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John Coltrane And Johnny Hartman
by Ian Patterson
When little in the world seems to make much sense anymore, when all the noise, turmoil and strife is getting to be too much, there can be no better medicine than beautiful music to soothe the troubled mind. The pairing of tenor saxophonist John Coltrane and baritone singer Johnny Hartman might have seemed like a left-field ...
Detroit Jazz Festival 2024: The Year of Alice
by Paul Rauch
Detroit Jazz Festival 2024 Hart Plaza & Campus Martius Detroit, MI August 30-September 2, 2024 An annual pilgrimage to the Detroit Jazz Festival allows a jazz fan, or in this case, a jazz journalist, to reset to an internal default setting for what this music means to us on a very ...
Alex Jenkins Trio: Black Bird
by Dan McClenaghan
An initial spin of Sacramento-based drummer Alex Jenkins' Black Bird--recorded by the Alex Jenkins Trio (AJT)--brings saxophonist Sonny Rollins' A Night At The Village Vanguard (Blue Note, 1958) to mind. Rollins rolled in the trio mode for these 1957 Vanguard shows with just his saxophone, bass and drums. Going on stage in 1957 without a chording ...
Kasan Belgrave Takes Off
by Paul Rauch
As a jazz journalist, attending summer festivals is almost a rite of passage, a journey to a place where so many pieces of the international jazz community are gathered in one spot to sample, or to indulge oneself. Over the years, accompanied by repeated visits, the sights and sounds of the festival locations become clearer and ...
Mere Noisemakers
by Troy Hoffman
Drummers used to be predominantly known as mere noisemakers (not musicians) coming out of the Vaudeville-era, where percussionists were seen as background tools. They often carried out sound effect cues, sent from studios to theaters, for silent films. This left drummers with the responsible task of mimicking the sounds of hurricanes, car crashes and thunderstorms from ...
Lakecia Benjamin: Phoenix Reimagined (Live)
by Mike Jurkovic
The certifiable beauty of Phoenix Reimagined (Live) is that it all happens in very very real time as Lakecia Benjamin comes fiercely into her immediate own and then, in a tear of a performance that blisters the paint on the wall, surpasses herself. It is a momentous achievement. One that we rarely get to hear up ...
Linda Sikhakhane: Iladi
by Chris May
It is beyond coincidence that the two most uplifting albums released by male saxophonists so far in 2024 were made by players who use their music, in part, to celebrate female wisdom. The albums are Linda Sikhakhane's Iladi and Oded Tzur's My Prophet (ECM). New York-based Tzur's My Prophet, like its immediate predecessor, ...
Alex Kautz: Where We Begin
by Katchie Cartwright
Born and raised in São Paulo, drummer Alex Kautz moved to Mexico City with his parents in 1996. His sound world growing up included his parents' MPB (música popular brasileira), bossa nova and samba, along with North American rock and a bit of classical music. Jack DeJohnette's New Directions (ECM, 1978)--with Lester Bowie, Eddie Gomez and ...
Jared Hall: Influences
by Paul Rauch
Jazz music has proliferated through generations traditionally by means of the oral tradition--meaning that knowledge is passed on by mentors, some by personal connection and others by more casual means. In modern times, this tradition lives alongside the jazz school phenomenon, where classrooms and studios incubate talent, while students inescapably still must pay their dues on ...
Oded Tzur: My Prophet
by Mike Jurkovic
Simultaneously an open call to prayer and a frisky dance of the debutantes, “Epilogue" and “Child You" beckon and pirouette the muse, the spirit, the higher gods of our calling to come and celebrate My Prophet. Crazy good from the solemn “Epilogue" to the rattling closer, “Last Bike Ride In Paris," My Prophet is ...
