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Ergo: As subtle as tomorrow
by Vic Albani
Ritengo la Cuneiform una delle migliori e intelligenti etichette musicali esistenti poiché, lavorando su territori spesso assai diversi fra loro, riesce regolarmente a evidenziare new forms e ricerche di spessore in molti lavori di artisti celebrati o meno. È il caso di questi Ergo (che hanno anche un sito che si chiama “ergo ...
José James: una grande voce per la Black Music
by Angelo Leonardi
La recente pubblicazione per la Blue Note di Yesterday I Had the Blues -The Music of Billie Holiday , torna a collocare José James in una piena cornice jazzistica. È una commemorazione della cantante e un approccio tradizionale che oggi James affronta senza paura d'apparire prigionero del passato. L'altro esempio riguarda l'album For All We Know, ...
Greg Osby: Saxophone “Griot”
by Victor L. Schermer
The griot is a West African historian, storyteller, praise singer, poet and/or musician, a repository of oral tradition who is often seen as a societal leader. Saxophonist Greg Osby recently was excited to meet some griots on his travels. While he is originally from St. Louis, he himself is a griot in many senses of the ...
Aaron Parks Group and Joel Ross at the SOUTH Jazz Kitchen
by Asher Wolf
Aaron Parks Group SOUTH Jazz Kitchen Philadelphia, PA May 4, 2016 I apologize in advance if the following descriptions come off as grandiose. But regarding the Aaron Parks Group, anything that doesn't walk the line of hyperbole feels like an undersell. They were one of the most exciting acts ...
Zhenya Strigalev: Never Group
by Mark F. Turner
Alto saxophonist Zhenya Strigalev's trio Never Group with drummer Eric Harland and bassist Tim Lefebvre bring its definition of punk jazz with in-ear-your-ear performances with a nonchalant attitude. Recorded over two days in Berlin with a few guests dropping in on the fun, the recording is compelling in its inventive energy. This follow-up ...
Charles Lloyd and The Marvels: I Long to See You
by Ian Patterson
Rather than easing off since turning seventy in 2008, Charles Lloyd has instead upped the ante, producing some of the finest music of his career. Whatever spiritual quest Lloyd is on, it continues to spur the veteran saxophonist to heady musical heights and I Long to See You (Blue Note, 2016) is no exception. Lloyd's well-established ...
Charles Lloyd & The Marvels: I Long To See You
by Dan Bilawsky
If ever there was an eternal explorer, it's Charles Lloyd. This inquisitive soul has made a career out of surveying new frontiers, both within himself and beyond the borders of his own being. He's taken every opportunity to peer and travel into the unknown, allowing only the sound and the spirits to serve as his guides. ...
Charles Lloyd and The Marvels: I Long to See You
by Stefano Merighi
Non vi è dubbio che al giro di boa dei 70 anni Charles Lloyd abbia conosciuto una “nuova giovinezza" artistica e che queste recenti stagioni siano state per lui ricche di soddisfazioni. I dischi ECM ed il recente Blue Note Wild Man Dance lo hanno rilanciato come tra i più creativi tra i senatori del jazz. ...
Mike Moreno: Lotus
by Dan Bilawsky
A blooming lotus is like a magnet for the eyes, calling those who appreciate beauty, vibrancy, and shapeliness to gaze upon one of nature's small wonders. Guitarist Mike Moreno's Lotus has a similar draw, summoning the ears with its enchanting sonics and chimerical ideals. On this, Moreno's fifth album, the lyrical and the ...
Ariel Pocock: Touchstone
by Dan Bilawsky
What are the touchstones of jazz? Harmonic acuity? Internalization of swing aesthetics and advanced rhythmic language(s)? The ability to quickly parse a composition in real time? An understanding of the historical framework of the music? The ability to create and speak one's own mind using any number of vocabulary sets? Yes. Each of those elements are ...
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