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ECM e le voci: Theo Bleckmann e Sinikka Langeland
by Mario Calvitti
Con gli anni, le voci hanno acquistato un carattere sempre più rilevante nel catalogo ECM rispetto ai tempi della sua fondazione, quando l'etichetta bavarese era rivolta alla pubblicazione di musica di carattere prevalentemente jazzistico e quasi esclusivamente strumentale. I primi nomi di cantanti a trovar spazio nel catalogo dell'etichetta sono stati quelli di Norma Winstone, Aina ...
Tomasz Stańko New York Quartet: December Avenue
by Giuseppe Segala
Sulla scia del precedente, intenso Wislawa, dedicato alla poetessa polacca Wislawa Szymborska, sempre realizzato insieme al New York Quartet, questo December Avenue sviluppa la medesima dimensione espressiva, intrisa di lirismo. Un quartetto che interpreta al meglio i percorsi di Tomasz Stanko, già delineati al tempo delle registrazioni con la formazione polacca dallo stesso organico strumentale che ...
Django Bates: The Study of Touch
by Karl Ackermann
Pianist, horn player, composer, and all-around musical disruptor, Django Bates brings back his Belovèd Trio for a third go-round, this time with The Study of Touch, his ECM leader debut. Bates--over his renowned career--has recorded in a full range of scenarios; a solo pianist on Autumn Fires (and Green Shoots) (JMT, 1994) and recently, a musician/arranger/conductor ...
David Torn: Making Records, Film Composition, and Working With David Bowie
by Mark Sullivan
Experimental guitarist, looper, songwriter, improviser, session guitarist, film composer, record producer, mixer...David Torn is all of those things. He is constantly on the move, looking forward to the next thing. He was last interviewed for All About Jazz in 2007 ("David Torn: A Lifetime Of Improvisation In Non-Improvisational Settings“). Our conversation mostly ranged over his many ...
Stefano Battaglia: Pelagos
by Alberto Bazzurro
Questo dovrebbe essere il settimo album di Stefano Battaglia su ECM, a partire da Raccolto, del 2005, nonché il primo inciso per l'etichetta tedesca (nel maggio 2016 alla Fazioli Concert Hall di Sacile) interamente in solitudine, formula peraltro largamente praticata dal pianista milanese su altre etichette (e ricordiamo almeno Baptism, o Il cerchio interno, o ancora ...
Stefano Battaglia: Pelagos
by Dan McClenaghan
Italian pianist Stefano Battaglia, an ECM artist since 2005, is a player possessed of an alluring refinement and polish carried over into his jazz work via his classical training. His best recordings, 2015's In the Morning (ECM Records) and River Of Anyder (ECM Records, 2011), are studies intricate and understated beauty. Both are piano trio outings--a ...
Anouar Brahem: Blue Maqams
by John Kelman
Following an unusually long, five-year gap between 2009's low register-driven The Astounding Eyes of Rita and 2014's particularly ambitious orchestral collaboration, Souvenance, Tunisian oudist Anouar Brahem returns with Blue Maqams, another game-changing release on ECM Records. Change--or, in some cases, natural evolution--has never been hard to find on Brahem's previous nine albums for the label, the ...
Django Bates: Beloved
by Mike Jurkovic
With boundless humor and flexible grace, pianist Django Bates offers us The Study of Touch the perfect piano trio music for the significant other who absolutely hates piano trio music. This is the first I have heard of Django Bates though he has been making shrewd music since 1979. He has played with a ...
Anouar Brahem: Blue Maqams
by Mario Calvitti
Fin dal suo disco d'esordio (Barzakh del 1991, pubblicato, come tutti i successivi lavori, dalla ECM e preceduto solo da alcune cassette autoprodotte) il compositore e suonatore di oud tunisino Anouar Brahem è stato tra i principali esponenti di una musica a cavallo tra Medio Oriente e Occidente, cercando una fusione tra musica araba, improvvisazione jazzistica ...
Bjorn Meyer: Provenance
by Mark Sullivan
Swedish electric bass guitarist Björn Meyer has worked with Persian harpist-singer Asita Hamidi (the program is dedicated to her memory), Swedish nyckelharpa player Johan Hedin and Tunisian oud master Anouar Brahem, and was a member of Nik Bärtsch's Ronin for a decade, often filling a lead instrument role. So he has a history of fitting his ...
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