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Earl Hines

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A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear melodic line that stood out over the sound of a whole band, but he also had a magnificent technical command of the entire range of the keyboard. Earl Kenneth Hines was born into a musical family in Duquesne, Pennsylvania, on December 28, 1905. His father worked as a foreman at the local coal docks and played cornet with the Eureka Brass Band, a group that performed at picnics and dances

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Article: Rediscovery

International Sweethearts of Rhythm: una big band di donne afroamericane nella società sessista degli anni Quaranta.

Read "International Sweethearts of Rhythm: una big band di donne afroamericane nella società sessista degli anni Quaranta." reviewed by Maurizio Zerbo


Il genio creativo di Mary Lou Williams nell'era dello swing costituisce la punta di diamante della creatività jazzistica femminile, la cui storia è tutta da riscrivere. La presunta mancanza di forza fisica, abilità strumentale, senso dello swing fu alla base sello scetticismo della comunità jazzistica nei confronti delle donne, relegate al ruolo di vocalist in brani ...

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Article: History of Jazz

That Slow Boat to China: How American Jazz Steamed Into Asia

Read "That Slow Boat to China: How American Jazz Steamed Into Asia" reviewed by Arthur R George


A kind of jazz was already waiting in Asia when American players arrived in the 1920s, close to a hundred years ago. However, it was imitative and incomplete, lacked authenticity and live performers from the U.S. Those ingredients became imported by musicians who had played with the likes of Joseph “King" Oliver, Louis Armstrong, Earl Hines, ...

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Article: Interview

Frank Kimbrough: Changing the Contexts, Keeping It Fresh

Read "Frank Kimbrough: Changing the Contexts, Keeping It Fresh" reviewed by Wayne Zade


From the 1995-2003 archive: This article first appeared at All About Jazz in September 2002. Frank Kimbrough is one of the most versatile and innovative pianists in jazz on the New York and national scenes. He has been the pianist in the Maria Schneider jazz orchestra and has recorded seven albums under his own ...

News: Birthday

Jazz Musician of the Day: Earl Hines

Jazz Musician of the Day: Earl Hines

All About Jazz is celebrating Earl Hines' birthday today! A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear ...

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Article: So You Don't Like Jazz

Discovering Jazz through Pretzel Logic

Read "Discovering Jazz through Pretzel Logic" reviewed by Alan Bryson


It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...

News: Video / DVD

Paul Gonsalves Meets Earl Hines

Paul Gonsalves Meets Earl Hines

Tenor saxophonist Paul Gonsalves's centenary was over the weekend, on July 12. A romantic balladeer and gruff hard-charger, Gonsalves spent much of his career in the Duke Ellington Orchestra from 1950 onward. On his small-group leadership and sideman sessions, Gonsalves often was paired with tiger musicians who could rise to the occasion and give as good ...

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Article: Talking 2 Musicians

Jazz Musicians Up Against A Virus

Read "Jazz Musicians Up Against A Virus" reviewed by Rob Rosenblum


In the last year or so Good Times became the first jazz club in years to operate in Savannah, Forte Jazz Lounge sprouted up in Charleston and Middle C arrived in Charlotte. The Charleston Jazz Orchestra became a hub renamed to Charleston Jazz, providing both big band and small group concerts with unprecedented success. And, of ...

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Article: Building a Jazz Library

Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums

Read "Sex & Drugs & Jazz & Jive: Top Ten Stash Records Albums" reviewed by Chris May


With all the transgressive flair you would expect of bohemian New York City in the 1970s and 1980s, Bernie Brightman's Stash Records made its name with a hugely entertaining series of sex and drugs-themed compilations of swing-era recordings. The first was Reefer Songs in 1976. But Brightman's legacy extends much further. There was a finite amount ...

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Article: Radio

50th Anniversary Blue Notes for June

Read "50th Anniversary Blue Notes for June" reviewed by Marc Cohn


Blue Note 50th anniversaries from June 1970, just two though: Horace Silver (That Healin' Feelin') and Lou Donaldson (Pretty Things). There was also a Reuben Wilson session, but it was never released, and only the 'vault gods' know if it was any good. But you know there's more (don't you?). 21st century music from the Posi-Tone ...


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