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Album

Street Talk

Label: Enja Records
Released: 2019
Track listing: Intro; Street Talk; Point; Loudly; A Portrait; Carousel; Toli’s Dance; Outro.

Album

Dream Time

Label: Enja Records
Released: 2019
Track listing: Trieste My Love; Genesis; For Coltrane; Blue Bolero; Nisa; Blue Bolero; Capetown District Six; Sotho Blue; Machopi; Whoza Mtwana; Blues For A Hip King; Dream Time; In The Evening; Song For Lawrence Brown; Blue Bolero; Dedication To Duke Ellington; The Balance; Aspen; Did You Hear That Sound; Blue Bolero.

Album

Golem Dance

Label: Enja Records
Released: 2019
Track listing: All and more; Ian; Flou; 12 Raindrops; Family Affair; Up; Golem Dance - live; The Poet; Even Harder; Out Of Nowhere - live.

Album

The Hunter

Label: Enja Records
Released: 2019
Track listing: The Hunter; Loueke Intro; Loueke; Loom; Cubism; aube à l'inconnu; Time with the Masters; Radha IV; Dream Weaver; Dayanous.

Album

Irrationalities

Label: Enja Records
Released: 2019
Track listing: Easy Come Easy Go; Seeing You Behind My Eyes; Temporary Secret III; Irrationality; Thalassa Platia; Temporary Secret II; No Becomes Yes; Blame it On My Youth.

Album

Irrationalities

Label: Enja Records
Released: 2019

Album

Tunnel Visions

Label: Enja Records
Released: 2019
Track listing: Intro To A Dystopian Society; A Dystopian Society; Tunnel Visions; Praha; Drinkin' & Drivin'; Arkomplex; Weightless; Weightless Reprise; Tunnel Visions Revisited (Live).

7

Article: Album Review

Skyjack: The Hunter

Read "The Hunter" reviewed by Friedrich Kunzmann


This South African / Swiss combo might seem like an unlikely pairing on paper, but turns out to be more than fruitful on record. The Hunter represents the sophomore effort by the collaboration between Swiss winds Marc Stucki and Andreas Tschopp and the South African rhythm section made up of Shane Cooper and Kesivan Naidoo on ...

10

Article: Album Review

Abdullah Ibrahim: Dream Time

Read "Dream Time" reviewed by Chris May


Stream-of-consciousness solo-piano recitals come in as many shades as jazz itself. At one extreme are Keith Jarrett's messianic epics. At another are Abdullah Ibrahim's less flashy but deeper outings. Ibrahim's style is about substance, space and subtlety. He says more by doing less. Duke Ellington and Thelonious Monk, after all, were his formative influences.


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