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Earl Hines

A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear melodic line that stood out over the sound of a whole band, but he also had a magnificent technical command of the entire range of the keyboard. Earl Kenneth Hines was born into a musical family in Duquesne, Pennsylvania, on December 28, 1905. His father worked as a foreman at the local coal docks and played cornet with the Eureka Brass Band, a group that performed at picnics and dances

Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums

Read "Bob Thiele's Flying Dutchman Records: Ten High Altitude Albums" reviewed by Chris May

Bob Thiele is best remembered for his years as the artistic director and house producer of Impulse!. He took over from founder producer Creed Taylor in 1961 and stayed with the label until 1969, when he left to run his own Flying Dutchman Records. Thiele's tenure at Impulse! was its most glorious period, when Thiele curated ...

Live in Schauburg, Bremen, Germany, 1983

Read "Live in Schauburg, Bremen, Germany, 1983" reviewed by Jakob Baekgaard

The history of jazz is not only a story of great individuals, but also a narrative of partnerships that have shaped the development of the music. Just think of Charlie Parker and Dizzy Gillespie, Louis Armstrong and Earl Hines and Al Cohn and Zoot Sims. There's also a proud tradition of combining saxophone and piano with ...

ARTICLE: INTERVIEW

Adam Rudolph: Ragmala and Prototypical Music

Read "Adam Rudolph: Ragmala and Prototypical Music" reviewed by Franz A. Matzner

Adam Rudolph has been seeking to push the boundaries of musical creativity for decades, developing a unique concept of composition, ensemble interaction, and conducting. As many writers have commented, his music resists critical commentary due to its prototypical nature. Said another way, Rudolph's music doesn't sound like anything else, and its antecedents are so varied that ...

NEWS: BIRTHDAY

Jazz Musician of the Day: Earl Hines

Jazz Musician of the Day: Earl Hines

All About Jazz is celebrating Earl Hines' birthday today! A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear ...

ARTICLE: RADIO

Listeners' Recent Faves

Read "Listeners' Recent Faves" reviewed by Marc Cohn

Listeners' favorites this week from shows 381 to 390! Lots of 'pop' covers tickled your fancy this time around, along with a trip to jny: New Orleans and the usual dose of grits & gravy. Enjoy the show. And, no, we haven't abandoned Blue Note 50th anniversary salutes (yet:); they will be featured next week. Thanks ...

ARTICLE: MULTIPLE REVIEWS

John Law: The Re-Creations Trilogy

Read "John Law: The Re-Creations Trilogy" reviewed by Jakob Baekgaard

John Law is one of the most prominent pianists on the British jazz scene and he is also a distinctive composer. So far, he has focused primarily on building a substantial compositional body of work, culminating in his ambitious Art of Sound tetralogy (33 Jazz, 2007-2009), followed by strong records like Three Leaps of the Gazelle ...

ARTICLE: RADIO

Your Antidote to Obsessively Melancholy Music!

Read "Your Antidote to Obsessively Melancholy Music!" reviewed by Marc Cohn

Gifts & Messages is here to rescue you from depressing news and to cure what ails you! After a rollicking opening segment from Hank Crawford, Vanessa Rodrigues, Brice Winston and Leslie Odom Jr., we continue to celebrate Sonny Rollins -his first recordings with the Clifford Brown-Max Roach Quintet. Then, it's the always sublime Stephane Grappelli, this ...

The Black Swan: A History of Race Records

Read "The Black Swan: A History of Race Records" reviewed by Karl Ackermann

Montgomery, Alabama native Perry Bradford was an African-American composer and vaudeville musician when he approached General Phonograph Company, Director of Artists, Fred Hagar in 1920. Bradford was pitching Mamie Smith, a relatively unfamiliar pianist and singer from Cincinnati, Ohio, and Hagar agreed to a two-side recording deal. Widely regarded as a blues singer, Smith more frequently ...

ARTICLE: INTERVIEW

Rick Lawn: The Evolution of Big Band Sounds in America

Read "Rick Lawn: The Evolution of Big Band Sounds in America" reviewed by Victor L. Schermer

From the latter part of the Jazz Age through the Swing Era, big bands dominated the jazz scene and a large part of the entertainment industry. After World War II, their fortunes declined, but their music soared to new heights, spurred on by innovative leaders, instrumentalists, and very importantly, the composers/arrangers who worked behind the scenes ...


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