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Adam Rudolph: Ragmala and Prototypical Music

by Franz A. Matzner
Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...
Jazz Musician of the Day: Earl Hines

All About Jazz is celebrating Earl Hines' birthday today! A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear ...
Listeners' Recent Faves

by Marc Cohn
Listeners' favorites this week from shows 381 to 390! Lots of 'pop' covers tickled your fancy this time around, along with a trip to New Orleans and the usual dose of grits & gravy. Enjoy the show. And, no, we haven't abandoned Blue Note 50th anniversary salutes (yet:); they will be featured next week. Thanks for ...
John Law: The Re-Creations Trilogy

by Jakob Baekgaard
John Law is one of the most prominent pianists on the British jazz scene and he is also a distinctive composer. So far, he has focused primarily on building a substantial compositional body of work, culminating in his ambitious Art of Sound tetralogy (33 Jazz, 2007-2009), followed by strong records like Three Leaps of the Gazelle ...
Your Antidote to Obsessively Melancholy Music!

by Marc Cohn
Gifts & Messages is here to rescue you from depressing news and to cure what ails you! After a rollicking opening segment from Hank Crawford, Vanessa Rodrigues, Brice Winston and Leslie Odom Jr., we continue to celebrate Sonny Rollins -his first recordings with the Clifford Brown-Max Roach Quintet. Then, it's the always sublime Stephane Grappelli, this ...
The Black Swan: A History of Race Records

by Karl Ackermann
Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...
Rick Lawn: The Evolution of Big Band Sounds in America

by Victor L. Schermer
From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...
Franco D'Andrea: La sostenibile leggerezza del suonare

by Mario Calvitti
L'occasione è troppo bella per lasciarsela sfuggire: il Maestro Franco D'Andrea è a Roma (siamo nella seconda metà di Settembre) per registrare il suo nuovo disco presso gli studi del Parco della Musica, e siamo stati invitati ad assistere alla sessione. Sono previste due giornate, e il nostro appuntamento è fissato per il primo giorno, nelle ...
That Dizzy Cat - Dizzy Gillespie (1945 - 1948)

by Russell Perry
Dizzy Gillespie grew up professionally playing in the big bands of Teddy Hill, Cab Calloway, Earl Hines and Billy Eckstine and writing for Woody Herman and Jimmy Dorsey. The wartime economy with its shortages and the musician's strike of the early 1940s led Gillespie to focus on small combos for his own projects, including his seminal ...
Harold Danko: His Own Sound, His Own Time

by Jakob Baekgaard
The famous sculptor, Henry Moore, hit the nail on the head when he said: there's no retirement for an artist, it's your way of living so there's no end to it." This statement certainly rings true in the case of pianist and composer, Harold Danko. Even though he has retired from a long and distinguished career ...