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About Earl Hines

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Musician

Earl Hines

Born:

A brilliant keyboard virtuoso, Earl “Fatha” Hines was one of the first great piano soloists in jazz, and one of the very few musicians who could hold his own with Louis Armstrong. His so-called 'trumpet' style used doubled octaves in the right hand to produce a clear melodic line that stood out over the sound of a whole band, but he also had a magnificent technical command of the entire range of the keyboard. Earl Kenneth Hines was born into a musical family in Duquesne, Pennsylvania, on December 28, 1905. His father worked as a foreman at the local coal docks and played cornet with the Eureka Brass Band, a group that performed at picnics and dances

2

Article: Profile

Percy France: Live from the West End

Read "Percy France: Live from the West End" reviewed by Daniel Gould

by Daniel Gould

 If you know Percy France, most likely you are a fan of “greasy" organ jazz, particularly on Blue Note Records during their classic era. He was an integral part of Jimmy Smith's Home Cookin' (1959) and Freddie Roach's Down to Earth (1962). Or perhaps you came to jazz through r&b acts like the Bill Doggett combo. The ...

5

Article: Album Review

Ramona Horvath: Absinthe

Read "Absinthe" reviewed by Artur Moral

by Artur Moral

How could one not connect with someone who, from her debut album as a leader, Lotus Blossom (Black & Blue, 2017), demonstrated such knowledge and admiration for Billy Strayhorn's timeless compositions? Or who, in the liner notes of her new project, counts among her supporters fellow pianists of the stature of Giovanni Mirabassi, Ignasi Terraza and ...

Article: Album Review

Catherine Russell, Sean Mason: My Ideal

Read "My Ideal" reviewed by Angelo Leonardi

by Angelo Leonardi

Un album come questo può nascere solo dall'amore per i tesori nascosti del songbook statunitense. E l'amore vero, si sa, non fa calcoli. Sulla carta è ampiamente controcorrente (o se preferite demodé) e quindi fuori mercato per la sua scelta di escludere quasi completamente brani in grado di sollecitare la memoria del pubblico. L'unico ...

Article: Album Review

Tadd Dameron: Fontainebleau & Magic Touch Revisited

Read "Fontainebleau & Magic Touch Revisited" reviewed by Maurizio Zerbo

by Maurizio Zerbo

Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i ...

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Article: Building a Jazz Library

Prescribing Jazz: A Top Ten

Read "Prescribing Jazz: A Top Ten" reviewed by Artur Moral

by Artur Moral

National Doctors' Day is celebrated unevenly across our mistreated planet. It is absent in most countries, while it is observed as a holiday in a few. Coinciding (in the United States and Australia) with this day of recognition for a vital profession, this article is especially directed to the entire jazz-loving medical community, focusing on six ...

18

Article: History of Jazz

Gravity and Resurgence: The Many Dimensions of Dexter Gordon

Read "Gravity and Resurgence: The Many Dimensions of Dexter Gordon" reviewed by Arthur R George

by Arthur R George

Long Tall Dexter; swinger, bebopper, saxophone balladeer; acting the dissipated genius expatriate who was not unlike himself in the movie Round Midnight; his dressed-up persona “Society Red;" the laconic elder statesman of his later years. Dexter Gordon is all those things, but more than a kaleidoscope of caricatures. Those who trace their lineages through ...

8

Article: Album Review

Tania Grubbs: The Sound of Love

Read "The Sound of Love" reviewed by John Chacona

by John Chacona

Meet a person from Pittsburgh, Pennsylvania and you are likely to get a Chamber of Commerce-worthy commendation of their city's greatness. When it comes to jazz, the civic pride is more than warranted; the Steel City was home to immortals such as Earl Hines, Mary Lou Williams, Art Blakey and Kenny Clarke. Vocalist Tania Grubbs grew ...

1

Article: Radio & Podcasts

Dizzy, Eri Yamamoto, Cecil Payne

Read "Dizzy, Eri Yamamoto, Cecil Payne" reviewed by David Brown

by David Brown

This week, we'll check in with some late '60s, early '70s Dizzy Gillespie, then a set of new quartet and solo works from pianist Eri Yamamoto. Two new works from Blue Note records follow with an archival release pairing McCoy Tyner and Joe Henderson live at Slugs Saloon 1966 followed new music by the all-star collective ...

41

Article: Catching Up With

Quincy Jones: An Evening With A Legend

Read "Quincy Jones: An Evening With A Legend" reviewed by Solomon J. LeFlore

by Solomon J. LeFlore

This article was first published on All About Jazz on October 31, 2014. I love jazz! I love everything about it... the improvisation, syncopation, the forceful rhythm, and the fact that it is truly America's original art form. Its unique and innovative use of brass and woodwind instruments and the piano is jazz. And, ...


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