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Article: Album Review

Andy Sheppard: Romaria

Read "Romaria" reviewed by Luca Casarotti


ECM rappresenta quasi per antonomasia un'estetica della sottrazione, fatta di tempi dilatati, atmosfere rarefatte e poche, a volte pochissime, note: solo le note necessarie, come vuole la massima di João Gilberto da cui prende il titolo l'autobiografia di Enrico Rava, un artista che non a caso ha legato il suo nome a quello dell'etichetta di Manfred ...

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Article: Album Review

Jan Peter Schwalm: How We Fall

Read "How We Fall" reviewed by Mark Sullivan


Jan Peter Schwalm is a German composer and music producer, best known for his collaborations with ambient music pioneer Brian Eno, including the album Drawn From Life (Opal, 2001). Since 2006 Schwalm has been a regular guest at Norway's Punktfestival, distinguishing himself as a live remixer. He has also developed a long- term partnership with Norwegian ...

Article: Live Review

Vicenza Jazz 2018 - Seconda parte

Read "Vicenza Jazz 2018 - Seconda parte" reviewed by Angelo Leonardi


Vicenza Jazz Varie sedi 10--20.05.2018 Proseguiamo con il festival vicentino, i cui primi concerti sono stati recensiti da Libero Farné. In una rassegna così ricca di appuntamenti --come sempre dislocati in vari luoghi cittadini e in differenti orari --è ovviamente impossibile seguire tutto e anche questa seconda parte verterà sui concerti serali ...

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Article: Radio & Podcasts

Erik Friedlander throws a glass of absinthe, and more new releases

Read "Erik Friedlander throws a glass of absinthe, and more new releases" reviewed by Ludovico Granvassu


This week Mondo Jazz chats with cellist Erik Friedlander about his latest project inspired by Pablo Picasso's bronze sculpture “Glass of Absinthe." Artemisia--a visually stunning vinyl box set containing musically stunning work--features Uri Caine on piano, Mark Helias on bass and Ches Smith on drums. And, of course, more new releases! Playlist ...

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Article: Album Review

Bill Frisell: Music IS

Read "Music IS" reviewed by John Kelman


The tradition of solo jazz guitar recordings is a long one, with guitarists like Johnny Smith, Al Viola, George Van Eps, Lenny Breau and Joe Pass demonstrating just how far a mere six (in some cases, seven) strings could be taken on their own as far back as the 1950s. Subsequent guitar soloists like John Abercrombie ...

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Article: Album Review

Andy Sheppard Quartet: Romaria

Read "Romaria" reviewed by Geno Thackara


Where so much music treats silence as an exception, Andy Sheppard's recordings find it serving more as the rule. He's never been one for weaving flashy speed runs or feeling pressure to fill space. Even when his sax lines speed up from time to time through Romaria, they serve the mood with tasteful restraint, smoothly evoking ...

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Article: Building a Jazz Library

15 Emerging Norwegian Jazz Musicians You Need To Know About

Read "15 Emerging Norwegian Jazz Musicians You Need To Know About" reviewed by Luca Vitali


Double your Norwegian jazz pleasure: listen to our companion Norwegian jazz mixtape while reading this article. Far too many people talk about the Norwegian scene as being “interesting because it's so exotic." Those who think so, have in mind its “Nordic Tone," that distinctive mood which evokes snow, mountains and icy fjords. This kind ...

Article: Live Review

Jazz & Wine Of Peace Festival 2017

Read "Jazz & Wine Of Peace Festival 2017" reviewed by Neri Pollastri


Jazz & Wine of Peace Festival Cormòns (GO) Teatro Comunale di Cormòns e varie sedi nel Collio e in Slovenia 24-20.10.2017 Arrivava all'edizione numero venti il Jazz & Wine of Peace di Cormòns, che ha celebrato l'avvenimento con un disco, un libro (non solo) di fotografie (dei quali parliamo ...

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Article: In Pictures

Tigran Hamasyan "Atmosphères" Quartet at Mittelfest

Read "Tigran Hamasyan "Atmosphères" Quartet at Mittelfest" reviewed by Luca Vitali


Article: Live Review

PunktFestival 2017

Read "PunktFestival 2017" reviewed by Luca Vitali


Punkt Festival Kristiansand, Norvegia Varie sedi 31.8-2.9.2017 Come sempre Punkt è un festival fuori dall'ordinario e all'insegna dell'imprevisto e dell'imprevedibile. Una sorta di Industria 4.0 della musica: fuori dal “circolo" dei tour estivi, tipico dei festival jazz, e poco interessato a fotografare il passato e il presente, è invece molto attento ...


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