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Mark Isaacs Resurgence Band: Aurora
by C. Michael Bailey
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, ...
Marty Williams: Long Time Comin'
by C. Michael Bailey
Bay Area fixture Marty Williams does not have a pretty singing voice. It doesn't need to be because it is a commanding one--readily identifiable, friendly, accessible and honest. and worth much more than being pretty. Doubly talented, Williams has a piano style right out of the righteous songbook of Junior Mance, Les McCann, and Gene Harris, ...
Shawn Costantino: Waltz for Anne
by C. Michael Bailey
Finally! A collection of Adult Contemporary jazz that has something to say and knows how to say it. Nothing signals oncoming Muzak more than jazz propelled by electric bass, guitar, and piano. Fortunately, multi-reedist Shawn Costantino slays those dragons of jazz prejudice early in his self-produced Waltz for Anne, with an incendiary cover of The Beatles' ...
Rich Corpolongo Trio: Get Happy
by Jerry D'Souza
Tenor saxophonist Rich Corpolongo has been a presence on the Chicago jazz scene for several years, during which time he has solidified his base as a performer. In the early days, he played with Herbie Hancock, Eddie Harris and Gary Burton, among others, going on to form his own band, which played several times at the ...
Charles Pillow: Sound Crafter
by Victor L. Schermer
Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional.
Art Pepper: Unreleased Art Vol. 5: Stuttgart May 25, 1981
by Chris M. Slawecki
Recorded during a European tour by Pepper's “comeback quartet" with drummer Carl Burnett, bassist Bob Magnusson and pianist Milcho Leviev, Unreleased Art Vol. 5: Stuttgart May 25, 1981 is a genuine labor of love: Not only the performers' love of music but also the devotion of this alto saxophonist's fans, who sent their own recordings of ...
Argenti & Rosa: Boston Gig
by C. Michael Bailey
When Hank Mobley's “Funk in the Deep Freeze" and Eddie Harris' “Freedom Jazz Dance" are brought close together on a recording, hard bop critical mass occurs, giving rise to music like guitarist Enrico Rosa's “Stress Me" that opens the Argenti/Rosa recording, Boston Gig. But this is a controlled detonation. So breezy and strolling ...
40 Year Old Bitches, New MilesTones & Others, Too
by Chris M. Slawecki
AntibalasWho is This America? Ropeadope Records2010 Few American bands have been more influential in the global Afrobeat movement than the Brooklyn collective Antibalas. Keeper of the African protest flame ignited by Nigerian musician/activist Fela Kuti in the 1970s, Antibalas' reach is expansive and impressive: it contributed to the ...
Newest ARC Members Cover Broad Demographic of Talent
2010 has seen a continual growth of the Artists Recording Collective roster of member artists and producers. ARC includes GRAMMY winners and musicians who create high quality and thoughtful work of most all styles across the entire jazz spectrum. Two exciting young artists, saxophonist, Anthony E. Nelson, Jr. and guitarist, Dan Arcamone have joined ARC. These ...
James Zollar: Zollar System
by Raul d'Gama Rose
It is an unfortunate fact that trumpeter James Zollar is nowhere near as well-known as he should be. But that may be about to change. Zollar Systems may be about to put Zollar in an orbit all his own. A genuine renaissance man of the horn, Zollar is a singular voice on the instrument that is ...
