Results for "Elise Dabrowski"

Elise Dabrowski

Elise Dabrowski started out with the Maîtrise de Radio France, singing in Olivier Messiaen’s Trois Petites Liturgies de la Présence Divine and in Mahler’s third symphony with the Boston Symphony Orchestra, directed by Seiji Ozawa. She has participated in various creations by Thierry Pécou, Édith Lejet, Gérard Condé and Claude Ballif. She was selected by the Centre d’Art Lyrique de la Méditerranée, where she perfected her voice. She sang Malher’s "Knaben Wunderhorn" at the Festival of Young Artists in Bayreuth, having a particular fondness for the German repertoire. Her work is focussed on contemporary scenic creation: "La Rhésérection" by Jonathan Pontier, "Chant d’Hiver" by Samuel Sighicelli, "La Métamorphose" by Michaël Lévinas with the Balcon ensemble, directed by Maxime Pascal, "Avenida de los Incas" by Fernando Fiszbein at Lille opera house with Le Balcon, "Bureau 470" by Bordalejo, "Crumbling Land" co-produced by Opéra de Lille 2016-2017 (associated composer and singer), "Voyage d’Hiver" by Jelinek and Sébastien Gaxie and "Jacob Lenz" by Wolfgang Rihm at the Athénée-Louis-Jouvet theatre. She combines the instrumental and vocal aspects of her career (double bass player and singer) into original projects

Bassisterhood - Part 2

by Ludovico Granvassu
December 8, 2020

We continue our exploration of bands and projects lead by female bass players which have become exponentially more prominent in the past two decades. Here is the fascinating music by musicians that debunk commonly held stereotypes related to the physicality of music, and develop a personal way to synthesize their countless sources of inspiration.