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Earl Hines
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A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear melodic line that stood out over the sound of a whole band, but he also had a magnificent technical command of the entire range of the keyboard. Earl Kenneth Hines was born into a musical family in Duquesne, Pennsylvania, on December 28, 1905. His father worked as a foreman at the local coal docks and played cornet with the Eureka Brass Band, a group that performed at picnics and dances
Catherine Russell, Sean Mason: My Ideal
by Angelo Leonardi
Un album come questo può nascere solo dall'amore per i tesori nascosti del songbook statunitense. E l'amore vero, si sa, non fa calcoli. Sulla carta è ampiamente controcorrente (o se preferite demodé) e quindi fuori mercato per la sua scelta di escludere quasi completamente brani in grado di sollecitare la memoria del pubblico. L'unico ...
Tadd Dameron: Fontainebleau & Magic Touch Revisited
by Maurizio Zerbo
Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i ...
Prescribing Jazz: A Top Ten
by Artur Moral
National Doctors' Day is celebrated unevenly across our mistreated planet. It is absent in most countries, while it is observed as a holiday in a few. Coinciding (in the United States and Australia) with this day of recognition for a vital profession, this article is especially directed to the entire jazz-loving medical community, focusing on six ...
Gravity and Resurgence: The Many Dimensions of Dexter Gordon
by Arthur R George
Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...
Tania Grubbs: The Sound of Love
by John Chacona
Meet a person from Pittsburgh, Pennsylvania and you are likely to get a Chamber of Commerce-worthy commendation of their city's greatness. When it comes to jazz, the civic pride is more than warranted; the Steel City was home to immortals such as Earl Hines, Mary Lou Williams, Art Blakey and Kenny Clarke. Vocalist Tania Grubbs grew ...
Dizzy, Eri Yamamoto, Cecil Payne
by David Brown
This week, we'll check in with some late '60s, early '70s Dizzy Gillespie, then a set of new quartet and solo works from pianist Eri Yamamoto. Two new works from Blue Note records follow with an archival release pairing McCoy Tyner and Joe Henderson live at Slugs Saloon 1966 followed new music by the all-star collective ...
Quincy Jones: An Evening With A Legend
by Solomon J. LeFlore
This article was first published on All About Jazz on October 31, 2014. I love jazz! I love everything about it... the improvisation, syncopation, the forceful rhythm, and the fact that it is truly America's original art form. Its unique and innovative use of brass and woodwind instruments and the piano is jazz. And, ...
Ken Peplowski: Unheard Bird
by Jack Bowers
Even when the recording (in this case, two) is a classic--as, for example, Charlie Parker's memorable Bird with Strings (Mercury Records, 1950)--some songs that deserve better are necessarily left on the cutting-room floor. Some may see that as disappointing, while others--like reed specialist Ken Peplowski--embrace it as an opportunity. On Unheard Bird, Peplowski--with strings and a ...
Weather Bird: Sullivan Fortner and Ambrose Akinmusire at Rackham Auditorium
by C. Andrew Hovan
Weather Bird: Sullivan Fortner and Ambrose Akinmusire Rackham Auditorium 27th Performance of the UMS 145th Annual Season Ann Arbor, MI March 22, 2024 When it comes to its annual concert series, Ann Arbor's University Musical Society utilizes Hill Auditorium and the Michigan Theater as the venues for the majority of ...
