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Musician

Ermes Pirlo

ERMES PIRLO Accordionist and composer from Brescia, born in 1973, considered among the most interesting jazz accordionists on a national scale, he began studying the accordion at a very young age, later perfecting himself under the guidance of Simone Zanchini.

In 2006 he attended the MasterClasses held by Richard Galliano, Luciano Biondini, Gil Goldstein, the seminars organized by the "Siena Jazz Foundation" and the international "Jazzinty" seminars in Slovenia where he was included in the ensemble music class directed by John Abercrombie.

From 2007 to 2011 he participated in the permanent musical research laboratory directed by Stefano Battaglia, work documented by the recent release of "Astragalo 1" (2021), the first album of a trilogy soon to be published, born from an idea of ​​the musicologist Roberta De Piccoli in collaboration with Battaglia himself.

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Article: In Pictures

Ermes Pirlo Fourth 4et At Der Mast Winter Jazz Festival 2023

Read "Ermes Pirlo Fourth 4et At Der Mast Winter Jazz Festival 2023" reviewed by Danilo Codazzi


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Article: Lyrics

I 10 Cd nel CD-Player di... Emanuele Maniscalco

Read "I 10 Cd nel CD-Player di... Emanuele Maniscalco" reviewed by Vincenzo Roggero


01. Massimiliano Milesi, Giacomo Papetti -Dimidiam (UR Rrecords -2015). Basso e sax tenore. Mi piace questa formazione minima ma articolata, che per me trova il suo punto di riferimento attuale nel duo degli islandesi Óskar Guðjónsson e Skúli Sverisson. Max e Giacomo, che sono anche carissimi amici, mi conducono in parte verso quelle atmosfere, trascinandole ...

Album

Bellow's Training

Label: nBn Records
Released: 2015
Track listing: Simon Demon; Bellow’s Training; At Sloppy Joe’s; U07; Baal; Teruel; El Cochecito; Quarta Casa; Rage Room; Fable.

Article: Album Review

Ermes Pirlo, Paolo Biasi, Emanuele Maniscalco: Bellow's Training

Read "Bellow's Training" reviewed by Neri Pollastri


È un disco sorprendente questo Bellow's Training, e lo è fin dalla atipicità della formazione, un trio composto da fisarmonica, basso elettrico e batteria. Già questo evidenzia l'intenzione di Ermes Pirlo di esporre il proprio strumento a situazioni che, nonostante l'impiego ormai molto ampio della fisarmonica nell'ambito del jazz, non sono per esso molto frequenti.


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