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Warren Chiasson: New York, January 31, 2012
by Bob Kenselaar
Warren Chiasson: A Tribute to George ShearingNew York Bahá'í Center, John Birks Gillespie AuditoriumNew York, NYJanuary 31, 2012 “Joy"--now, there's a word people don't always toss around loosely when talking about music. But it's the perfect word to describe how Warren Chiasson approaches the vibraphone--with great joy and with terrific mastery, ...
Barry Harris at the Village Vanguard
by Bob Kenselaar
Barry HarrisVillage VanguardNew York, NYJanuary 15, 2012 Ambling in from the back of the room, Barry Harris introduced his trio to the crowd at the Village Vanguard as the musicians filed in ahead of him: Ray Drummond on bass, Leroy Williams on drums, and then he announced, with a wink, ...
BAM or JAZZ: Part Two!
by Greg Thomas
Jazz, an art form given birth in the United States by descendents of the formerly enslaved, has a complicated relationship with race. Although race, as a popular idea, has no basis in biology, many people mentally adhere to the idea of dividing groups of people based on “race" as opposed to understanding how groups of people ...
Steve Coleman and Five Elements: The Mancy of Sound
by Ian Patterson
Although alto saxophonist Steve Coleman's conceptual approach to composition has grown increasingly adventurous, high-brow or esoteric, depending on your viewpoint--with lunar phases and the Yoruba of West Africa's philosophical system providing inspiration here--The Mancy of Sound merely represents Coleman's relationship to the world, which is the font of most music of worth. Retaining the same musicians ...
Jimmy Owens: The Monk Project
by Dan Bilawsky
Albums built on the idea of reworking the music of Thelonious Monk have become so commonplace as to risk being seen as old hat before the shrink wrap even comes off the CD, but the success or failure of these projects doesn't rest with the actual recasting of the legendary pianist's work. The manner by which ...
Andrew Cyrille & Haitian Fascination: Route de Freres
by Nic Jones
Defying preconceived notions, a band featuring two highly persuasive advocates of the free and the near-free has produced a record of warm and winning world music potent enough to lift the spirit in the depths of winter. The band is named Haitian Fascination for a very good reason. Not only is drummer Andrew ...
Harry Connick, Jr.: Music From The Happy Elf
by Dan Bilawsky
"The Happy Elf" is just one of many numbers that Harry Connick, Jr. dished out on Harry For The Holidays (Sony/Columbia, 2003), but this particular song proved to be the seed for cross-marketing manna, which makes it a microcosm of the man himself. Connick has crooned his way into the hearts of millions, proven himself on ...
Mike Westbrook: Art Wolf at 75
by Duncan Heining
Close your eyes for a moment. Imagine a jazz composer who began with Ellington and then moved on through Mingus. He soon encompassed rock music, Kurt Weill, Rossini, the traditions of English church music and the pastoralism of Vaughan Williams and Holst, but still found a place in his music for The Beatles, European political cabaret ...
Darius Jones Trio: Big Gurl (Smell My Dream)
by Troy Collins
Darius Jones' debut recording, Man'ish Boy (A Raw & Beautiful Thing) (AUM Fidelity, 2009), heralded the arrival of an important new voice on alto saxophone. Big Gurl (Smell My Dream) is the second release in an ongoing series of concept records slated to document Jones' personal development--from his origins in Richmond, Virginia to his relocation as ...
Dead Cat Bounce: Chance Episodes
by Andrew J. Sammut
Saxophonist/composer Matt Steckler mentions “remembering things anew," when describing the music he wrote for Chance Episodes. Dead Cat Bounce certainly “remembers" several influences on its fourth album, yet its members recollect via their own unique voices. The Boston-based sextet munches on several speeds of hardboiled swing for “Food Blogger," with calypso beats sandwiched ...
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