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Bagatellen und Serenaden
Label: ECM Records
Released: 2008
Track listing: 01-14. Bagatellen I-XIII, II (var.) per pianoforte (2005) - 34:29; 15. Elegie per orchestra d'archi (2000-2002) dedicato a Marina Kapitza - 04:51; 16-18. Stille Musik per orchestra d'archi (2002) dedicato a Manfred Eicher: I. Walzer des Augenblicks 04:39, II. Abendserenade - 03:12, III. Augenblicke der Serenade - 02:17; 19-20. Abschiendsserenade per orchestra d'archi (2003) dedicato a Ivan Karabits: I. - 02:06, II. - 02:51; 21 Der Bote per archi e pianoforte (1996) dedicato a Larissa Bondarenko - 09:12; 22-24. Zwei Dialoge mit Nachwort per orchestra d'archi e pianoforte (2001/02) dedicato a Arvo Part: I. Hochzeitswalzer 04:53, II. Postludium - 03:14, III. Morgenserenade - 02:39.
Julia Hülsmann Trio: The End of a Summer
by AAJ Italy Staff
Dura la vita del pianista jazz, soprattutto quando si esprime in trio. Bill Evans ha forse messo le note definitive su questa formazione. Dopo ci hanno provato, con successo ma senza essere degli innovatori radicali, Paul Bley e Keith Jarrett. Infine il compianto Esbjorn Svensson. Musicista senza le stimmate del genio, ma che ha cercato di ...
Julia Hulsmann Trio: The End of a Summer
by Dan McClenaghan
ECM Records stalwarts like Bobo Stenson, Tord Gustavsen and Keith Jarrett have, over the years, helped to define the German label's high quality artistry in the piano arena. And then there are the new players who offer up gorgeously compelling debuts that point in the direction of the future. In 2007 it was Anat Fort, with ...
Keith Jarrett / Gary Peacock / Jack DeJohnette: Setting Standards - New York Sessions
by Nenad Georgievski
Keith Jarrett / Gary Peacock / Jack DeJohnetteSetting Standards - New York SessionsECM Records2008 There are plenty of pianists in this world who are masters of their instruments, but no one plays the piano like Keith Jarrett. In a career that has been going forward ...
Paul Motian: Time and Time Again
by Nenad Georgievski
There's always magic in the air whenever Paul Motian, Bill Frisell and Joe Lovano get together and this album is no exception. A sequel to the brilliant I Have the Room Above Her (ECM, 2005), this is another master painting by these fine artists. Jazz has always favored individual voices and expressionism, and these players have ...
Julia Hulsmann Trio: The End Of A Summer
by John Kelman
Why do some artists achieve popularity in their own country and fail to make an impression elsewhere, while others cross that boundary with apparent ease? It's easy to argue that there's an “X" factor involved, a singular and identifiable something that allows an Esbjorn Svensson to attain international stature while pianist Julia Hulsmann, with a trio ...
Arild Andersen: Live at Belleville
by John Kelman
The general international perception of Norway's jazz scene as “Nordic Cool," is, like most generalizations, inevitably distanced from truth. Atomic, The Core and Motif may possess no shortage of heat, but ECM has undeniably helped define that unmistakable Norwegian aesthetic. One of the “big four," brought to international attention in the early 1970s alongside guitarist Terje ...
Enrico Rava: The Pilgrim And The Stars
by Budd Kopman
In celebration of its fortieth anniversary, ECM has initiated a program called Touchstones in which forty albums recorded from 1971-1993 have been reissued. The program has been designed both to allow collectors to fill in missing releases and to introduce new listeners to a wide range of the music that has defined the “ECM sound."
Arve Henriksen: Cartography
by AAJ Italy Staff
Il timbro della sua tromba ha ammaliato e fatto brillare diverse produzioni ECM, fino ad arrivare a questo Cartography che dovrebbe consacrare Arve Henriksen presso un pubblico più vasto. Album di intensa vena poetica e spontanea creatività, muove i suoi passi in un ambito difficile da definire, con paesaggi sonori a cavallo tra le musiche per ...
Trygve Seim / Frode Haltli: Yeraz
by Budd Kopman
Yeraz is an intimate, deep and beautiful exploration of both instrumental sound and artistic reactions to many different influences. It must be listened to carefully and patiently, not only because it is performed by a duo--saxophonist Trygve Seim and accordionist Frode Haltli--but because their musical choices are, for the most part, very subtle and carefully developed. ...
