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Keith Jarrett: Bordeaux Concert
by Mario Calvitti
Un nuovo album di Keith Jarrett rappresenta sempre un evento, anche se da quando l'ictus che lo ha colpito togliendogli la capacità di suonare il pianoforte possiamo soltanto aspettarci registrazioni realizzate nel corso delle sue passate tournée. In particolare, questo concerto di Bordeaux appartiene all'ultimo tour del pianista, cinque concerti tenuti in Europa nel Luglio 2016, ...
We Jazz Records: Finland's indie label shaking up the global conversation
by Rob Garratt
The past decade's genre-bending jazz renaissance has been well-documented, but between the trailblazing players taking improvised music to increasingly hip places, and the ever-growing audience queuing up to hear them, sits the homegrown labels bottling these brave, thrilling (r)evolutions for all to hear. In conversations about the state of jazz today, it's often easier to distil ...
Keith Jarrett: Bordeaux Concert
by Karl Ackermann
Recorded at the Bordeaux National Opera House, in July 2016, Bordeaux Concert marks Keith Jarrett's final solo performance in France. The improvised suite came from a prolific European tour which has produced three ECM releases to date. There is little doubt that the label will continue to extract Jarrett's live performances in the post-2018 period, which ...
Keith Jarrett: Bordeaux Concert
by Mike Jurkovic
Like so much of his renowned canon—including Köln Concert, Bremen-Lausanne, La Scala, A Multitude of Angels (ECM, 1975, 1973, 1997, 2016)— Bordeaux Concert feels like it has always been there. In the air, in the heart, in the quiet turnings of a world at large. Just waiting for one to encounter it and come to the ...
Hellbound Train—An Anthology
by Dan McClenaghan
A career anthology of trumpeter Miles Davis' music would struggle for cohesion, trying to combine sounds from his Birth Of The Cool (Capitol, 1957) to the first and second great quintets, to Bitches Brew (Columbia, 1970) and On the Corner (Columbia, 1972). It is a stew that is hard to digest in one sitting. It makes ...
Enrico Rava & Fred Hersch: The Song Is You
by Chris May
Flashbacks pop up immediately on registering the instrumentation (flugelhorn and piano) and material (jazz standards and Great American Songbook ballads) on Enrico Rava and Fred Hersch's The Song Is You. Among them, Chet Baker and Paul Bley's Diane (Steeplechase, 1985) and Baker and Enrico Pieranunzi's The Heart Of The Ballad (Philology, 1988). The ...
Oded Tzur: Isabela
by Mario Calvitti
A due anni di distanza dall'eccellente disco di esordio su ECM Here Be Dragons, preceduto da due CD pubblicati per Enja, che aveva sollevato lodi sperticate da parte di un po' tutta la critica, il sassofonista israeliano (ma basato a New York) Oded Tzur prova a bissarne il successo e non fallisce. Il nuovo lavoro ribadisce ...
Jon Balke: Siwan: Hafla
by David Bruggink
A large appeal of ECM Records has always been its encouragement of cross-cultural collaboration. Across countries and genres, listeners and critics alike have reveled in records from Codona (1979) to Le Pas du Chat Noir (2001), Chants, Hymns and Dances (2004) and Arco Iris (2011). There is joy in seeing musicians from diverse backgrounds come together to have their compositions treated with ...
Pori Jazz 2022
by Rob Garratt
Pori Jazz 2022 Kirjurinluoto Concert Park Pori, Finland July 14-16, 2022 If this year's 55th annual Pori Jazz festival had a “moment," it was when Immanuel Wilkins invited Shabaka Hutchings to the stage as a surprise guest for a dazzling 14-minute duet that capped the former's spellbinding set, ...
Gard Nilssen Acoustic Unity: Elastic Wave
by Chris May
The last time we heard from Norwegian drummer Gard Nilssen as a leader was with his Supersonic Orchestra—a three-drummer, three-bassist behemoth whose 2020 album, If You Listen Carefully The Music Is Yours (Odin), proved that, contrary to the precedent set by Stan Kenton, it is possible to assemble a big band packing Death Star-level ordnance which ...
