocalist and educator Evan Arntzen is both a powerful soloist and a keenly attuned musical collaborator with ears for days. He has developed a uniquely expressive sound as an improviser on his instruments that Grammy Award-Winning writer Ricky Riccardi calls “the very definition of timeless.”

Evan was born and raised in East Vancouver, Canada, about as far away from New Orleans as one can be in North America, and yet it is the music of the Crescent City that sparked Evan’s musical journey. A third generation musician, Evan began learning New-Orleans-style clarinet from his grandfather, Lloyd Arntzen, at the age of seven. The first melodies he learned to play were blues, all from great Black American composers, such as Louis Armstrong, Sidney Bechet, Duke Ellington and Jelly Roll Morton.

Album

From The Pen Of...

Label: Cellar Records
Released: 2022
Track listing: Night Spot; Queen's Pawn; It's A Human Race; Rabbit's Habit; Up In Steve's Room; Why Am I Blue?; Waltz For Willi; Our Blues; For Your Love; Ol' Bill's Blues; Theme.

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Article: Album Review

Fraser MacPherson: From The Pen Of...

Read "From The Pen Of..." reviewed by Jack Bowers


The late tenor saxophonist Fraser MacPherson was well-known in western Canada and elsewhere for his brilliance—but as player, not a writer. In fact, according to MacPherson's son Guy, who wrote the excellent liner notes to From the Pen of..., his father wrote barely a dozen or so original compositions, almost all of which are included on ...

Album

Looking North

Label: Self Produced
Released: 2021

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Article: Radio & Podcasts

Past Grapplin'

Read "Past Grapplin'" reviewed by Patrick Burnette


Since the seventies, it's arguable that most jazz musicians work in “old" idioms (even if they mix and match them in new ways), but this episode's artists each take on aspects of jazz's past that seem, well, more past than most. Sometimes the commitment to the older idiom is complete, sometimes it comes and goes, but ...

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Article: Album Review

Eyal Vilner Big Band: Swing Out!

Read "Swing Out!" reviewed by Jack Bowers


Eyal Vilner's fourth album as leader of his impressive New York-based big band is a throwback to the kind of concert dates audiences no doubt derived great pleasure from during the storied Big-Band Era well over half a century ago when groups not far removed from this one in spirit traveled cross-country by bus, car or ...

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Article: Album Review

Eyal Vilner Big Band: Hanukkah

Read "Hanukkah" reviewed by Jack Bowers


Although a goodly number of seasonal big-band albums have passed through these portals over the years, this is the first one to our recollection devoted to Hanukkah, the eight-day-long festival of lights that commemorates the rededication of the Holy Temple in Jerusalem during the time of a successful Maccabean revolt against the Seleucid Empire. As leader ...

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Article: Record Label Profile

Cellar Live Records: The Finest in Live Jazz Recordings

Read "Cellar Live Records: The Finest in Live Jazz Recordings" reviewed by Mike Oppenheim


Cellar Live Records is a contemporary jazz label located in Vancouver, British Columbia. Jazz saxophonist and producer Cory Weeds founded the label in 2001, one year after purchasing The Cellar Restaurant and Jazz Club (later renamed Cory Weeds' Jazz Cellar). Since that time, Cellar Live Records has released over seventy albums. Performers at Cory ...

Album

Looks Like It’s Going to Snow

Label: Songlines Recordings
Released: 2009
Track listing: 1. You’re Trying Too Hard (6.06); 2. Found (5.58); 3. Springs (6.06); 4. Flip (0.49); 5. Give (Sydney Carton) (8.16); 6. Stutter Step (1.42); 7. Looks Like It’s Going to Snow (8.03); 8. Bird Colony (3.06) 9. The Progress Suite (16.37); 10. Wait (3.51).

Article: Album Review

The October Trio + Brad Turner: Looks Like It’s Going to Snow

Read "Looks Like It’s Going to Snow" reviewed by AAJ Italy Staff


«Moods and Colours of a Vancouver Autumn». Sì, potrebbe essere questa frase, scritta tra le note di copertina da Greg Buium, a fotografare l'attitudine dell'October Trio. Potrebbe, appunto. Perché se da una parte il suono di Looks Like It's Going to Snow rispecchia i colori tenui di uno scenario nordico, limpido e malinconico, dall'altra mette in ...


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