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Results for "Elvin Jones"
Mere Noisemakers
by Troy Hoffman
Drummers used to be predominantly known as mere noisemakers (not musicians) coming out of the Vaudeville-era, where percussionists were seen as background tools. They often carried out sound effect cues, sent from studios to theaters, for silent films. This left drummers with the responsible task of mimicking the sounds of hurricanes, car crashes and thunderstorms from ...
Lakecia Benjamin: Phoenix Reimagined (Live)
by Mike Jurkovic
The certifiable beauty of Phoenix Reimagined (Live) is that it all happens in very very real time as Lakecia Benjamin comes fiercely into her immediate own and then, in a tear of a performance that blisters the paint on the wall, surpasses herself. It is a momentous achievement. One that we rarely get to hear up ...
Linda Sikhakhane: Iladi
by Chris May
It is beyond coincidence that the two most uplifting albums released by male saxophonists so far in 2024 were made by players who use their music, in part, to celebrate female wisdom. The albums are Linda Sikhakhane's Iladi and Oded Tzur's My Prophet (ECM). New York-based Tzur's My Prophet, like its immediate predecessor, ...
Alex Kautz: Where We Begin
by Katchie Cartwright
Born and raised in São Paulo, drummer Alex Kautz moved to Mexico City with his parents in 1996. His sound world growing up included his parents' MPB (música popular brasileira), bossa nova and samba, along with North American rock and a bit of classical music. Jack DeJohnette's New Directions (ECM, 1978)--with Lester Bowie, Eddie Gomez and ...
Jared Hall: Influences
by Paul Rauch
Jazz music has proliferated through generations traditionally by means of the oral tradition--meaning that knowledge is passed on by mentors, some by personal connection and others by more casual means. In modern times, this tradition lives alongside the jazz school phenomenon, where classrooms and studios incubate talent, while students inescapably still must pay their dues on ...
Oded Tzur: My Prophet
by Mike Jurkovic
Simultaneously an open call to prayer and a frisky dance of the debutantes, “Epilogue" and “Child You" beckon and pirouette the muse, the spirit, the higher gods of our calling to come and celebrate My Prophet. Crazy good from the solemn “Epilogue" to the rattling closer, “Last Bike Ride In Paris," My Prophet is ...
Carl Clements: A Different Light
by Dan McClenaghan
Sunlight beaming into a church through a stained-glass window is a different light--tinted and soft-hued, suggestive of the presence of divinity. Saxophonist Carl Clements' quartet outing, A Different Light, gives the same impression. Looking to the album's stained glass-like cover art, artist Amanda Barrow's visual for the album seems a fine fit for this distinctive, modern ...
The Core: Roots
by Mark Corroto
It has been over a decade since a release from the Norwegian jazz band The Core. Founded in 2001, the quartet released half a dozen albums before mostly going their separate ways. Saxophonist Kjetil Møster worked with Gard Nilssen, Mats Gustafsson, and Per Zanussi, pianist Erlend Slettevoll with Hedvig Mollestad and Petter Wettre, bassist Steinar Raknes ...
Antonio Flinta: Anger, Commitment and Love
by Dan McClenaghan
Chilean-born pianist Antonio Flinta, based now in Italy, catches the ear with his solo piano presentations. His alone-at-the-keyboard albums include Secret Of A Kiri Tree (2022) and 2023's marvelous Peripheral Songs's--both self-produced discs that make a great argument for self-production; they can sit on a serious listening shelf with Keith Jarrett, Kenny Werner or Marc Copland. ...
Joe Henderson: Power to the People
by C. Andrew Hovan
Beginning with 1963's Page One, Joe Henderson led a series of five albums for the Blue Note label that firmly established his reputation as a unique and budding artist with something vital to say. He was one of many artists at that time who utilized his Blue Note contract to document his every move while establishing ...
