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Results for "Eivind Aarset"
Punkt in Mannheim: Enjoy Jazz Festival: Days 11-12, October 30-31, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12Since its inception in 2005, the Norwegian Punkt festival has been gaining an international reputation for innovation and creativity. With a founding premise of Live Remix--where individual concerts, crossing the breadth of jazz but also beyond, are remixed immediately following the performance with other ...
Enjoy Jazz Festival: Days 7-10, October 26-29, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 The main purpose of visiting the Heidelberg/Mannheim/Ludwigshafen region may be for the music, but during the day there's plenty to see and do. Wandering around the old part of Heidelberg, it's difficult not to be moved by the profound sense of age, especially coming ...
Enjoy Jazz Festival: Days 1-2, October 20-21, 2009
by John Kelman
Days 1-2 | Day 3-6 | Days 7-10 | Days 11-12 Situated along the Neckar River in the central part of Germany, Heidelberg may seem like an unlikely place for a six-week jazz festival in the middle of the fall each year. But Enjoy Jazz, now in its eleventh year, has been bringing an ...
Lama: Look What You Made Us Do
by John Kelman
Its performance rattled more than a few cages at Punkt 2008, in Kristiansand, Norway. Still, Lama's debut, Guidebook to Lamaland (Spoon Train Audio, 2008), was really a solo album hiding beneath a group name, with the exception of one cathartic live track that featured the full group. Lama's sophomore disc, Look What You Made Us Do, ...
Kornstad: Dwell Time
by John Kelman
Since emerging in the 1990s with Wibutee, saxophonist/flautist Håkon Kornstad has gradually evolved into one of Norway's most exciting and innovative players--a description that would, no doubt, be applied by a broader international audience were he to recieve the exposure he so richly deserves. In recent years, combining unparalelled extended technique on his instruments with equally ...
Punkt Festival 2009: Day 4, Kristiansand, Norway, September 5, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 For its fifth year, Punkt Festival's evening programming was, more than any other, organized around clearer thematic lines, although that still meant a considerably broader purview than most other festivals--and, of course, there was the occasional exception. The first day spotlighted up-and-coming talent; ...
Punkt Festival 2009: Day 3, Kristiansand, Norway, September 4, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 With the musical laboratory that's Punkt Live Remix, it's sometimes possible for a remix to actually surpass its source performance. With (for the most part) Punkt Co-Artistic Directors Jan Bang and Erik Honoré listening to each performance while it's in progress ...
Punkt Festival 2009: Day 1, Kristiansand, Norway, September 2, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 ---> Every festival has its raison d'être, but the Kristiansand festival, in Norway, has many. It's primary definer is its Live Remix" concept--where performances in Agder Theatre's main hall are immediately followed by live remixes of the performance just passed, with additional musicians interacting, ...
Seven Days In Norway: The 2009 Oslo Jazz Festival
by Thomas Conrad
Oslo Jazz FestivalOslo, NorwayAugust 9-15, 2009 Sunday August 9 was the first day of the Oslo Jazz Festival. It was cloudy and cool and rained off and on all day until, miraculously, the skies cleared just in time for the opening concert. Antony and the Johnsons performed with the Norwegian National Opera Orchestra ...
This Ain't No Ukelele: Jazz Guitarists Anthony Wilson, Daniel Santiago and John Pondel
by Martin Gladu
For better or worse, the electric guitar has generally projected an image of masculinity, a certain macho quality even. Perfect examples of this are the scenes involving Steve Vai's Jack Butler character in Walter Hill's Crossroads (Columbia Pictures, 1986). Cruelly demanding, the instrument has bruised many male egos and crushed their dreams of stardom and fame.


